Hiss Golden Messenger | ||
| Allmusic Biography : A vehicle for singer/songwriter Michael Taylor (M.C. Taylor) and multi-instrumentalist and recording engineer Scott Hirsch, Hiss Golden Messengers fusion of classic rock, folk-pop, and sparse blues in various guises has seen Taylor compared to the likes of lo-fi legends Bonnie "Prince" Billy and Bill Callahan. Born and raised in Southern California, Taylor was inspired to pick up the guitar by his musician father, who had previously played in the Settlers, a pop outfit that once opened for John Denver. His first musical outing was with Scott Hirsch in the hardcore punk band Ex-Ignota, but the influences of the Beatles, the Byrds, and Buffalo Springfield proved too strong for him to ignore. He began writing his own songs, and in his late teens he moved to San Francisco, where he fronted the country-rock outfit the Court and Spark, who released four critically acclaimed albums before disbanding in 2007. After relocating to North Carolina, Taylor and Hirsch began to record material under the alias of Hiss Golden Messenger, but Taylor performed entirely solo with just an acoustic guitar for accompaniment when it came to playing live. Following the release of albums Country Hai East Cotton and the vinyl-only Root Work through their Heaven and Earth Magic Recording Company, they signed a deal with U.K. label Black Maps, which distributed Hiss Golden Messengers international debut, the nine-track acoustic mini-album Bad Debt, in 2010. In 2011, the boutique label Paradise of Bachelors pressed a very limited-LP run of Poor Moon, which sold out almost instantly. The pair also released Lord I Love the Rain on their own label. Tompkins Square re-released Poor Moon in 2012, as well as the single "Jesus Shot Me in the Head" b/w "Jesus Dub." A live, digital-only recording entitled Plowed: Live in Bovina was self-released that same year. Haw was issued by Light in the Attic in 2013. Taylor has also been a college lecturer specializing in folklore, is responsible for the blog The Old Straight Track, and has helped edit a music education curriculum for Quincy Jones. A reissue of Bad Debt, HGMs lost first recording (a very limited edition to begin with, its remaining copies were destroyed in the PIAS warehouse fire), saw reissue by Paradise of Bachelors with bonus and unreleased material. Taylor signed to Merge Records in January 2014. Hiss Golden Messengers debut for the label, Lateness of Dancers, was issued in September. Southern Grammar, a three-track EP titled for a track from the previous album, included a leftover from those sessions and an otherwise orphaned track. It was released in February of 2015. After intense touring, Taylor returned to Durham. In July 2016, Hiss Golden Messenger announced a new album on the Merge website before beginning a global tour. Entitled Heart Like a Levee, it was recorded in Durham and co-produced by Taylor and Bradley Cook with a close-knit group of collaborators including backing vocalists Tift Merritt and Alexandra Sauser-Monnig. A pre-release single, "Biloxi," was streamed at the same time as the announcement; the album appeared in October. In September 2017, after spending the previous summer playing festival dates and opening a string of shows for Mumford & Sons, Taylor released Hiss Golden Messengers Hallelujah Anyhow, and hit the road for a supporting headlining tour. In early 2018, Taylor collaborated with Virginias Spacebomb collective on a pair of songs to benefit the non-profit charity Everytown, which works to end gun violence in America. In the fall, a limited-edition deluxe retrospective box set was issued. Titled Devotion: Songs About Rivers and Spirits and Children, it included remastered versions of three Hiss Golden Messenger catalog offerings -- Bad Debt, Poor Moon, and Haw -- plus Virgo Fool, a bonus album of rarities available only with the collection. Each reissue featured newly penned liner notes by Amanda Petrusich (The New Yorker), with John Mulvey (Uncut, MOJO) providing the essay for Virgo Fool. | ||
 | Album: 1 of 13 Title: Country Hai East Cotton Released: 2009-06 Tracks: 11 Duration: 48:14 Scroll: Up Down Top Bottom 25% 50% 75% Spotify Allmusic AlbumCover | 1 Hey Diamond (06:01) 2 Watch Out for the Cannonball (03:28) 3 John Has Gone to the Light (04:59) 4 Oh Nathaniel (04:50) 5 Boogie Boogie (02:55) 6 Isobel (04:24) 7 Lion (05:46) 8 Row (04:35) 9 Instant Light (04:05) 10 Resurrection Blues (04:41) 11 Tongue in Cheek (02:30) |
| Country Hai East Cotton : Allmusic album Review : Hiss Golden Messenger is the new project put together by MC Taylor (who goes by the name of Jai Lil Diamond on Country Hai East Cotton) and Scott Hirsch, formerly of the San Francisco based ambient Americana band the Court and Spark. whose records with Taylor and Hirsch had a laid-back feel (although the live band tended to rock a lot harder than the albums.) After that band was laid to rest. Taylor and Hirsch started work on a new project, and the resulting album is a lot harder-edged than their work as the Court and Spark, although their fusion of folk, dub, jazz, blues, and rock is still evident. The record took more than three years to make and was recorded in San Francisco, New York, and Taylors new home in North Carolina, where he moved to study ethnomusicology. A large cast of co-conspirators helped out, but the sound is a logical extension of what they were doing with the Court and Spark, a band that often got tagged as a country outfit, perhaps because they used pedal steel in their arrangements, although it was always played in a most un-country manner. Pedal steel shows up again here on "O Nathaniel," which could be called ambient country reggae. The pedal steel here isnt country, just another icy breeze blowing across a blue landscape, and the blending of reggae and cowboy rhythms sounds so natural youll wonder why no ones ever tried it before. Despite its title, "Boogie Boogie" is a dark, droning piece that sounds like a reinvented prison work song with a funeral drumbeat and lots of squalling psychedelic guitar. "Isobel" shows off Taylors warm, distinctive voice in a mournful, Memphis-flavored R&B; setting. "Tongue in Cheek" is a faux-Celtic ballad delivered by Taylor, his acoustic guitar, and a basic bodhran jig time beat, while "Row" is a country-rock song about a flood, metaphorical or actual. Banjo, electric piano, and simple percussion weave a mood of inevitable disaster with a slide or pedal steel adding ghostly accents. "Watch out for the Cannonball" has a jittery beat and a synthesizer string chart thats more Stan Getzs Focus than ELO. Hiss Golden Messenger is looser than the Court and Spark with lots of extended instrumental work giving the tracks an expansive feel without ever losing focus. The album was produced in a limited edition of 500 for the duos own small label, but its well worth tracking down. | ||
 | Album: 2 of 13 Title: Bad Debt Released: 2010-11-22 Tracks: 12 Duration: 42:35 Scroll: Up Down Top Bottom 25% 50% 75% Spotify AlbumCover | 1 Balthazar’s Song (03:18) 2 No Lord Is Free (05:03) 3 Bad Debt (02:56) 4 O Little Light (04:13) 5 Straw Man Red Sun River Gold (03:59) 6 Far Bright Star (02:01) 7 The Serpent Is Kind (Compared to Man) (03:33) 8 Call Him Daylight (03:26) 9 Jesus Shot Me in the Head (05:15) 10 Super Blue (Two Days Clean) (03:06) 11 Roll River Roll (03:17) 12 Drum (02:28) |
 | Album: 3 of 13 Title: Poor Moon Released: 2011 Tracks: 12 Duration: 45:12 Scroll: Up Down Top Bottom 25% 50% 75% Spotify Allmusic AlbumCover | 1 Blue Country Mystic (04:08) 2 Call Him Daylight (03:31) 3 Drummer Down (02:51) 4 Under All the Land (03:49) 5 Westering (04:19) 6 Pittsboro Farewell (Two Monarchs) (02:51) 7 Super Blue (Two Days Clean) (04:36) 8 Jesus Shot Me in the Head (05:07) 9 O Little Light (03:02) 10 A Working Man Cant Make It No Way (03:46) 11 Dreamwood (03:28) 12 Balthazars Song (03:44) |
 | Album: 4 of 13 Title: From Country Hai East Cotton Released: 2011-04-11 Tracks: 7 Duration: 32:41 Scroll: Up Down Top Bottom 25% 50% 75% Spotify AlbumCover | 1 Isobel (04:24) 2 Watch Out for the Cannonball (03:28) 3 John Has Gone to the Light (04:59) 4 O Nathaniel (04:50) 5 Row (04:35) 6 Lion (05:46) 7 Resurrection Blues (04:39) |
 | Album: 5 of 13 Title: Haw Released: 2013-04-02 Tracks: 11 Duration: 41:48 Scroll: Up Down Top Bottom 25% 50% 75% Spotify Allmusic AlbumCover | 1 Red Rose Nantahala (04:04) 2 Sufferer (Love My Conqueror) (04:48) 3 Ive Got a Name for the Newborn Child (03:14) 4 Hat of Rain (02:16) 5 Devotion (05:19) 6 The Serpent Is Kind (Compared to Man) (03:39) 7 Sweet as John Hurt (04:51) 8 Cheerwine Easter (06:05) 9 Hark Maker (Glory Rag) (01:56) 10 Busted Note (03:14) 11 What Shall Be (Shall Be Enough) (02:22) |
| Haw : Allmusic album Review : Haw is Hiss Golden Messengers second offering for Paradise of Bachelors. It is titled alternately for a river in North Carolina and for a now extinct Indian tribe from the same region. The band, originally just songwriter/vocalist/guitarist M.C. Taylor and guitarist/bassist Scott Hirsch, has become a quintet. The set features over half a dozen guests, including guitarist William Tyler. These 11 songs are drenched in eternal themes: faith, dread, family, spirituality, and metaphor. They are musically rooted in the traditions of the American South -- folk, bluegrass, swampy rock, country gospel, warped R&B; -- and offer strange twists and turns on them all. In opener "Red Rose Nantahala," rockabilly, electric Piedmont blues, and a popping, greasy Stax-like bassline all meld with their edges exposed. The eerie spiritual country psych in "Sufferer (Love My Conqueror)" is where roots meet space. The melding of Taylors and Sonia Turners voices is haunting, beautiful, darkly prophetic; the swirling violins and horns that intermittently appear and vanish create textural dimensions that make it all the more mysterious. The back-porch flatpicking acoustic guitar ramble that is "Ive Got a Name for the Newborn Child" is offset by a shuffling snare that resonates under the hooky chorus. "Devotion" is slow enough to have been played by Crazy Horse. Its loose-tuned drums are the only non-reverbed instrument, as Taylors voice comes wafting from the center as shimmering electric guitars, a snail-paced bassline, and endlessly echoing acoustics surround him. Layered fiddles come in midway to act as a bridge, but the track circles back to its nearly hypnotic slowness. The lyric is world-weary, disenchanted, yet refuses to stray from the stubborn path chosen by the protagonist. The backwoods country-rock of "Sweet as John Hurt" has Taylor autobiographically proclaiming "I come from the bottom of the river Haw" (he does), as electric guitars and Gordon Hartins pedal steel decorate his drawling plaintive vocal. The band effortlessly embodies the traditions of country, folk, rock, and bluegrass simultaneously to support his delivery. Throughout these songs, Taylors lyrics and the grain in his voice reveal that, whatever truths there are in these songs, they come from antiquity, and the land itself, which is an extension of the divine. They are merely articulated through his experience, not his own wisdom. The many different musics on Haw are familiar, timeless; they can be endlessly recombined for new purposes. But HGM stand out because they dont combine them so much as play them simultaneously and inseparably as part of a single tradition. In a decade or two, Haw will sound as warm, clear, and spooky as it does today. | ||
 | Album: 6 of 13 Title: London Exodus Released: 2013-11-20 Tracks: 11 Duration: 48:34 Scroll: Up Down Top Bottom 25% 50% 75% AlbumCover | 1 Super Blue (London Exodus: Live at Cafe Oto) (03:46) 2 He Wrote the Book (London Exodus: Live at Cafe Oto) (03:27) 3 Ive Got a Name for the Newborn Child (London Exodus: Live at Cafe Oto) (03:37) 4 Sufferer (London Exodus: Live at Cafe Oto) (04:42) 5 The Serpent is Kind Compared to Man (London Exodus: Live at Cafe Oto) (03:51) 6 A Working Man Cant Make it No Way (London Exodus: Live at Cafe Oto) (03:30) 7 Jesus Shot Me in the Head (London Exodus: Live at Cafe Oto) (05:24) 8 What Shall Be Shall Be Enough (London Exodus: Live at Cafe Oto) (02:51) 9 Drinkin Thing (w/ William Tyler; London Exodus: Live at Cafe Oto) (04:00) 10 Bright Phoebus (w/ William Tyler; London Exodus: Live at Cafe Oto) (03:14) 11 Smoke Rings (w/ William Tyler; London Exodus: Live at Cafe Oto) (10:07) |
 | Album: 7 of 13 Title: Lateness of Dancers Released: 2014-09-09 Tracks: 10 Duration: 42:52 Scroll: Up Down Top Bottom 25% 50% 75% Spotify TrackSamples Allmusic AlbumCover | 1 Lucia (03:11) 2 Saturdays Song (04:36) 3 Mahogany Dread (04:06) 4 Day O Day (A Love So Free) (05:30) 5 Lateness of Dancers (05:20) 6 Im a Raven (Shake Children) (02:51) 7 Black Dog Wind (Rose of Roses) (04:30) 8 Southern Grammar (04:53) 9 Chapter & Verse (Iones Song) (04:47) 10 Drum (03:08) |
| Lateness of Dancers : Allmusic album Review : Lateness of Dancers, Hiss Golden Messengers debut for Merge, is a more melodic and polished affair than were used to; it is also true that founder and songwriter M.C. Taylors songwriting and vision have grown considerably since 2013s fine Haw. Lateness of Dancers -- its title taken from a Eudora Welty story -- retains that sources earthiness as it engages everything from folk, country-rock, back-country fiddle music, and even Southern R&B;, the latter by way of an electric piano whose use recalls Muscle Shoals and Stax. Taylor is accompanied by longstanding partner and bassist Scott Hirsch (who also plays mandolin and pedal steel) and their veteran drummer Terry Lonergan. Guitarist William Tyler also returns and contributes considerably. Vocalist Alexandra Sauser-Monnig of Mountain Man and Megafauns Phil and Brad Cook, as well as others, also appear. Opener "Lucia" borrows the one-two, one-two rhythmic thump so prevalent near the end of Bob Dylans Street Legal -- smearing it with Bobby Charles greasy groove sensibilities as Tylers wah-wah Stratocaster, distorted steel guitars, and Wurlitzer blur in the backdrop. Taylors lyric is couched in reverie and symbolic mysticism, and rolls atop the center confidently. While "Mahogany Dread" digs into the past, it celebrates the more humble present with gratitude, underscored by a sprawling B-3 and Tylers tight, tasteful fills. The title track scales it all back. A simple acoustic guitar introduces Taylors grainy vocal in offering some of the records finest lyrics, a piano, Sauser-Monnigs gentle backing vocal, and a subtle organ to underscore his purposeful delivery. "Im a Raven (Shake Children)" is a downright snaky, nearly funky blues; Charles spirit and Dylans R&B; period come wafting -- though more economically -- through again. A different version of that idea -- this time evocative of J.J. Cale -- haunts the stellar "Southern Grammar." "Black Dog Wind (Rose of Roses)" is a slow country waltz. Its lyrics juxtapose the lessons of a father recalled in the protagonists determination to make his own way no matter the cost. The wisdom of those teachings is illustrated fully -- if not deliberately -- in "Drum," the bittersweet, breezy, back-porch fiddle tune that closes the record. Four albums in, Lateness of Dancers reveals the arrived-at maturity in Taylors songwriting, and his ability to convey, in the first-person narratives of his protagonists, a way through the complex notions and pain of living in the world by embracing them on their own terms, with no attempt at escape. The songs, arrangements, and Taylors and Hirschs deft production are all rimmed with -- not drenched in -- light. Taken together, they underscore the existential grit and elemental spirituality that illustrate Hiss Golden Messengers best work. | ||
 | Album: 8 of 13 Title: Southern Grammar Released: 2015-02-03 Tracks: 3 Duration: 14:30 Scroll: Up Down Top Bottom 25% 50% 75% Spotify AlbumCover | 1 Southern Grammar (live at WXPN) (05:08) 2 He Wrote the Book (03:12) 3 Brother, Do You Know the Road? (06:09) |
 | Album: 9 of 13 Title: Parallelogram Released: 2015-12-11 Tracks: 7 Duration: 42:40 Scroll: Up Down Top Bottom 25% 50% 75% Spotify AlbumCover | 1 Wish I Had Not Said That (04:28) 2 Still Life Blues (05:58) 3 Smoke Rings (08:15) 4 Another Story (06:25) 5 The Mallard (06:22) 6 Vanity and Pride (04:47) 7 Stockport Monday (Homage Tom Rush) (06:25) |
 | Album: 10 of 13 Title: Heart Like a Levee Released: 2016-10-07 Tracks: 19 Duration: 1:10:07 Scroll: Up Down Top Bottom 25% 50% 75% Spotify Allmusic AlbumCover | 1 Biloxi (02:51) 2 Tell Her Im Just Dancing (03:01) 3 Heart Like a Levee (03:52) 4 Like a Mirror Loves a Hammer (04:23) 5 Smokys Song (01:20) 6 Cracked Windshield (05:07) 7 As the Crow Flies (03:14) 8 Happy Day (Sister My Sister) (05:28) 9 Say It Like You Mean It (02:52) 10 Ace of Cups Hung Low Band (04:48) 11 Highland Grace (05:58) 1 Blackeyed Boy (05:04) 2 After the Colors (03:02) 3 Togethers Just a Word (03:23) 4 Living Above the Waterline (02:47) 5 Strawberry Girl Reel (02:27) 6 Little Rain (03:52) 7 John the Gun (02:51) 8 Vestapol (Is Where Im Bound) (03:39) |
| Heart Like a Levee : Allmusic album Review : On 2014s Lateness of Dancers, M.C. Taylors Hiss Golden Messenger embraced a more blues- and gospel-oriented sound without leaving behind their trademark folk-inspired Americana. Heart Like a Levee is another step forward; its roots come from the soul, funky R&B, and gospel-ized blues the South delivered so abundantly during the1960s and 70s via Muscle Shoals, Stax, Volt, Hi, Goldwax, and Josie. These songs reflect a period in 2015 when Taylor struggled with the decision to forsake the security a day job offered his family and pursue music full-time. His cast includes old friends Phil and Bradley Cook of Megafaun, Bon Iver drummer/percussionist Matt McCaughan, and Mountain Man vocalist Alexandra Sauser-Monnig. Newcomers include vocalists Tift Merritt and Sonyia Turner, and saxophonist Michael Lewis. "Biloxi" opens with congas and a drum kit, strummed acoustic guitars, Taylors mandolin, and a high-lonesome Dobro that weds country and soul à la Delaney & Bonnie. The title track is a tender, taut reflection of self-doubt, vulnerability, and commitment. Mandolin, banjo, Wurlitzer, and backing singers buoy Taylors delivery: "...Is it too heavy honey/Did I carry my piece of the fire? …If you let me honey/Ill set the world on fire for you…." The swampy, funky gospel blues in "Like a Mirror Loves a Hammer," with its nasty clavinet, multi-tracked saxophones, and plodding bassline wed the eeriness of the early Staple Singers, the soaring choruses of Joe South, and the funky jamming of the Meters. "Cracked Windshield" harkens back to the Lateness of Dancers era, but "As the Crow Flies" offers the kind of Wurlitzer line Spooner Oldham minted: it gets grafted onto a raucous, Memphis-style rockabilly piano -- à la Jim Dickinsons Dixie Fried -- and multi-tracked lead and backing vocals recall a David Porter production. The steamy slide guitar break is icing on the cake. "Happy Day (Sister My Sister)" is glorious, uplifting country-soul gospel. Turners and Sauser-Monnigs backing vocals add heavenly ethereality to Taylors earthbound singing. "Ace of Cups Hung Low Band" dances the tightrope between swampy blues and choogling roots rock with strings and punchy saxophones adding heft and texture. Closer "Highland Grace" is an uncluttered attempt at soul as Taylors interplay with his backing singers is intuitive, sweet, and stirring, carried by acoustic piano (think Dan Penn), saxophones, shuffling backbeat, in-the-pocket bass, and strummed guitars. Despite its many references, Heart Like a Levee is just not a throwback record. Taylor combines, inhabits, and adapts his inspirations in the present through the strength of his writing. His melodies are basic; his words are anything but. They bridge the temporal to the eternal, the carnal to the divine, the homespun to the historic; they resonate directly through the grain of his unaffected yet emotionally expressive singing voice. Due to its bright, open production and quirky presentation, Heart Like a Levee is a watermark for Hiss Golden Messenger. Seldom have hard times sounded this uplifting. | ||
 | Album: 11 of 13 Title: Hallelujah Anyhow Released: 2017-09-22 Tracks: 10 Duration: 36:12 Scroll: Up Down Top Bottom 25% 50% 75% Spotify TrackSamples Allmusic AlbumCover | 1 Jenny of the Roses (03:38) 2 Lost Out in the Darkness (03:22) 3 Jaw (03:12) 4 Harder Rain (04:15) 5 I Am the Song (02:48) 6 Gulfport You’ve Been on My Mind (04:42) 7 John the Gun (03:27) 8 Domino (Time Will Tell) (03:45) 9 Caledonia, My Love (03:00) 10 When the Wall Comes Down (04:03) |
| Hallelujah Anyhow : Allmusic album Review : On his seventh album under the Hiss Golden Messenger moniker, vocalist, songwriter, and idea man M.C. Taylors musical approach has continued to evolve. Taylors sound has matured from the minimalist dark night of the soul of 2010s Bad Debt to the richly textured emotions of 2017s Hallelujah Anyhow, which in both attitude and technique suggests a great lost singer/songwriter album from the glory days of Laurel Canyon. Here, Taylors melodies sound both sunny and weathered, the work of a man who has seen good and bad in the world and has opted to remain optimistic without letting go of his realism. His vocals generate the same mood with his full-bodied twang, and his studio band evokes the well-worn magnificence of the Band (both with and without Bob Dylan) and the overcast Midwestern temperament of the Jayhawks without suggesting theyre tried to cop moves from either band. The superb guitar work from Josh Kaufman, the evocative keyboards of Phil Cook, and the tough but implacable drumming of Darren Jessee give these songs just the right push they need, rocking gently but decisively while letting their country accents strut their stuff. As for Taylors songs, hes better with mood than with narrative, but give him half a chance and these ten tunes will powerfully connect with you, as his meditations on lifes trials and loves tribulations take root. Taylors talent is well served on this album, and the craft is superb and soulful at the same time. Hallelujah Anyhow is another outstanding exercise in record making from Hiss Golden Messenger, and its recommended to loyal fans and curious neophytes alike. | ||
 | Album: 12 of 13 Title: Virgo Fool Released: 2018-11-02 Tracks: 11 Duration: 40:26 Scroll: Up Down Top Bottom 25% 50% 75% Spotify AlbumCover | 1 Rock Holy (03:41) 2 Black Country Woman (03:33) 3 Joyce & Joel (01:57) 4 Lion/Lamb (03:09) 5 Father Sky (03:02) 6 Issa (04:57) 7 Back to the River Again (04:14) 8 Tell Everyone (03:39) 9 Karens Blues (03:32) 10 The Revenant (03:54) 11 Hard Promises (04:43) |
 | Album: 13 of 13 Title: Devotion: Songs About Rivers And Spirits And Children Released: 2018-11-02 Tracks: 46 Duration: 00:00 Scroll: Up Down Top Bottom 25% 50% 75% Allmusic AlbumCover | 1 Balthazars Song (?) 2 No Lord Is Free (?) 3 Bad Debt (?) 4 O Little Light (?) 5 Straw Man Red Sun River Gold (?) 6 Far Bright Star (?) 7 The Serpent Is Kind (Compared To Man) (?) 8 Call Him Daylight (?) 9 Jesus Shot Me In The Head (?) 10 Super Blue (Two Days Clean) (?) 11 Roll River Roll (?) 12 Drum (?) 1 Blue Country Mystic (?) 2 Call Him Daylight (?) 3 Drummer Down (?) 4 Under All The Land (?) 5 Westering (?) 6 Pittsboro Farewell (Two Monarchs) (?) 7 Super Blue (Two Days Clean) (?) 8 Jesus Shot Me In The Head (?) 9 O Little Light (?) 10 A Working Man Cant Make It No Way (?) 11 Dreamwood (?) 12 Balthazars Song (?) 1 Red Rose Nantahala (?) 2 Sufferer (Love My Conqueror) (?) 3 Ive Got A Name For The Newborn Child (?) 4 Hat Of Rain (?) 5 Devotion (?) 6 The Serpent Is Kind (Compared To Man) (?) 7 Sweet As John Hurt (?) 8 Cheerwine Easter (?) 9 Hark Maker (Glory Rag) (?) 10 Busted Note (?) 11 What Shall Be (Shall Be Enough) (?) 1 Rock Holy (?) 2 Black Country Woman (?) 3 Joyce & Joel (?) 4 Lion/Lamb (?) 5 Father Sky (?) 6 Issa (?) 7 Back To The River Again (?) 8 Tell Everyone (?) 9 Karens Blues (?) 10 The Revenant (?) 11 Hard Promises (?) |