Mark Lanegan Band | ||
| Allmusic Biography : Singing with a deep, nicotine-ravaged growl thats rich, strong, and sensuously forbidding, Mark Lanegan first rose to fame when his band the Screaming Trees won a taste of mainstream recognition in the 90s. Though his first success was tied to the grunge scene, Lanegan subsequently carved out a strong identity of his own as a vocalist and songwriter. Lanegans music is nearly always informed by the blues, but the singer is willing to take his darkly poetic sensibility wherever his muse points him. His solo work has veered from the semi-acoustic atmospheres of 1990s The Winding Sheet and 1998s Scraps at Midnight to the adventurous hard rock of 2004s Bubblegum and 2012s Blues Funeral and to the clean electronic surfaces of 2014s Phantom Radio. And Lanegan has been a frequent collaborator with a number of noted artists, including Greg Dulli, Queens of the Stone Age, Isobel Campbell, Soulsavers, and Duke Garwood. Born in Ellensburg, Washington on November 25, 1964, Lanegan, by his own word, he grew up in a dysfunctional household and developed a powerful appetite for liquor and drugs in his teens that led to scrapes with the law. When he was 18, he struck up a friendship with Van Connor, who shared Lanegans interest in music. Lanegan originally agreed to play drums in a band with Van and his brother, Gary Lee Connor, but when it was decided Lanegan was a better singer than a percussionist, Mark Pickerel came on board to play drums with the band that became known as the Screaming Trees. The Screaming Trees released their first album, Clairvoyance, in 1986, but it wasnt until 1992 that the band scored a commercial breakthrough when their song "Nearly Lost You" -- which appeared on the soundtrack to the movie Singles as well as their album Sweet Oblivion -- became a surprise hit thanks to extensive MTV play. By the time "Nearly Lost You" hit the charts, Lanegan had already launched a solo career. He and Kurt Cobain shared a passion for the blues, particularly the music of Lead Belly, and the two formed a side group with Krist Novoselic and Mark Pickerel known as the Jury, with a plan to record an EP of Lead Belly tunes. While the Jury project soon fell apart, Lanegan used a recording of Lead Bellys "Where Did You Sleep Last Night" with Cobain and Novoselic as the launching pad for his darkly atmospheric solo debut, 1990s The Winding Sheet. The album earned enthusiastic reviews, but after the success of "Nearly Lost You," Lanegan and the Trees hit the road for a long tour; by most accounts, the group had a strained relationship in the best of circumstances, and as weeks turned into months on the road, the hard-drinking band clashed frequently. After the Sweet Oblivion tour ran its course, the group took a break and Lanegan cut another solo album, 1994s Whiskey for the Holy Ghost, a more dynamic set that once again impressed critics with Lanegans powerful vocals and deep lyrical visions. In 1996, the Screaming Trees finally released their follow-up to Sweet Oblivion, but Dust failed to live up to the commercial success of their breakthrough album, despite the modest success of "All I Know" as a single and the band joining the bill for the 1996 Lollapalooza tour. In 1998, Lanegan released his third solo album, Scraps at Midnight, followed by Ill Take Care of You, a collection of covers, in 1999, and in 2000, after playing a show to celebrate the opening of the Experience Music Project in Seattle, the Screaming Trees announced they were breaking up. With his main band out of the picture, Lanegan began to dive deep into collaborations with other acts; hed already contributed to tribute albums honoring Willie Nelson and Skip Spence and appeared on Mike Watts solo debut, Ball-Hog or Tugboat?, and in 2000, he performed guest vocals on the breakout album from Queens of the Stone Age, Rated R. While Lanegan was never an official member of QOTSA, he became a valuable ally to leader Josh Homme, contributing vocals and collaborating on songs for 2002s Songs for the Deaf, 2005s Lullabies to Paralyze, and 2013s Like Clockwork. In 2003, Lanegan worked with former Afghan Whigs frontman Greg Dulli on the sophomore album from Dullis project the Twilight Singers, Blackberry Belle, and he would also appear with Dulli on two subsequent Twilight Singers albums, 2004s She Loves You and 2011s Dynamite Steps. Dulli and Lanegan would also record a collaborative album under the name the Gutter Twins, 2008s Saturnalia. In 2005, Lanegan recorded an EP of duets with Isobel Campbell, formerly of Belle & Sebastian, entitled Ramblin Man; the pair would go on to record three full albums together, 2006s Ballad of the Broken Seas, 2008s Sunday at Devil Dirt, and 2010s Hawk. The U.K. electronic group Soulsavers brought Lanegan in to sing on their albums Its Not How Hard You Fall, Its the Way You Land (2007), Broken (2009), and The Light the Dead See (2012). And Lanegan became a regular contributor to the Jeffrey Lee Pierce Sessions Project, an ad hoc ensemble that interpreted songs by the late Gun Club frontman; Lanegan appeared on the albums We Are Only Riders (2009), The Journey Is Long (2012), and Axels & Sockets (2014). While some of Lanegans collaborations got more press than his own work during this period, he hardly had his solo career on the back burner. 2001s Field Songs offered the sort of dark, roots-oriented songs that were his trademark, and 2004s more rock-oriented Bubblegum was the first album credited to the Mark Lanegan Band, though instead of a set band, the tracks featured a rotating variety of accompanists including Josh Homme and Polly Jane Harvey. A second Mark Lanegan Band set, Blues Funeral, appeared in 2012, while Lanegan dropped two albums in 2013, a collaboration with multi-instrumentalist Duke Garwood titled Black Pudding, and a second album devoted to covers, Imitations. 2014 brought a third full-length from the Mark Lanegan Band, Phantom Radio, and in 2015, Lanegan partnered with a handful of producers and remix artists (including Moby, UNKLE, Soulsavers, and Mark Stewart) to create A Thousand Miles of Midnight: Phantom Radio Remixes. By this time, Lanegans solo career had generated enough music to merit two different retrospective releases; in 2014, Light in the Attic issued the career-spanning compilation Has God Seen My Shadow? An Anthology 1989-2011, while in 2015 Sub Pop released One Way Street, a vinyl-only collection that featured new LP pressings of Lanegans first five solo albums. In 2017, Lanegan released Gargoyle, an album written with his frequent collaborators Alain Johannes and Rob Marshall; it also featured guest appearances from Josh Homme and Greg Dulli. Lanegan and Duke Garwood teamed up once again to record 2018s With Animals, a set dominated by spare and evocative electronic accompaniment. | ||
 | Album: 1 of 17 Title: Here Comes That Weird Chill Released: 2003-11-04 Tracks: 9 Duration: 30:11 Scroll: Up Down Top Bottom 25% 50% 75% Spotify Wikipedia AlbumCover | 1 Methamphetamine Blues (03:16) 2 On the Steps of the Cathedral (01:43) 3 Clear Spot (03:39) 4 Message to Mine (03:17) 5 Lexington Slow Down (02:59) 6 Skeletal History (04:14) 7 Wish You Well (03:07) 8 Sleep With Me (04:15) 9 Version (03:37) |
 | Album: 2 of 17 Title: Bubblegum Released: 2004-08 Tracks: 15 Duration: 49:13 Scroll: Up Down Top Bottom 25% 50% 75% Spotify TrackSamples Allmusic Wikipedia AlbumCover | 1 When Your Number Isnt Up (03:01) 2 Hit the City (02:48) 3 Wedding Dress (03:07) 4 Methamphetamine Blues (03:16) 5 One Hundred Days (04:36) 6 Bombed (01:08) 7 Strange Religion (04:07) 8 Sideways in Reverse (02:46) 9 Come to Me (03:45) 10 Like Little Willie John (03:53) 11 Cant Come Down (03:37) 12 Morning Glory Wine (04:27) 13 Head (03:04) 14 Driving Death Valley Blues (02:48) 15 Out of Nowhere (02:43) |
| Bubblegum : Allmusic album Review : With the Screaming Trees an increasingly distant memory and his brief tenure with Queens of the Stone Age seemingly over and done, Mark Lanegan appears to have well and truly become a solo artist, and while the dark and blues-shot introspections of Whiskey for the Holy Ghost and The Winding Sheet felt like a respite from Lanegans usual musical diet of the time, Bubblegum sounds like an effort to fuse the nocturnal atmospherics of his solo work with the impressive brain/brawn ratio of his better-known bands. Credited to the Mark Lanegan Band (though theres no consistent set of musicians from track to track), Bubblegum is hardly short on the moody stuff, with Lanegans nicotine-buffered pipes leading these songs though any number of empty streets and unhappy events, as on the jonesed-out road trip of "Strange Religion," the pained drift of "One Hundred Days," and the wasted longing of "Morning Glory Wine" -- notice a common theme yet? (Oh, and in case you were wondering, the albums title refers not to teen-centric pop music, but a line from his song "Bombed": "When Im bombed, I stretch like bubblegum/And look too long straight at the morning sun.") But Lanegan was also of a mind to rock out a bit while making this album (or figured that his newer fans were expecting it of him), and with his QOTSA pals Josh Homme and Nick Oliveri helping out on a few cuts, he does indeed deliver the rock, most notably the clanking menace of "Methamphetamine Blues," the straightforward bash of "Sideways in Reverse," and the organ-driven ooze of "Hit the City" (the latter featuring Polly Jean Harvey in an inspired duet appearance). But while most guys making a solo album after a stint with a successful band create music that speaks of freedom and release, Bubblegum finds Lanegan digging ever deeper into the obsessions and appetites that drag him into the same corner every time. It sure doesnt sound like a life most of us would wish to lead, but it makes for damned compelling art, and the dank emotional caverns of Bubblegum offer some territory well worth exploring for the strong-willed. | ||
 | Album: 3 of 17 Title: Warsaw - Proxima Club, 19/03/2012 Released: 2012 Tracks: 11 Duration: 00:00 Scroll: Up Down Top Bottom 25% 50% 75% AlbumCover | 1 Hit the City (?) 2 One Hundred Days (?) 3 Crawlspace (?) 4 Leviathan (?) 5 One Way Street (?) 6 Gray Goes Black (?) 7 Harborview Hospital (?) 8 Pendulum (?) 9 Quiver Syndrome (?) 10 Resurrection Song (?) 11 Tiny Grain of Truth (?) |
 | Album: 4 of 17 Title: Play Blues Funeral, Mexico City, Plaza Condesa, 9/4/2012 Released: 2012 Tracks: 12 Duration: 00:00 Scroll: Up Down Top Bottom 25% 50% 75% AlbumCover | 1 The Gravediggers Song (?) 2 Bleeding Muddy Water (?) 3 Gray Goes Black (?) 4 St. Louis Elegy (?) 5 Riot in My House (?) 6 Ode to Sad Disco (?) 7 Phantasmagoria Blues (?) 8 Quiver Syndrome (?) 9 Harborview Hospital (?) 10 Leviathan (?) 11 Deep Black Vanishing Train (?) 12 Tiny Grain of Truth (?) |
 | Album: 5 of 17 Title: Live In Studio Antwerp December 2011 Released: 2012 Tracks: 11 Duration: 48:56 Scroll: Up Down Top Bottom 25% 50% 75% AlbumCover | 1 Bleeding Muddy Water (06:17) 2 Cant Come Down (03:13) 3 The Gravediggers Song (03:40) 4 Harborview Hospital (04:31) 5 Ode To Sad Disco (06:25) 6 Phantasmagoria Blues (03:10) 7 Quiver Syndrome (04:05) 8 Resurrection Song (03:45) 9 Sleep With Me (04:00) 10 Tiny Grain Of Truth (06:40) 11 Wish You Well (03:10) |
 | Album: 6 of 17 Title: Blues Funeral Released: 2012-02-03 Tracks: 12 Duration: 55:55 Scroll: Up Down Top Bottom 25% 50% 75% Spotify TrackSamples Wikipedia Allmusic AlbumCover | 1 The Gravedigger’s Song (03:46) 2 Bleeding Muddy Water (06:20) 3 Gray Goes Black (04:13) 4 St Louis Elegy (04:36) 5 Riot in My House (03:55) 6 Ode to Sad Disco (06:27) 1 Phantasmagoria Blues (03:18) 2 Quiver Syndrome (04:06) 3 Harborview Hospital (04:34) 4 Leviathan (04:24) 5 Deep Black Vanishing Train (03:09) 6 Tiny Grain of Truth (07:07) |
| Blues Funeral : Allmusic album Review : Those who liked the moodier, more atmospheric material on the last Mark Lanegan Band offering, 2004s Bubblegum, will find much to enjoy on Blues Funeral -- an album that has little to do with blues as a musical form. Lanegan has been a busy man since Bubblegum. In the nearly eight ensuing years, hes issued three records with Isobel Campbell, joined Greg Dulli in the Gutter Twins, guested on albums by the Twilight Singers and UNKLE, and was the lead vocalist on most of the last two Soulsavers offerings. Produced by Eleven guitarist Alain Johannes (who also fulfills that role here as well as playing bass, keyboards, and percussion), Blues Funeral finds Lanegan in a musically ambitious place. His voice is deeper, smokier, but more restrained, even on the few straight-up rockers. The grain in his voice is more pronounced, offering a sense of coiled menace on each track, one that is ready at all points to explode the musical confines these songs erect, and to overwhelm them all. To his credit, he never does. While the album is sequenced seamlessly, with varying textures and dynamics, there are standouts. Of the two tracks that feature the mysterious guitarist Duke Garwood, "Bleeding Muddy Water" is a mournful, midtempo dirge. Dullis guest spot on backing vocals on the Ennio Morricone-inspired spaghetti westernism of "St Louis Elegy" is beautifully rendered; Joshua Homme lends his guitar to the over-the-rails rock in "Riot in My House." Electronics also have a prominent place on Blues Funeral -- and not merely as atmospheric add-ons: "Ode to Sad Disco," melds a four-on-the-floor drum loop to high lonesome guitars as Lanegan offers a drifting, surreal, quasi-mystical narrative worthy of Alejandro Jodorowsky. "Harborview Hospital"s meld of keyboards and guitars touch on U2s Joshua Tree period and late-80s New Order. Weird as that reads, if anything, these expansive retro sonics provide Lanegans raspy baritone a foil, with added texture that lends not only a sense of beauty, but walks out the tension between elegiac lyric and harmonic lyricism. "Leviathan" is the only thing that really approaches blues here, though its via a 21st century approximation of Led Zeppelins darker, airier moments on Physical Graffiti. Blues Funeral, while an adventurous, strident, and complex album, will likely polarize longstanding Lanegan fans; but if they cant follow him into this new terrain, its their problem. | ||
 | Album: 7 of 17 Title: Amsterdam - Leap Year, February 29, 2012 Released: 2012-03 Tracks: 10 Duration: 40:20 Scroll: Up Down Top Bottom 25% 50% 75% AlbumCover | 1 The Gravediggers Song (03:45) 2 Hit the City (02:48) 3 Wedding Dress (04:10) 4 Gray Goes Black (03:49) 5 Crawlspace (04:04) 6 Quiver Syndrome (04:03) 7 St. Louis Elegy (04:42) 8 Riot in My House (03:33) 9 Ode to Sad Disco (06:22) 10 Methamphetamine Blues (03:04) |
 | Album: 8 of 17 Title: Live At Webster Hall New York City May 10, 2012 Released: 2012-11 Tracks: 10 Duration: 00:00 Scroll: Up Down Top Bottom 25% 50% 75% AlbumCover | 1 Riot in My House (?) 2 Wedding Dress (?) 3 Gray Goes Black (?) 4 Resurrection Song (?) 5 Black Rose Way (?) 6 Ode to Sad Disco (?) 7 St. Louis Elegy (?) 8 Pendulum (?) 9 Harborview Hospital (?) 10 Tiny Grain of Truth (?) |
 | Album: 9 of 17 Title: Istanbul IKSV Salon Dec. 11, 2012 Released: 2013 Tracks: 10 Duration: 00:00 Scroll: Up Down Top Bottom 25% 50% 75% AlbumCover | 1 Quiver Syndrome (?) 2 Ode to Sad Disco (?) 3 Devil in My Mind (?) 4 Black Rose Way (?) 5 St. Louis Elegy (?) 6 Harborview Hospital (?) 7 Sleep With Me (?) 8 Riot in My House (?) 9 Hanging Tree (?) 10 Methamphetamine Blues (?) |
 | Album: 10 of 17 Title: No Bells on Sunday Released: 2014-07-29 Tracks: 5 Duration: 26:47 Scroll: Up Down Top Bottom 25% 50% 75% AlbumCover | 1 Dry Iced (06:22) 2 No Bells on Sunday (05:51) 3 Sad Lover (03:40) 4 Jonas Pap (02:34) 5 Smokestack Magic (08:18) |
 | Album: 11 of 17 Title: Phantom Radio Released: 2014-10-17 Tracks: 10 Duration: 38:10 Scroll: Up Down Top Bottom 25% 50% 75% Spotify Wikipedia Allmusic AlbumCover | 1 Harvest Home (03:17) 2 Judgement Time (02:30) 3 Floor of the Ocean (04:52) 4 The Killing Season (03:46) 5 Seventh Day (04:52) 6 I Am the Wolf (03:43) 7 Torn Red Heart (04:01) 8 Waltzing in Blue (03:15) 9 The Wild People (03:07) 10 Death Trip to Tulsa (04:47) |
| Phantom Radio : Allmusic album Review : If there really is a Mark Lanegan Band, it apparently consists of Lanegan and Alain Johannes; despite the collective billing, as on 2012s Blues Funeral, the only consistent presence besides Lanegan on 2014s Phantom Radio is producer and multi-instrumentalist Johannes, who provides the guitar and keyboards that dominate the set, giving it a clean electronic sheen, even when the album is going for a darker, atmospheric tone on numbers such as "The Wild People" and "Judgement Time." Of course, as Lanegan showed on his albums with the Soulsavers, his resonant vocals and dour lyrics can put a lot of flesh and blood on an electronic framework, and he performs the same feat on Phantom Radio. While this music is, for the most part, noticeably simpler and more pop-oriented than his Soulsavers recordings, songs like "Waltzing in Blue," "The Killing Season," and "Floor of the Ocean" manage to sound polished on the surface while Lanegan gives them a rough-hewn gravity, fusing the timeless spirit of classic blues and rural folk songs to music clearly rooted in the 21st century. Lanegans vocals feel a shade less gritty here than they have on some of his more recent work -- his voice still sounds smoky, but suggests he may have cut down to just one pack of cigarettes a day -- but the slightly smoother textures and better control over his instrument dont make this music sound any less doomstruck, and Lanegans fascination with the darker side of humanity has yet to fail him creatively. While a few longtime fans might pine for the more organic textures of albums like Whiskey for the Holy Ghost or The Winding Sheet, Phantom Radio shows that a bit more production polish and digital styling hasnt fogged Lanegans message, and Phantom Radio reveals the singer and his songs are as strong and as eloquent as ever. | ||
 | Album: 12 of 17 Title: A Thousand Miles of Midnight: Phantom Radio Remixes Released: 2015-02-23 Tracks: 14 Duration: 1:18:37 Scroll: Up Down Top Bottom 25% 50% 75% Spotify Allmusic AlbumCover | 1 Death Trip to Tulsa (Mark Stewart’s Exopolitix demix) (03:30) 2 I Am the Wolf (Greg Dulli remix) (04:11) 3 The Killing Season (UNKLE remix) (05:52) 4 Torn Red Heart (Moby remix) (07:08) 5 No Bells on Sunday (Moon Gangs remix) (06:27) 6 Floor of the Ocean (Pye Corner Audio remix) (07:50) 7 Sad Lover (Mikey Young remix) (05:19) 1 Waltzing in Blue (Earth dub mix) (03:23) 2 Harvest Home (Magnus remix) (04:49) 3 The Wild People (Alastair Galbraith remix) (03:06) 4 Dry Iced (Tomas Barfod remix) (08:18) 5 Jonas Pap (Soulsavers Aural Disorientation remix) (07:34) 6 Seventh Day (Tom Furse Extrapolation) (08:18) 7 Judgement Time (Alain Johannes remix) (02:46) |
| A Thousand Miles of Midnight: Phantom Radio Remixes : Allmusic album Review : With this collection, Mark Lanegan offers his fans a different perspective on his 2014 album Phantom Radio. Lanegan and his collaborator Alain Johannes have handed off most of the tracks from Phantom Radio (as well as several from the EP No Bells on Sunday) to other musicians and producers to create new mixes of the material. With the help of Soulsavers, Moby, Mark Stewart, UNKLE, Greg Dulli, Moon Gangs, Alastair Galbraith, and others, A Thousand Miles of Midnight spins new soundscapes from the moody frameworks of Lanegans original recordings, bringing his electronic influences to the forefront and confirming the strength and versatility of Lanegans work. | ||
 | Album: 13 of 17 Title: Teatro Kapital - Live In Madrid April 1. 2012 Released: 2017 Tracks: 11 Duration: 44:31 Scroll: Up Down Top Bottom 25% 50% 75% AlbumCover | 1 Hit the City (02:57) 2 Wedding Dress (04:24) 3 Resurrection Song (03:52) 4 Wish You Well (03:03) 5 Grey Goes Black (03:42) 6 Crawlspace (04:12) 7 Quiver Syndrome (04:06) 8 One Hundred Days (04:06) 9 Pendulum (02:53) 10 St Louis Elegy (05:13) 11 Tiny Grain of Truth (06:03) |
 | Album: 14 of 17 Title: Live At The ABC Glasgow April 21, 2016 Released: 2017 Tracks: 14 Duration: 00:00 Scroll: Up Down Top Bottom 25% 50% 75% AlbumCover | 1 One Way Street (?) 2 Mirrored (?) 3 The Wild People (?) 4 Low (?) 5 Holy Ground (?) 6 The River Rise (?) 7 Ill Take Care of You (?) 8 Judgement Time (?) 9 Phantasmagoria Blues (?) 10 One Hundred Days (?) 11 Driver (?) 12 Mescalito (?) 13 Bombed (?) 14 Halo of Ashes (?) |
 | Album: 15 of 17 Title: Gargoyle Released: 2017-04-28 Tracks: 10 Duration: 41:16 Scroll: Up Down Top Bottom 25% 50% 75% Spotify Allmusic AlbumCover | 1 Death’s Head Tattoo (04:21) 2 Nocturne (04:22) 3 Blue Blue Sea (03:24) 4 Beehive (03:49) 5 Sister (05:03) 6 Emperor (03:36) 7 Goodbye to Beauty (03:15) 8 Drunk on Destruction (03:25) 9 First Day of Winter (03:27) 10 Old Swan (06:30) |
| Gargoyle : Allmusic album Review : Gargoyle, Mark Lanegans fourth album under the moniker the Mark Lanegan Band, opens with a song called "Deaths Head Tattoo," and given the singers chronically gloomy outlook on the world around him, that title sounds like it could be the height of cliché in Lanegans hands. But thanks to his intelligence as a songwriter and his gifts as a vocalist, even under the worst circumstances Lanegan would deliver something worth hearing, and "Deaths Head Tattoo" turns out to be more perceptive than one might have feared. Similarly, Gargoyle turns out to be a more satisfying listen than the previous Mark Lanegan Band albums. In addition to his usual collaborator, producer and multi-instrumentalist Alain Johannes, most of the tracks also feature guitars, bass, and other instruments from Rob Marshall, guitarist with the band Exit Calm. Having Marshall on board has given most of these tracks a welcome dose of muscle and rock action, and if electronics still dominate the sonic horizons of Gargoyle, the results feel more organic, and Lanegan appears to be more invested in this material. "Beehive" is a testimony to the pleasures and perils of addiction, "Emperor" is a meditation on loneliness that could have been an outtake from Iggy Pops Post Pop Depression (and features guest vocals from Iggy and Marks mutual friend Josh Homme), "Drunk on Destruction" is a powerful fusion of six-string howl and drum loops, and "Old Swan" brings the album to a suitably epochal conclusion. Lanegans vocals are in fine form throughout; quieter numbers such as "Sister" and "First Day of Winter" allow him to deliver more nuanced performances that show how well he makes use of the nooks and crannies of his instrument, and the albums best rockers are full of liberating power. At first glance, Gargoyle doesnt feel like an album full of surprises, but after the second or third spin, the fuller and bolder sound of the arrangements and production becomes clear, and it all serves Lanegans talents in a way his last few Mark Lanegan Band albums have not. | ||
 | Album: 16 of 17 Title: Still Life With Roses: Gargoyle Remixes Released: 2017-09-29 Tracks: 6 Duration: 39:53 Scroll: Up Down Top Bottom 25% 50% 75% AlbumCover | 1 Nocturne (Adrian Sherwood remix) (04:25) 2 Blue Blue Sea (Not Waving remix) (05:43) 3 Old Swan (Pye Corner Audio remix) (07:08) 4 Beehive (Andrew Weatherall remix) (09:20) 5 Beehive (Andrew Weaherall dub) (09:20) 6 Deaths Head Tattoo (BLOOD MUSIC Falling Percussion dub) (03:57) |
 | Album: 17 of 17 Title: Somebodys Knocking Released: 2019-10-18 Tracks: 14 Duration: 57:01 Scroll: Up Down Top Bottom 25% 50% 75% AlbumCover | 1 Disbelief Suspension (03:15) 2 Letter Never Sent (03:31) 3 Night Flight to Kabul (03:30) 4 Dark Disco Jag (03:55) 5 Gazing from the Shore (03:42) 6 Stitch It Up (03:03) 7 Playing Nero (04:16) 8 Penthouse High (06:23) 9 Paper Hat (04:27) 10 Name and Number (03:39) 11 War Horse (02:51) 12 Radio Silence (04:02) 13 She Loved You (05:30) 14 Two Bells Ringing At Once (04:49) |