KT Tunstall | ||
| Allmusic Biography : With a guitar and an effects pedal, Scottish singer/songwriter KT Tunstall showcased her musical creativity and endearing energy with a breakthrough television performance that helped propel her sparkling 2004 debut album, the Mercury Prize-nominated Eye to the Telescope, onto the global charts. On subsequent releases, Tunstall would incorporate electric guitars, synth production, and even folk influences, while her hook-heavy songwriting remained at the heart of each effort. Born to a Chinese-Scottish mother, she was adopted at birth by a university professor and his primary school wife in the town of St. Andrews. As a child, her imagination and creative side flourished, especially since her physicist father would take her and her brothers into the St. Andrews observatory to look at the sky, thus fueling her youthful love for space and sci-fi. It wasnt until discovering hair metal through a brother that music really started to become important to her, and when it did, her affection for spacy things was reflected in her favorite album, David Bowies Hunky Dory. She soon picked up playing piano and flute, learned to sing by listening to Ella Fitzgerald, and began writing her own songs in her mid-teens. At 16, she taught herself the guitar and continued to hone her writing skills with sentimental love songs. A scholarship to the Kent School, a private prep academy in Connecticut, brought her experiences outside of St. Andrews and Scotland. There, she formed her first band, the Happy Campers, and enjoyed going to shows by 10,000 Maniacs and the Grateful Dead. Later, she enrolled in a music course at Londons Royal Holloway College before heading back home and immersing herself in the local grassroots scene that birthed bands like the Fence Collective and the Beta Band. Around this time, she was also listening to Billie Holiday, Lou Reed, and James Brown, among others, and soon formed a group with the Fence Collectives Pip Dylan. Years later, Tunstall returned to London and began writing more songs, many of which would appear on her first album. She entered a backwoods Wiltshire studio with minimal instruments in tow and Steve Osborne (U2, New Order) at the controls. The end result was her wide-eyed debut, Eye to the Telescope, released in the U.K. in late 2004 on Relentless. Highlighting her soulful voice, sassy attitude, and earthy songwriting approach, comparisons to Dido, Fiona Apple, and Kate Melua soon sparked. Following the records release, Tunstall toured throughout Europe, including shows supporting Joss Stone and singing with Oi Va Voi. Feeling an acoustic guitar was sometimes too limiting, her live show incorporated the use of an Akai Headrush foot pedal that allowed her to spot-record multiple times (loop each section continuously), thus turning her into her own one-woman backup band. This calling card would prove fortuitous when a performance of single "Black Horse and the Cherry Tree" on Later... with Jools Holland became a hit that launched her international career. The buzz surrounding her performance pushed a reissue of Telescope in the U.K., though it wasnt until 2006 that it was released in the U.S. In addition to winning Best British Female Solo Artist at the Brit Awards, she was nominated for a Mercury Prize and a Grammy. Meanwhile, singles "Black Horse & the Cherry Tree" and "Suddenly I See" continued to fare well on American adult alternative radio. The album was later certified multiplatinum and sold millions of copies worldwide. That fall, KT Tunstalls Acoustic Extravaganza was issued; it included acoustic tracks (both new and old) recorded the previous Christmas along with a bonus making-of DVD. In 2007, Tunstall kicked off another album cycle with her sophomore effort Drastic Fantastic, home to "Hold On" and "If Only." In addition to peaking at number three on the U.K. chart, it also marked Tunstalls highest showing to date on the Billboard 200 at number nine. Three years later, she returned with her pop-friendly third album, Tiger Suit, recorded at Berlins famed Hansa studio, the same place where Bowie recorded Heroes. Notably funkier and upbeat, Tiger Suit added layers of synth and production effects to Tunstalls sound, heard on tracks such as "Lost" and "Glamour Puss." She followed the set with Live in London, March 2011, and later in the year with an EP titled The Scarlet Tulip, which was recorded in her home studio with co-producer Luke Bullen. After a break from touring, Tunstall reentered the studio in late 2012 and recorded her country/folk-influenced fifth album, Invisible Empire/Crescent Moon, which arrived in June of 2013. The introspective effort, inspired both by the death of her father and the dissolution of her four-year marriage, marked an inward turn for Tunstall, comprising mainly acoustic and lo-fi numbers such as "Made of Glass" with Andrew Bird and lead single "Feel It All." Her second live album, Live Islington Assembly Hall, was recorded on the June 20, 2013 stop of the supporting tour and included a cover of Don Henleys "Boys of Summer" and a rare deep cut, "Alchemy," from the Scarlet Tulip EP. At the conclusion of touring, Tunstall pressed pause on her solo career and began composing soundtrack cuts for films such as Winters Tale, Million Dollar Arm, 3 Generations, and Bad Moms. In June 2016, Tunstall released the four-song Golden State EP, an upbeat affair that included the single "Evil Eye." It was the precursor to that Septembers KIN, a bright, colorful album produced by Tony Hoffer. The first of a proposed trilogy that centered on the themes of soul, body, and mind, KIN peaked at number seven on the U.K. charts and included "Two Way" with James Bay. The second installment, WAX, arrived in 2018. Focused on the body, the albums physicality and dance-friendly synths came courtesy of producer Nick McCarthy of Franz Ferdinand. | ||
 | Album: 1 of 16 Title: Eye to the Telescope Released: 2004-12-13 Tracks: 12 Duration: 45:03 Scroll: Up Down Top Bottom 25% 50% 75% Spotify Allmusic AlbumCover | 1 Other Side of the World (03:33) 2 Another Place to Fall (04:11) 3 Under the Weather (03:36) 4 Black Horse and the Cherry Tree (02:52) 5 Miniature Disasters (03:31) 6 Silent Sea (03:48) 7 Universe & U (04:01) 8 False Alarm (03:50) 9 Suddenly I See (03:21) 10 Stoppin’ the Love (04:02) 11 Heal Over (04:27) 12 Through the Dark (03:47) |
| Eye to the Telescope : Allmusic album Review : Perhaps its inevitable that K.T. Tunstalls Eye to the Telescope will draw initial comparisons to Dido, since theyre both female adult alternative singer/songwriters who bear a certain similarity in their vocal timbres. But as Tunstalls debut starts to unfold, those superficial connections fall away, as she reveals herself to be a soulful vocalist, a restless musician, and a serious songwriter. At times, she may be on the verge of being a little too serious, as her songs are tightly wound and earnest, two qualities that can seem slightly stuffy when her production has a glossy veneer, as it does on opening songs of the album. These cuts, while accomplished and enjoyable, paint Tunstall as a good but ordinary songwriter, halfway between Didos elegantly sleepy soundscapes and Sheryl Crows tuneful craft, which is an inaccurate impression, as the album quickly proves. About a third of the way in, the album kicks into gear and Tunstall is revealed as a kindred spirit of such eccentric contemporaries as Fiona Apple and Nelly Furtado. Shes more straightforward than either Apple or Furtado, partially due to the albums overly slick production, but also in her sober, uncluttered songwriting, yet her musical instincts, along with her impassioned vocals, edge her out of the mainstream. Slower songs like "False Alarm" arent sleepy; they have the lazy, jazzy undercurrents of Jeff Buckley and Radiohead, while faster cuts like the single "Black Horse and the Cherry Tree" or "Suddenly I See" have an urgency that makes them compelling, despite the shiny production. But that production is the only drawback on Eye to the Telescope -- it certainly sounds good, it certainly sounds professional, but it may keep some listeners at a distance, since it requires that they look hard to find the unique songwriter beneath the glistening surface. And if they spend the time to really hear whats going on in Eye to the Telescope, theyll find a promising, satisfying debut. | ||
 | Album: 2 of 16 Title: Acoustic Extravaganza Released: 2006-05-15 Tracks: 10 Duration: 43:19 Scroll: Up Down Top Bottom 25% 50% 75% Spotify Wikipedia Allmusic AlbumCover | 1 Ashes (03:34) 2 Girl and the Ghost (04:14) 3 One Day (05:02) 4 Golden Age (05:00) 5 Boo Hoo (04:56) 6 Gone to the Dogs (03:59) 7 Change (03:44) 8 Miniature Disasters (04:32) 9 Universe & U (04:31) 10 Throw Me a Rope (03:43) |
| Acoustic Extravaganza : Allmusic album Review : The very worst that can be said about Acoustic Extravaganza is that it is a stopgap between Eye to the Telescope, which was actually released in the U.K. in late 2005, and whatever comes next. Recorded after a relentless touring schedule, the tracks here were done in a small, remote Scottish studio with KT Tunstalls band. The set includes acoustic versions of "Universe & U" and "Miniature Disasters" from the album, and a few cuts, such as "Girl & the Ghost," "Throw Me a Rope," and "One Day," which were employed as B-sides for singles. Theres also a fine -- no, nearly stunning -- cover of Becks "Golden Age," which could have been recorded for a Ronnie Lane solo album. The rest, such as the countrified "Ashes" with its bold lyrics, the bluesy ballad "Boo Hoo," the pastoral folk-country of "Gone to the Dogs," and the minor key shimmering snapshot "Change" are all first-rate. The relaxed feel of the album is, in its way, a different side of the coin from Eye to the Telescope. Without all the production and gloss, Tunstall is still smooth, and tough at the same time. The DVD that comes along with this set contains a documentary on the making of the album -- this one -- videos for "Gone to the Dogs," "Throw Me a Rope," and a little ditty called the "Wee Bastard Pedal." There are also a slew of photos and outtakes. In other words, this is not a simple capitalistic attempt to part you from your hard-earned cash, but more the artist reaching out to fans she didnt even know she had a year ago, and offering something intimate, gentle, fun, and worthy to make the wait easier. Remember: shes as eager to keep you as you are restless for the next installment. If anything, this little "in process" package reveals the fact that -- in the over-saturated American pop culture market -- Eye to the Telescope was no fluke. Tunstalls the real artifact. | ||
 | Album: 3 of 16 Title: Drastic Fantastic Released: 2007-09-05 Tracks: 11 Duration: 39:24 Scroll: Up Down Top Bottom 25% 50% 75% Spotify Allmusic AlbumCover | 1 Little Favours (03:09) 2 If Only (03:46) 3 White Bird (03:13) 4 Funnyman (02:56) 5 Hold On (02:57) 6 Hopeless (03:41) 7 I Don’t Want You Now (03:48) 8 Saving My Face (03:38) 9 Beauty of Uncertainty (05:01) 10 Someday Soon (03:53) 11 Paper Aeroplane (03:18) |
| Drastic Fantastic : Allmusic album Review : After the surprise international success of her 2005 debut, Eye to the Telescope, there were two ways that KT Tunstall could have gone: she could have succumbed to its sleepy, serious undercurrents, bringing herself closer to Dido, or she could have pursued the brighter, poppier inclinations of its singles "Black Horse & the Cherry Tree" and "Suddenly I See." A quick glance at the cover of her 2007 follow-up, Drastic Fantastic, leaves little doubt of which path she chose. The singer/songwriter, who was pictured in a pensive pose on the U.K. cover of her debut and in a stark black-and-white photo on the U.S. release, is decked out in a white dress and high-heeled boots, sporting a giant silver-spangled electric guitar, on the cover of Drastic Fantastic. She clearly has gone pop, but shes done so without sacrificing her subtle skills as a writer, for as splashy as the sound of this album is, it isnt just about sound: its built on songs that are alternately grabbing and insinuating, songs that are as memorable as the sweetly polished production, and more lasting as well. Drastic Fantastic may be as candied as any good adult pop record should be, but it doesnt stay in one place; it bounces between sparkly, insistent pop, sweet and gentle slow tunes, songs that rework the "Black Horse" rhythm, and tunes that are stripped down to her and a guitar. In a time where singer/songwriters are long on bloodletting emotion but short on musicality, this variety is a relief, as is Tunstalls unabashed embrace of being a mainstream troubadour -- and its not a sell-out, either, because the songs are strong and beneath that glossy veneer, there is genuine emotion here. These are the elements that make Drastic Fantastic a rare beast: a pop album with a songwriters heart, and one that works on both levels. | ||
 | Album: 4 of 16 Title: Sounds of the Season: The KT Tunstall Holiday Collection Released: 2007-10-14 Tracks: 6 Duration: 20:58 Scroll: Up Down Top Bottom 25% 50% 75% Wikipedia AlbumCover | 1 2000 Miles (03:40) 2 Christmas (Baby Please Come Home) (02:26) 3 Mele Kalikimaka (Christmas in Hawaii) (03:25) 4 Sleigh Ride (02:47) 5 Fairytale of New York (04:22) 6 Lonely This Christmas (04:17) |
 | Album: 5 of 16 Title: Tiger Suit Released: 2010-09-22 Tracks: 13 Duration: 00:00 Scroll: Up Down Top Bottom 25% 50% 75% Spotify Wikipedia Allmusic AlbumCover | 1 Uummannaq Song (?) 2 Glamour Puss (?) 3 Push That Knot Away (?) 4 Difficulty (?) 5 Fade Like a Shadow (?) 6 Lost (?) 7 Golden Frames (?) 8 Come On, Get In (?) 9 (Still A) Weirdo (?) 10 Madame Trudeaux (?) 11 The Entertainer (?) 12 New York, I Love You but Youre Bringing Me Down (live) (?) 13 It Doesnt Have to Be Like This (Baby) (?) |
| Tiger Suit : Allmusic album Review : Drastic Fantastic -- the spangly attempt at pop stardom consolidation -- didn’t catch on like it should have, but KT Tunstall doesn’t quite beat a retreat on its 2010 sequel, Tiger Suit. Sure, she’s reverted to contemplative photographs for her album art, but Tiger Suit isn’t a hermetically sealed sensitive singer/songwriter record, all quivering sincerity and strummed guitars. Fittingly for an album recorded at Berlin’s Hansa studio, where Achtung Baby and Heroes were cut, it is produced, polished, and textured, an album with movement and progression. Once the ominous opening chords to “Uummannaq Song” drift away, the song settles into a tight art-funk groove accentuated with folk shout-alongs, following no straight path to its conclusion. Tunstall takes no direct routes on Tiger Suit -- not when she slows tempos down, not when she recycles the “Black Horse and the Cherry Tree” rhythm for “Come on, Get In” -- but the twists that take her into the fuzzy glam-stomp of “Madame Trudeaux,” the whistled hook of “Glamour Puss,” the tight swirling circles of “Difficulty,” or the languid European blues of “Golden Frames” aren’t self-conscious stylizations, they’re lively and unexpected, colorful enough to grab upon first listen and rich enough to reveal layers upon repeats. As sonically pleasing as it is, Tiger Suit isn’t a mere vehicle for sound; it’s built upon Tunstall’s strongest set of songs yet, and it’s no coincidence that they’re her most ambitious, either: she may be firmly within the mainstream but she’s taking risks as a composer and record-maker, never settling into the role of the earnest earthbound folkie, winding up with an excellent album that satisfies as pure sound and as songwriting sustenance. | ||
 | Album: 6 of 16 Title: Live in London March 2011 Released: 2011-03-08 Tracks: 18 Duration: 1:33:05 Scroll: Up Down Top Bottom 25% 50% 75% AlbumCover | 1 Come on, Get In (05:14) 2 Glamour Puss (04:30) 3 Uummannaq Song (04:46) 4 False Alarm (07:25) 5 If Only (04:13) 6 Other Side of the World (07:39) 7 Hidden Heart (04:23) 8 Black Horse and the Cherry Tree (05:02) 9 Difficulty (05:18) 10 Lost (05:09) 11 Golden Frames (04:02) 1 Saving My Face (05:32) 2 Madame Trudeaux (04:04) 3 Push That Knot Away (05:27) 4 Fade Like a Shadow (05:11) 5 (Still a) Weirdo (04:39) 6 Close to Me (04:40) 7 Suddenly I See (05:51) |
 | Album: 7 of 16 Title: The Scarlet Tulip Released: 2011-05-01 Tracks: 7 Duration: 23:04 Scroll: Up Down Top Bottom 25% 50% 75% AlbumCover | 1 The Punk (02:10) 2 Skinny Lou (02:27) 3 Hidden Heart (04:01) 4 Scarlet Tulip (04:17) 5 Patience (03:18) 6 Alchemy (04:00) 7 Shanty of the Whale (02:51) |
 | Album: 8 of 16 Title: Invisible Empire // Crescent Moon Released: 2013-06-07 Tracks: 13 Duration: 51:11 Scroll: Up Down Top Bottom 25% 50% 75% Spotify Wikipedia Allmusic AlbumCover | 1 Invisible Empire (03:52) 2 Made of Glass (04:11) 3 How You Kill Me (04:11) 4 Carried (03:41) 5 Old Man Song (03:12) 6 Yellow Flower (03:12) 7 Crescent Moon (03:52) 8 Waiting on the Heart (04:29) 9 Feel It All (04:11) 10 Chimes (03:37) 11 Honeydew (03:22) 12 No Better Shoulder (05:26) 13 Feel It All (band jam) (03:49) |
| Invisible Empire // Crescent Moon : Allmusic album Review : On her Blue Note debut, KT Tunstall does a musical about face from the bright, shiny production and uptempo pop of 2010s Tiger Suit and 2007s sparkling Drastic Fantastic. Invisible Empire/Crescent Moon is a gentler, more organic collection. The split title reflects the albums linked themes of mortality (the death of her father) and the end of love (a divorce), and the two different sessions helmed by Howe Gelb in the Tucson desert during the spring and winter of 2012. The shifting signifiers in her lyrics and the subtleties of these simple yet effective melodies required an empathic, intuitive producer who would color and highlight rather than define. Together, they deliver ig. Despite using occasional strings, steel drums euphonium, woodwinds, and even a mellotron, this is not a slick affair. In fact, its easily the warmest, most natural-sounding record in her catalog. Despite the weighty life events that inspired the songs, this is hardly a "dark" album. Its serious and looks deep; its songs find truth in unlikely places, but they never despair. "Made of Glass" is a soulful waltz in which the protagonist reveals her weariness in grieving -- but accepts it as process and transition. Colored by an elegant vibraphone, pedal steel, whistling that could have come from a Morricone score, winds, and brass, Tunstalls voice glides through the mix, embracing the tension between sorrow and waiting for its end. The single "Feel It All" -- which also has a reprise "Band Jam" version as a bonus track -- is spare, bluesy, desert Americana. Acoustic and electric guitars come together and separate in sultry contrast. John Parishs shuffling snare and kick drum walk it out as Tunstall expresses the wide-open, raw tenderness the heart encounters as it embarks upon a new reality fraught with dangerous possibilities. Her lyric expresses that vulnerability is not just the cost of humanity, but its gift. The vocal duet between Tunstall and Gelb on "Chimes," caressed by accordion, Spanish guitar, and reverbed strings, is the most delicate, lovely tune here. "No Better Shoulder" commences as a shimmering acoustic ballad, but evolves, becoming a vast psychedelic expanse of layered textures, near sultry enveloping reverb, and ambient spaces, as it unhurriedly builds to a careening climax. Invisible Empire/Crescent Moon details emotional and mental states in the stages of transition from grief to acceptance and looking forward; but the constant thread running through this beautiful set is that the core experience of loss is necessary -- and even welcome -- in order to celebrate "…the table of this life." | ||
 | Album: 9 of 16 Title: Live in London 2013 Released: 2013-06-20 Tracks: 16 Duration: 1:16:20 Scroll: Up Down Top Bottom 25% 50% 75% AlbumCover | 1 Invisible Empire (05:17) 2 Waiting on the Heart (04:13) 3 Carried (04:59) 4 Other Side of the World (05:09) 5 Yellow Flower (03:41) 6 Through the Dark (03:38) 1 Black Horse (09:31) 2 Alchemy (04:33) 3 Honeydew (03:45) 4 Feel It All (04:46) 5 Boys of Summer (04:56) 6 Made of Glass (05:29) 7 Crescent Moon (04:30) 8 Funnyman (04:44) 9 Rock Me Amadeus (01:25) 10 Chimes (05:44) |
 | Album: 10 of 16 Title: Golden State EP Released: 2016-06-16 Tracks: 4 Duration: 14:55 Scroll: Up Down Top Bottom 25% 50% 75% Spotify AlbumCover | 1 Evil Eye (03:34) 2 All or Nothing (03:36) 3 The Healer (03:49) 4 Evil Eye (03:56) |
 | Album: 11 of 16 Title: KIN Released: 2016-09-09 Tracks: 14 Duration: 57:05 Scroll: Up Down Top Bottom 25% 50% 75% Spotify Allmusic AlbumCover | 1 Hard Girls (03:14) 2 Turned a Light On (04:34) 3 Maybe It’s a Good Thing (04:01) 4 Evil Eye (03:34) 5 It Took Me So Long to Get Here, but Here I Am (04:18) 6 On My Star (04:16) 7 Two Way (04:53) 8 Run On Home (04:27) 9 KIN (04:17) 10 Everything Has Its Shape (04:23) 11 Love Is an Ocean (04:17) 12 Fade Like a Shadow (acoustic) (03:32) 13 You Make Loving Fun (acoustic) (03:56) 14 Hard Girls (acoustic) (03:23) |
| KIN : Allmusic album Review : KT Tunstall processed loss on 2013s Invisible Empire/Crescent Moon, mourning the death of her father and her marriage, so 2016s KIN functions as a counterpoint to that melancholy: its a bright celebration of a new start. Tunstall relocated to Southern California and soaked up the sun, throwing herself into positivity with the assistance of producer Tony Hoffer, who previously helmed albums for Beck and Belle and Sebastian. Neither of those acts provide much of a touchstone for KIN, a record whose fleeting moody moments evoke either parts of Tunstalls past or perhaps the inspirational rallying call of Sara Bareilles but is dominated by saturated neon colors reminiscent of Tegan and Saras new wave makeover. Hoffer pulls off this portion of KIN with aplomb, giving the music space and spectacle; from the moment "Hard Girls" kicks the album off with an insistent retro pulse, the record provides palpable sonic pleasures. Still, what gives KIN its weight is Tunstalls craft. Invisible Empire/Crescent Moon proved that she could turn inward and be gripping, but by turning that aesthetic inside out -- this is an album about embracing the outside world -- shes every bit as compelling. | ||
 | Album: 12 of 16 Title: Live at O2 Shepherds Bush Empire Released: 2016-11-11 Tracks: 20 Duration: 1:58:21 Scroll: Up Down Top Bottom 25% 50% 75% AlbumCover | 1 If Only (06:59) 2 Little Favours (05:02) 3 Funnyman (04:33) 4 (Still a) Weirdo (06:12) 5 Maybe Its a Good Thing (05:12) 6 Evil Eye (03:44) 7 Other Side of the World (08:26) 8 Hold On (05:43) 9 Run on Home (05:05) 10 Invisible Empire (06:14) 1 Black Horse and the Cherry Tree (10:46) 2 It Took Me So Long (05:58) 3 KIN (06:20) 4 Two Way (05:57) 5 Hard Girls (03:58) 6 Saving My Face (06:05) 7 Fade Like a Shadow (04:00) 8 Everything Has Its Shape (06:55) 9 The Healer (04:56) 10 Suddenly I See (06:05) |
 | Album: 13 of 16 Title: Acoustic Extravaganza 2 Released: 2017 Tracks: 8 Duration: 32:25 Scroll: Up Down Top Bottom 25% 50% 75% AlbumCover | 1 Maybe Its a Good Thing (04:50) 2 Fade Like a Shadow (03:29) 3 Hollywood Hill (03:53) 4 Evil Eye (04:11) 5 Hard Girls (03:21) 6 It Took Me So Long to Get Here, but Here I Am (04:31) 7 Dirty Water (03:27) 8 The Healer (04:41) |
 | Album: 14 of 16 Title: BBC Live Sessions Released: 2018 Tracks: 7 Duration: 29:53 Scroll: Up Down Top Bottom 25% 50% 75% AlbumCover | 1 Black Horse and the Cherry Tree (03:36) 2 Tangled Up in Blue / Talkin Bob Dylans Blues (06:33) 3 The Prayer (03:46) 4 Suddenly I See (05:47) 5 Fake Plastic Trees (03:28) 6 Other Side of the World (03:28) 7 Get Ur Freak On (03:15) |
 | Album: 15 of 16 Title: WAX Released: 2018-10-05 Tracks: 11 Duration: 41:41 Scroll: Up Down Top Bottom 25% 50% 75% Spotify AlbumCover | 1 Little Red Thread (03:26) 2 Human Being (03:29) 3 The River (03:40) 4 The Mountain (03:57) 5 The Healer (Redux) (03:48) 6 Dark Side of Me (03:36) 7 Poison in Your Cup (03:48) 8 Backlash & Vinegar (04:06) 9 In This Body (03:21) 10 The Night That Bowie Died (03:49) 11 Tiny Love (04:36) |
 | Album: 16 of 16 Title: Live at The Barrowland Ballroom, Glasgow 2019 Released: 2019-03-09 Tracks: 18 Duration: 1:44:44 Scroll: Up Down Top Bottom 25% 50% 75% AlbumCover | 1 In This Body (04:08) 2 Other Side of the World (05:25) 3 Backlash and Vinegar (04:18) 4 It Took Me So Long to Get Here, but Here I Am (06:18) 5 The River (05:05) 6 Feel It All (10:01) 7 Heal Over (04:56) 8 Little Red Thread (04:27) 9 Hard Girls (03:20) 10 Black Horse (Black Betty) (13:21) 1 Human Being (04:44) 2 The Mountain (05:10) 3 Saving My Face (04:19) 4 The Healer (06:47) 5 The Night That Bowie Died (04:51) 6 Push That Knot Away (05:20) 7 Heaven Is a Place on Earth (06:13) 8 Suddenly I See (06:01) |