Nick Drake | ||
| Allmusic Biography : A singular talent who passed almost unnoticed during his brief lifetime, Nick Drake produced several albums of chilling, somber beauty. With hindsight, these have come to be recognized as peak achievements of both the British folk-rock scene and the entire rock singer/songwriter genre. Sometimes compared to Van Morrison, Drake in fact resembled Donovan much more in his breathy vocals, strong melodies, and the acoustic-based orchestral sweep of his arrangements. His was a much darker vision than Donovans, however, with disturbing themes of melancholy, failed romance, mortality, and depression lurking just beneath, or even well above, the surface. Ironically, Drake has achieved a far greater stature in the decades following his death, with an avid cult following that grows by the year. Part of Drakes failure to attract a mass audience was attributable to his almost pathological reluctance to perform live. It was at a live show in Cambridge, however, that a member of Fairport Convention saw Drake perform, and recommended the singer to producer Joe Boyd. Boyd, already a linchpin of the British folk-rock scene as the producer for Fairport and the Incredible String Band, asked Drake for a tape, and was impressed enough to give the 20-year-old a contract in 1968. Drakes debut, Five Leaves Left (1969), was the first in a series of three equally impressive, and quite disparate, albums. With understated folk-rock backing (Pentangle bassist Danny Thompson plays bass on most of the cuts), Drake created a vaguely mysterious, haunting atmosphere, occasionally embellished by tasteful Baroque strings. His economic, even pithy, lyrics hinted at melancholy, yet any thoughts of despair were alleviated by the gorgeous, uplifting melodies and Drakes calm, measured vocals. Bryter Later (1970) was perhaps his most upbeat effort, featuring support from members of Fairport Convention, and traces of jazz in the arrangements. On some cuts, the singer/songwriter, remarkably, dispensed with lyrics altogether, offering only gorgeous, orchestrated instrumental miniatures that stood well on their own. Neither album sold well, and Drake, already a brooding loner, plunged into serious depression that often found him unable to make music, work, or even walk and talk. He managed to produce one final full-length work, Pink Moon (1972), a desolate solo acoustic album that ranks as one of the most naked and bleak statements in all of rock. He did record a few more songs before his death, but no more albums were completed, although the final sessions (along with some other fine unreleased material) surfaced on the posthumous compilation Time of No Reply. Drakes final couple of years were marked by increasing psychiatric difficulties, which found him hospitalized at one point for several weeks. He had rarely played live during his days as a recording artist, and at one point declared his intention never to record again, although he wished to continue to write songs for others. (Its been reported that French chanteuse Françoise Hardy recorded some of Drakes songs, but she hasnt released any.) On November 25, 1974, he died in his parents home from an overdose of antidepressant medication; suicide has been speculated, although some of his family and friends dispute this. In the manner of the young Romantic poets of the 19th century who died before their time, Drake is revered by many listeners today, with a following that spans generations. Baby boomers who missed him the first time around found much to revisit once they discovered him, and his pensive loneliness speaks directly to contemporary alternative rockers who share his sense of morose alienation. | ||
 | Album: 1 of 11 Title: Five Leaves Left Released: 1969-09 Tracks: 10 Duration: 41:43 Scroll: Up Down Top Bottom 25% 50% 75% Spotify Allmusic AlbumCover | 1 Time Has Told Me (04:26) 2 River Man (04:20) 3 Three Hours (06:16) 4 Way to Blue (03:11) 5 Day Is Done (02:29) 6 ’Cello Song (04:48) 7 The Thoughts of Mary Jane (03:22) 8 Man in a Shed (03:55) 9 Fruit Tree (04:50) 10 Saturday Sun (04:03) |
| Five Leaves Left : Allmusic album Review : Its little wonder why Drake felt frustrated at the lack of commercial success his music initially gathered, considering the help he had on his debut record. Besides fine production from Joe Boyd and assistance from folks like Fairport Conventions Richard Thompson and his unrelated bass counterpart from Pentangle, Danny Thompson, Drake also recruited school friend Robert Kirby to create most of the just-right string and wind arrangements. His own performance itself steered a careful balance between too-easy accessibility and maudlin self-reflection, combining the best of both worlds while avoiding the pitfalls on either side. The result was a fantastic debut appearance, and if the cult of Drake consistently reads more into his work than is perhaps deserved, Five Leaves Left is still a most successful effort. Having grown out of the amiable but derivative styles captured on the long-circulating series of bootleg home recordings, Drake imbues his tunes with just enough drama -- world-weariness in the vocals, carefully paced playing, and more -- to make it all work. His lyrics capture a subtle poetry of emotion, as on the pastoral semi-fantasia of "The Thoughts of Mary Jane," which his soft, articulate singing brings even more to the full. Sometimes he projects a little more clearly, as on the astonishing voice-and-strings combination "Way to Blue," while elsewhere hes not so clear, suggesting rather than outlining the mood. Understatement is the key to his songs and performances general success, which makes the combination of his vocals and Rocky Dzidzornus congas on "Three Hours" and the lovely "Cello Song," to name two instances, so effective. Danny Thompson is the most regular side performer on the album, his bass work providing subtle heft while never standing in the way of the song -- kudos well deserved for Boyds production as well. | ||
 | Album: 2 of 11 Title: Bryter Layter Released: 1970-11 Tracks: 10 Duration: 39:28 Scroll: Up Down Top Bottom 25% 50% 75% Spotify Allmusic AlbumCover | 1 Introduction (01:33) 2 Hazey Jane II (03:46) 3 At the Chime of a City Clock (04:45) 4 One of These Things First (04:51) 5 Hazey Jane I (04:29) 6 Bryter Layter (03:24) 7 Fly (03:00) 8 Poor Boy (06:09) 9 Northern Sky (03:46) 10 Sunday (03:42) |
| Bryter Layter : Allmusic album Review : With even more of the Fairport Convention crew helping him out -- including bassist Dave Pegg and drummer Dave Mattacks along with, again, a bit of help from Richard Thompson -- as well as John Cale and a variety of others, Drake tackled another excellent selection of songs on his second album. Demonstrating the abilities shown on Five Leaves Left didnt consist of a fluke, Bryter Layter featured another set of exquisitely arranged and performed tunes, with producer Joe Boyd and orchestrator Robert Kirby reprising their roles from the earlier release. Starting with the elegant instrumental "Introduction," as lovely a mood-setting piece as one would want, Bryter Layter indulges in a more playful sound at many points, showing that Drake was far from being a constant king of depression. While his performances remain generally low-key and his voice quietly passionate, the arrangements and surrounding musicians add a considerable amount of pep, as on the jazzy groove of the lengthy "Poor Boy." The argument could be made that this contravenes the spirit of Drakes work, but it feels more like a calmer equivalent to the genre-sliding experiments of Van Morrison at around the same time. Numbers that retain a softer approach, like "At the Chime of a City Clock," still possess a gentle drive to them. Cales additions unsurprisingly favor the classically trained side of his personality, with particularly brilliant results on "Northern Sky." As his performances on keyboards and celeste help set the atmosphere, Drake reaches for a perfectly artful reflection on loss and loneliness and succeeds wonderfully. | ||
 | Album: 3 of 11 Title: Pink Moon Released: 1972-02-25 Tracks: 11 Duration: 28:28 Scroll: Up Down Top Bottom 25% 50% 75% Spotify Allmusic AlbumCover | 1 Pink Moon (02:04) 2 Place to Be (02:43) 3 Road (02:02) 4 Which Will (02:58) 5 Horn (01:23) 6 Things Behind the Sun (03:57) 7 Know (02:25) 8 Parasite (03:36) 9 Free Ride (03:06) 10 Harvest Breed (01:37) 11 From the Morning (02:32) |
| Pink Moon : Allmusic album Review : After two albums of tastefully orchestrated folk-pop, albeit some of the least demonstrative and most affecting around, Drake chose a radical change for what turned out to be his final album. Not even half-an-hour long, with 11 short songs and no more -- he famously remarked at the time that he simply had no more to record -- Pink Moon more than anything else is the record that made Drake the cult figure he remains. Specifically, Pink Moon is the bleakest of them all; that the likes of Belle and Sebastian are fans of Drake may be clear enough, but its doubtful they could ever achieve the calm, focused anguish of this album, as harrowing as it is attractive. No side musicians or outside performers help this time around -- its simply Drake and Drake alone on vocals, acoustic guitar, and a bit of piano, recorded by regular producer Joe Boyd but otherwise untouched by anyone else. The lead-off title track was eventually used in a Volkswagen commercial nearly 30 years later, giving him another renewed burst of appreciation -- one of lifes many ironies, in that such an affecting song, Drakes softly keened singing and gentle strumming, could turn up in such a strange context. The remainder of the album follows the same general path, with Drakes elegant melancholia avoiding sounding pretentious in the least thanks to his continued embrace of simple, tender vocalizing. Meanwhile, the sheer majesty of his guitar playing -- consider the opening notes of "Road" or "Parasite" -- makes for a breathless wonder to behold. | ||
 | Album: 4 of 11 Title: Fruit Tree Released: 1979-03-09 Tracks: 45 Duration: 2:33:06 Scroll: Up Down Top Bottom 25% 50% 75% Allmusic Wikipedia AlbumCover | 1 Time Has Told Me (04:26) 2 River Man (04:20) 3 Three Hours (06:16) 4 Way to Blue (03:11) 5 Day Is Done (02:29) 6 ’Cello Song (04:48) 7 The Thoughts of Mary Jane (03:22) 8 Man in a Shed (03:55) 9 Fruit Tree (04:50) 10 Saturday Sun (04:03) 1 Introduction (01:33) 2 Hazey Jane II (03:46) 3 At the Chime of a City Clock (04:45) 4 One of These Things First (04:51) 5 Hazey Jane I (04:29) 6 Bryter Layter (03:24) 7 Fly (03:00) 8 Poor Boy (06:09) 9 Northern Sky (03:46) 10 Sunday (03:42) 1 Pink Moon (02:04) 2 Place to Be (02:43) 3 Road (02:02) 4 Which Will (02:58) 5 Horn (01:23) 6 Things Behind the Sun (03:57) 7 Know (02:25) 8 Parasite (03:36) 9 Free Ride (03:06) 10 Harvest Breed (01:37) 11 From the Morning (02:32) 1 Time of No Reply (02:44) 2 I Was Made to Love Magic (03:28) 3 Joey (03:04) 4 Clothes of Sand (02:32) 5 Man in a Shed (03:06) 6 Mayfair (02:33) 7 Fly (03:37) 8 The Thoughts of Mary Jane (03:46) 9 Been Smoking Too Long (02:17) 10 Strange Meeting II (03:38) 11 Rider on the Wheel (02:33) 12 Black Eyed Dog (03:26) 13 Hanging on a Star (02:49) 14 Voice From the Mountain (03:45) |
| Fruit Tree : Allmusic album Review : Fruit Tree is a four-disc box set featuring all three of Nick Drakes studio albums (Five Leaves Left, Bryter Layter, Pink Moon) and the rarities collection Time of No Reply. In other words, it contains every known recording Drake made during his brief lifetime, and listening to the set, the depth of his talent becomes abundantly clear. And the four discs are not overkill. The quality of Drakes songs was startlingly high, and anyone who purchases one disc will eventually need the other three albums, making Fruit Tree a logical way to acquire all of the records at once. | ||
 | Album: 5 of 11 Title: Heaven in a Wild Flower: An Exploration of Nick Drake Released: 1985 Tracks: 14 Duration: 51:11 Scroll: Up Down Top Bottom 25% 50% 75% Allmusic Wikipedia AlbumCover | 1 Fruit Tree (04:50) 2 Cello Song (04:48) 3 The Thoughts of Mary Jane (03:22) 4 Northern Sky (03:46) 5 River Man (04:21) 6 At the Chime of a City Clock (04:47) 7 Introduction (01:32) 8 Hazey Jane I (04:31) 9 Hazey Jane II (03:47) 10 Pink Moon (02:04) 11 Road (02:02) 12 Which Will (02:58) 13 Things Behind the Sun (03:56) 14 Time Has Told Me (04:26) |
| Heaven in a Wild Flower: An Exploration of Nick Drake : Allmusic album Review : Taking its name from a poem by William Blake ("To see a world in a grain of sand/And a heaven in a wild flower/Hold infinity in the palm of your hand/And eternity in an hour"), this is a fine introduction to the distinctive and lasting work of English folksinger Nick Drake, specifically his three proper albums (Five Leaves Left, Bryter Later, and Pink Moon). It isnt definitive, however, as it doesnt include any tracks from the valuable outtakes collection, Time of No Reply. And, unlike many box sets, Fruit Tree ultimately trumps all other Drake releases simply because it includes everything and everything really is worth including. Consequently, Heaven in a Wild Flower does not include "Black Eyed Dog," one of the spookiest songs ever written. In it, the black-eyed dog (i.e., Death) pays Drake a visit ("A black eyed dog he called at my door/The black eyed dog he called for more"). His far-too-early death later that year (1974) from a prescription drug overdose (which may or may not have been intentional) only makes the song seem more ominous. Since the release of this collection in 1986, Drakes stature has only grown, as evidenced by the popular Volkswagen commercial (which sent sales of Pink Moon soaring), Lucinda Williams haunting cover of "Which Will" (from Sweet Old World), and Alison Anders powerful, semi-autobiographical film, Things Behind the Sun, which took its name from the Drake song and includes it on the soundtrack. In 1994, Rykodisc released Way to Blue, a more readily available collection, which includes most of these tracks (with the notable exception of "Thoughts of Mary Jane," a curious omission) plus a few from Time of No Reply -- like the aforementioned "Black Eyed Dog," truly one of Drakes best. | ||
 | Album: 6 of 11 Title: Time of No Reply Released: 1987-03 Tracks: 14 Duration: 43:26 Scroll: Up Down Top Bottom 25% 50% 75% Allmusic Wikipedia AlbumCover | 1 Time of No Reply (02:44) 2 I Was Made to Love Magic (03:28) 3 Joey (03:04) 4 Clothes of Sand (02:32) 5 Man in a Shed (03:06) 6 Mayfair (02:33) 7 Fly (03:37) 8 The Thoughts of Mary Jane (03:46) 9 Been Smoking Too Long (02:17) 10 Strange Meeting II (03:38) 11 Rider on the Wheel (02:33) 12 Black Eyed Dog (03:26) 13 Hanging on a Star (02:49) 14 Voice From the Mountain (03:45) |
| Time of No Reply : Allmusic album Review : Released in the mid-80 during one of the many Drake revivals over the years, combining tracks from the original Fruit Tree box set and other outtakes unreleased until then, Time of No Reply is a fine coda to Drakes all too brief recording career. A collection of outtakes and alternate versions of more familiar songs, it parallels Pink Moon in that all songs but two are simply Drake on his own, his guitar and his voice doing all that needs to be done. The majority of the recordings come from the late 60s, from the slew of sessions and home recordings predating the release of Five Leaves Left. They still show Drake working in a touch more traditional mode, but his unmistakable vocal approach is well in place throughout. The title track itself is a gem, raising the question as to why Drake thought it unworthy for initial release, with a softly catchy chorus and sweet, reflective lyrical cast. The takes on "Man in a Shed" and "The Thoughts of Mary Jane," with Richard Thompson adding electric guitar on the latter, make for an intersting contrast to their more familiar studio incarnations. The release concludes with the "final session," four last songs recorded two years after Pink Moon, shortly before his death. The songs included on Time of No Reply should be considered demos and experiments, but theres no questioning Drakes power for understated exploration of darker moments and emotions remained. | ||
 | Album: 7 of 11 Title: Way to Blue: An Introduction to Nick Drake Released: 1994-05-24 Tracks: 16 Duration: 1:02:17 Scroll: Up Down Top Bottom 25% 50% 75% Allmusic Wikipedia AlbumCover | 1 ’Cello Song (04:48) 2 Hazey Jane I (04:29) 3 Way to Blue (03:11) 4 Things Behind the Sun (03:57) 5 River Man (04:20) 6 Poor Boy (06:09) 7 Time of No Reply (02:44) 8 From the Morning (02:32) 9 One of These Things First (04:51) 10 Northern Sky (03:46) 11 Which Will (02:58) 12 Hazey Jane II (03:46) 13 Time Has Told Me (04:26) 14 Pink Moon (02:04) 15 Black Eyed Dog (03:26) 16 Fruit Tree (04:46) |
| Way to Blue: An Introduction to Nick Drake : Allmusic album Review : Released in 1994 and curated by Joe Boyd, the 16-track collection Way to Blue held true to its claim as An Introduction to Nick Drake. Though largely unknown during his lifetime and brief career, the beguiling English folksinger ascended to a kind of romantic cult hero in the two decades following his 1974 death. His name was known among artists and hardcore record collectors and thanks to Boyds Hannibal Records label, his three lone albums along with the essential 1986 rarities disc Time of No Reply were all back in print. Artists like R.E.M., the Cure, and the Dream Academy had all cited him as an influence in the mid-80s, but it really wasnt until the 90s that his gentle, austere music began to achieve the legendary status that it would enjoy well into the 21st century. A handful of other Nick Drake compilations had existed before this one, but Way to Blue remains the definitive primer for aspiring and casual fans. Compiled by Boyd, Drakes producer and initial champion, the tracks here are chosen and sequenced with great tenderness and care, offering key tracks from his elegant 1969 debut Five Leaves Left; his more colorful 1970 follow-up Bryter Layter; and his final record, 1972s spare masterpiece Pink Moon. Additionally, Boyd chose to include haunting "Black Eyed Dog" and melancholy "Time of No Reply" from the posthumous compilation of the same name, which was included in a later edition of Islands Fruit Tree box set and has since come to be considered a sort of prerequisite companion disc to Drakes brief catalog. As there is really no filler on any of his albums, Way to Blue is even further distilled, bottling up the absolute essentials that have helped to cement Drakes legacy as one of Britains most influential and important artists. Although it took several years and some help from a now famous Volkswagen commercial that introduced "Pink Moon" to the masses, Way to Blue eventually went gold in 1999. | ||
 | Album: 8 of 11 Title: Made to Love Magic Released: 2004-05-24 Tracks: 13 Duration: 41:55 Scroll: Up Down Top Bottom 25% 50% 75% Spotify Allmusic Wikipedia AlbumCover | 1 Rider on the Wheel (02:38) 2 Magic (02:47) 3 River Man (04:02) 4 Joey (03:04) 5 The Thoughts of Mary Jane (03:39) 6 Mayfair (02:12) 7 Hanging on a Star (03:25) 8 Three Hours (05:12) 9 Clothes of Sand (02:32) 10 Voices (03:47) 11 Time of No Reply (02:49) 12 Black Eyed Dog (03:26) 13 Tow the Line (02:16) |
| Made to Love Magic : Allmusic album Review : Hunger for "new" Nick Drake material had reached enough of a fever pitch by the 21st century for Island to try digging up enough for this odd patchwork collection, combining outtakes with remixes of tracks that had been previously issued on the Time of No Reply album. The result is a curious disc thats not quite an anthology of wholly previously unreleased material, and thus of somewhat limited value to Drake collectors, though it contains much good music. The only song here previously unavailable in any form is the 1974 outtake "Tow the Line," a melancholic solo acoustic performance (as are most of the tracks on the CD) thats well up to the standards of Pink Moon and the 1974 tracks that previously surfaced on Time of No Reply. Also new to official release are spring 1968 solo acoustic versions of "River Man" (later to appear on Five Leaves Left with orchestration) and "Mayfair" (a later recording of which was used on Time of No Reply), as well as a March 1969 version of "Three Hours" thats longer than the one later cut for Five Leaves Left. Theres also a newly discovered take of "Hanging on a Star" (one of the 1974 outtakes used on Time of No Reply) with a different vocal. The differences between these and the familiar studio renditions arent knock-your-socks-off different, but certainly good and well worth hearing by Drake cultists. Its the rest of the material that might be the target of criticism from concerned consumers, whether for posthumous tampering or redundancy with previously available albums. Most controversially, two tracks from Time of No Reply -- "Time of No Reply" itself and "I Was Made to Love Magic" (the latter here, for some reason, retitled simply "Magic") -- have been altered to include Robert Kirbys original orchestral arrangements, recorded in 2003. Actually in both instances, the substituted orchestration is integrated very tastefully, but it can never be answered whether Drake himself would have approved or had it done the exact same way. The remaining cuts are simply remixes or remasterings of six songs that appeared on Time of No Reply, the remixes of the 1974 songs "Black Eyed Dog," "Rider on the Wheel," and "Voices" (originally titled "Voice from the Mountain" when it first appeared on Time of No Reply) being done by the original recording engineer, John Wood. Though those remixes of the 1974 tracks in particular are an improvement (the songs on the original release had been mixed onto a mono listening tape), again its not the sort of thing that will generate revelations unless youre an audiophile. As everything Drake recorded was worth hearing, this CD too is quite worthy judged in isolation, and certainly full of the subdued mystery the singer/songwriter brought to his music. Its just not the gold mine of discoveries for which some might have hoped. | ||
 | Album: 9 of 11 Title: Family Tree Released: 2007-07-09 Tracks: 28 Duration: 1:06:20 Scroll: Up Down Top Bottom 25% 50% 75% Spotify Allmusic AlbumCover | 1 Come In to the Garden (introduction) (00:32) 2 They’re Leaving Me Behind (03:17) 3 Time Piece (00:43) 4 Poor Mum (01:38) 5 Winter Is Gone (02:43) 6 All My Trials (01:55) 7 Mozart’s Kegelstatt Trio (01:13) 8 Strolling Down the Highway (02:50) 9 Paddling in Rushmere (00:24) 10 Cocaine Blues (02:59) 11 Blossom (02:41) 12 Been Smoking Too Long (02:13) 13 Black Mountain Blues (02:36) 14 Tomorrow Is a Long Time (03:42) 15 If You Leave Me (02:02) 16 Here Come the Blues (03:53) 17 Sketch 1 (01:00) 18 Blues Run the Game (02:24) 19 My Baby So Sweet (01:45) 20 Milk and Honey (02:59) 21 Kimbie (03:26) 22 Bird Flew By (02:54) 23 Rain (03:07) 24 Strange Meeting II (04:27) 25 Day Is Done (02:20) 26 Come Into the Garden (02:00) 27 Way to Blue (02:52) 28 Do You Ever Remember? (01:34) |
| Family Tree : Allmusic album Review : For many years after his death, unreleased home tapes that Nick Drake made shortly before beginning his official recording career have been bootlegged among collectors. The 28 songs on Family Tree add up to an extensive (though not quite complete, missing some minor covers like "Get Together," "Dont Think Twice, Its Alright," and "Summertime") compilation of the performances he recorded on such equipment before he cut his debut album, 1969s Five Leaves Left. The bulk of it, and the part thats been oft-bootlegged, was recorded on a reel-reel at his family home (and include a vocal duet between him and sister Gabrielle Drake on "All My Trials," though otherwise theyre all solo performances). Less familiar, and hence probably new even to many hardcore Drake collectors, are eight songs taped on cassette somewhat earlier during his spring 1967 stay in Aix-En-Provence in France, as well as a couple of earlier versions of songs that later appeared on Five Leaves Left that were taped by Robert Kirby in 1968, and a couple recordings of songs sung and played (on piano) by Nicks mother, Molly Drake. Many Drake fans will already be familiar with the performances he taped at his family home, but the cleaned-up sound here makes this disc much easier to listen to than those earlier unauthorized releases, though everythings still (inevitably given the sources) a little lo-fi. As for the music, its a very pleasant and listenable portrait of Drakes folk roots, though not on par (and not meant to be) with his studio releases. For one thing, at this point, he wasnt playing much of his own material; most of the songs are traditional folk tunes, or covers of compositions by 60s folk songwriters that were obviously big influences on Drake, such as Bert Jansch, Jackson C. Frank, and Dylan (and, on "Been Smokin Too Long," a friend he met in France, Robin Frederick). Also, both his guitar work and singing are more derivative of the likes of Jansch, Donovan, and country bluesmen such as Blind Boy Fuller (whose "My Babys So Sweet" he covers here) than they would be by the time he settled into his own style on Five Leaves Left. Still, much of what makes Drake special does come through, even with the relatively low percentage of original material and primitive recording conditions. His folk guitar work is already nimble, but more striking are his vocals, which already boast his characteristic mixture of assured slight smokiness and English reserve. And the few Drake compositions put his reclusive yet poetic world view in greater, more original focus, though its really only on the songs later used on Five Leaves Left (and, perhaps, the haunting if Donovan-esque "Strange Meeting, Pt. 2") that it becomes fully mature. The two Molly Drake songs, incidentally, arent mere completist add-ons; they make it clear that she was likely a substantial influence upon her sons melancholy melodies and songwriting, if perhaps a subliminal one. Less essential, though still illuminating for the dedicated Drake fan is a classical instrumental (by "the Family Trio") with Nick on clarinet. | ||
 | Album: 10 of 11 Title: N. R. Drake, 69. Released: 2013-12-09 Tracks: 71 Duration: 3:36:10 Scroll: Up Down Top Bottom 25% 50% 75% AlbumCover | 1 Time Has Told Me (04:26) 2 River Man (04:20) 3 Three Hours (06:16) 4 Way to Blue (03:11) 5 Day Is Done (02:29) 6 ’Cello Song (04:48) 7 The Thoughts of Mary Jane (03:22) 8 Man in a Shed (03:55) 9 Fruit Tree (04:50) 10 Saturday Sun (04:03) 1 Introduction (01:33) 2 Hazey Jane II (03:46) 3 At the Chime of a City Clock (04:45) 4 One of These Things First (04:51) 5 Hazey Jane I (04:29) 6 Bryter Layter (03:24) 7 Fly (03:00) 8 Poor Boy (06:09) 9 Northern Sky (03:46) 10 Sunday (03:42) 1 Pink Moon (02:04) 2 Place to Be (02:43) 3 Road (02:02) 4 Which Will (02:58) 5 Horn (01:23) 6 Things Behind the Sun (03:57) 7 Know (02:25) 8 Parasite (03:36) 9 Free Ride (03:06) 10 Harvest Breed (01:37) 11 From the Morning (02:32) 1 Rider on the Wheel (02:38) 2 Magic (02:47) 3 River Man (04:02) 4 Joey (03:04) 5 The Thoughts of Mary Jane (03:39) 6 Mayfair (02:12) 7 Hanging on a Star (03:25) 8 Three Hours (05:12) 9 Clothes of Sand (02:32) 10 Voices (03:47) 11 Time of No Reply (02:49) 12 Black Eyed Dog (03:26) 13 Tow the Line (02:16) 1 Come In to the Garden (introduction) (00:32) 2 They’re Leaving Me Behind (03:17) 3 Time Piece (00:43) 4 Poor Mum (01:38) 5 Winter Is Gone (02:43) 6 All My Trials (01:55) 7 Mozart’s Kegelstatt Trio (01:13) 8 Strolling Down the Highway (02:50) 9 Paddling in Rushmere (00:24) 10 Cocaine Blues (02:59) 11 Blossom (02:41) 12 Been Smoking Too Long (02:13) 13 Black Mountain Blues (02:36) 14 Tomorrow Is a Long Time (03:42) 15 If You Leave Me (02:02) 16 Here Come the Blues (03:53) 17 Sketch 1 (01:00) 18 Blues Run the Game (02:24) 19 Milk and Honey (02:59) 20 Kimbie (03:26) 21 Bird Flew By (02:54) 22 Rain (03:07) 23 Strange Meeting II (04:27) 24 Day Is Done (02:20) 25 Come Into the Garden (02:00) 26 Way to Blue (02:52) 27 Do You Ever Remember? (01:34) |
 | Album: 11 of 11 Title: A Day Gone By... Released: 2014 Tracks: 57 Duration: 00:00 Scroll: Up Down Top Bottom 25% 50% 75% AlbumCover | 1 Strolling Down the Highway (?) 2 Cocaine Blues (?) 3 Don’t Think Twice, It’s Alright (?) 4 Betty and Dupree (?) 5 Get Together (?) 6 Here Come the Blues (?) 7 Come in to the Garden (?) 8 Summertime (?) 9 Joey (?) 10 Strange Meeting II (?) 11 Milk and Honey (?) 12 Tomorrow Is a Long Time (?) 13 Courting Blues (?) 14 Black Mountain Blues (?) 15 Morning Monologue (?) 16 Saturday Sun (?) 17 Mayfair [III] (?) 18 Fly (?) 19 Hazey Jane I (?) 20 Place to Be [Reconstruction] (?) 21 Parasite [II] (?) 22 Three Hours (?) 23 Day Is Done (?) 24 Time of No Reply (?) 25 Three Hours (?) 1 Magic (?) 2 The Thoughts of Mary Jane (?) 3 Day Is Done (?) 4 Time Has Told Me [take 1] (?) 5 Saturday Sun [take 1] (?) 6 River Man (?) 7 Joey [take 2] (?) 8 Saturday Sun [II] (?) 9 Saturday Sun [III] (?) 10 Mayfair (?) 11 Mayfair [II] (?) 12 Fly [II] (?) 13 Parasite (?) 14 Joey [Fragment] (?) 15 Guitar Instrumental [a.k.a. "No. 1] (?) 16 Poor Boy (?) 17 Time Has Told Me (?) 18 Voices (?) 19 Sketch #2 (?) 20 Sketch #4 (?) 21 Sketch #5 (?) 22 Sketch #6 (?) 23 Sketch #7 (?) 24 Hanging on a Star (?) 25 Rider on the Wheel (?) 26 Black Eyed Dog (?) 27 Tow the Line (?) 28 I Wish I Was a Single Girl Again (?) 29 Full Fathom Five (?) 30 With My Swag All on My Shoulder (?) 31 The Commissioner, He Come (?) 32 Dark and Devil Waters (?) |