The E Street Band | ||
| Allmusic Biography : When Bruce Springsteen finally broke through to national recognition in the fall of 1975 after a decade of trying, critics hailed him as the savior of rock & roll, the single artist who brought together all the exuberance of 50s rock and the thoughtfulness of 60s rock, molded into a 70s style. He rocked as hard as Jerry Lee Lewis, his lyrics were as complicated as Bob Dylans, and his concerts were near-religious celebrations of all that was best in music. One critic became so enamored that he quit reviewing to become Springsteens manager. But the hosannas, when piped through the publicity machine of a major record company, were perceived as hype by a significant part of the public as well as the mainstream media -- Springsteen landed on the covers of Time and Newsweek, but both magazines were covering the phenomenon, not the music. Springsteens album, Born to Run, became a hit, and he jumped to arena status as a live act, but as many people were turned off by the press campaign as turned on by the records and shows. Two decades later, however, Springsteen remained an established star who could look back on a career that had produced one of the best-selling albums of all time, sold-out stadium shows, Grammy awards and an Oscar, and a group of imitators who constituted their own subgenre of popular music. If he no longer seemed divine, he remained popular enough for his Greatest Hits album to enter the charts at number one, and he had won over many of those skeptics from 1975. Growing up in southern New Jersey, Springsteen turned to rock & roll as a teenager and played in a series of bands from the mid-60s on, varying in style from garage rock to power trio blues-rock. By the early 70s, he was trying his hand at being a folky singer/songwriter in Greenwich Village. But when he was signed to Columbia Records in 1972, he brought into the studio many of the New Jersey-based musicians with whom hed played over the years. The result was Greetings from Asbury Park, N.J. (January 1973), which went unnoticed upon initial release, though Manfred Manns Earth Band would turn its leadoff track, "Blinded by the Light," into a number one hit four years later. The Wild, the Innocent & the E Street Shuffle (September 1973) also failed to sell despite some rave reviews. (Both albums have since gone platinum.) The following year, Springsteen revised his backup group -- dubbed the E Street Band -- settling on a lineup that included saxophone player Clarence Clemons, second guitarist "Miami" Steve Van Zandt, organist Danny Federici, pianist Roy Bittan, bassist Garry Tallent, and drummer Max Weinberg. With this unit he barnstormed the country while working on his third and last chance with Columbia. By the time Born to Run (August 1975) was released, the critics and a significant cult audience were with him, and the title song became a Top 40 hit while the album reached the Top Ten. What Springsteen needed to do in the wake of the hype, of course, was to play and record more to consolidate his position. He was prevented at least from the latter by a former manager, who kept him in court during the next couple of years. Meanwhile, the musical world changed. Part of the reason critics had welcomed Springsteen so enthusiastically in 1975 was that he seemed a return to basic rock & roll values in a world of soft rock, heavy metal, and art rock. By the time Springsteen returned with his fourth album, Darkness on the Edge of Town (June 1978), however, the punk/new wave movement had outflanked him, pushing him from the vanguard to the mainstream. Similar-sounding heartland rockers such as Bob Seger had appeared, so that Springsteen sounded less like an innovator than a member of an established genre. Nevertheless, he set about winning fans with an album that found the lost children of his early albums stuck in factory jobs, still longing for some escape. The album was a hit, though it did not match the success of Born to Run. Springsteen returned with the double album The River (October 1980), which topped the charts and featured his first Top Ten hit, "Hungry Heart." Nobody was calling him a hype anymore, but Springsteen retreated from his expanding success, next recording the low-key album Nebraska (September 1982), a virtual demo tape on vinyl. (Springsteen did not tour to promote the album, and in the interim E Street Band guitarist Van Zandt amicably left the group for a solo career, to be replaced by Nils Lofgren.) But then came Born in the U.S.A. (June 1984) and a two-year international tour. The album threw off seven hit singles and sold over ten million copies, putting Springsteen in the pop heavens with Michael Jackson and Prince. After touring for more than a year, he released a five-LP/three-CD concert album, Live/1975-85 (November 1986), which topped the charts. Characteristically, Springsteen returned with a more introverted effort, Tunnel of Love (October 1987), which presaged his divorce from his first wife. (He married a second time to singer Patti Scialfa, who had joined the E Street Band.) After another marathon tour, Springsteen gave the E Street Band notice in November 1989, breaking up a celebrated unit that had stayed together 15 years. In March 1992, he simultaneously released Human Touch and Lucky Town, and though the albums premiered near the top of the charts, they were less successful with fans than previous efforts. In the fall, Springsteen taped an MTV Unplugged segment (though he plugged in after one song), and the performance was released as an album in Europe in 1993. Springsteen continued to tour until July 1993. In the fall, he wrote and recorded "Streets of Philadelphia" for the soundtrack to the film Philadelphia, which concerned a lawyer dying of AIDS. The song became a Top Ten hit in 1994, winning the Academy Award for Best Song and cleaning up at the Grammys the following year. At the same time, Springsteen had readied his Greatest Hits album (February 1995), reassembling the E Street Band to record a few new tracks. The album was an immediate best-seller. Springsteen followed it with The Ghost of Tom Joad (November 1995), another low-key, downcast, near-acoustic effort and embarked upon a brief solo tour. In 1999, shortly after his induction into the Rock & Roll Hall of Fame, Springsteen reunited with the E Street Band (including both Lofgren and Van Zandt on guitars) and embarked on a world tour that lasted until mid-2000, its final dates resulting in the album Live in New York City. He then made his first new full-length studio album to feature the group as a whole since Born in the U.S.A., The Rising, his first album of new studio recordings since The Ghost of Tom Joad. Released in July 2002, it was followed by another successful tour and recording sessions for a new album, released as Devils & Dust in 2005. One year later he released the first covers album of his career, a tribute to the songs of Pete Seeger titled We Shall Overcome: The Seeger Sessions. Live in Dublin, featuring concert tracks done on the tour supporting the Seeger project, was released on both CD and DVD in 2007. Then it was back to working with the E Street Band for the release of Magic in the fall of 2007. | ||
 | Album: 1 of 2 Title: Live/1975–85 Released: 1986-11-06 Tracks: 40 Duration: 3:36:03 Scroll: Up Down Top Bottom 25% 50% 75% Spotify Allmusic AlbumCover | 1 Thunder Road (05:43) 2 Adam Raised a Cain (05:24) 3 Spirit in the Night (06:23) 4 4th of July, Asbury Park (Sandy) (06:32) 5 Paradise by the "C" (03:52) 6 Fire (02:50) 7 Growin’ Up (07:56) 8 It’s Hard to Be a Saint in the City (04:37) 9 Backstreets (07:33) 10 Rosalita (Come Out Tonight) (10:02) 11 Raise Your Hand (04:59) 12 Hungry Heart (04:28) 13 Two Hearts (03:06) 1 Cadillac Ranch (04:50) 2 You Can Look (but You Better Not Touch) (03:51) 3 Independence Day (05:09) 4 Badlands (05:15) 5 Because the Night (05:18) 6 Candy’s Room (03:09) 7 Darkness on the Edge of Town (04:24) 8 Racing in the Street (08:13) 9 This Land Is Your Land (04:17) 10 Nebraska (04:16) 11 Johnny 99 (04:21) 12 Reason to Believe (05:19) 13 Born in the U.S.A. (06:07) 14 Seeds (05:13) 1 The River (11:37) 2 War (04:51) 3 Darlington County (05:12) 4 Working on the Highway (03:59) 5 The Promised Land (05:32) 6 Cover Me (06:58) 7 I’m on Fire (04:23) 8 Bobby Jean (04:27) 9 My Hometown (05:08) 10 Born to Run (05:02) 11 No Surrender (04:42) 12 Tenth Avenue Freeze-Out (04:18) 13 Jersey Girl (06:30) |
| Live/1975–85 : Allmusic album Review : Long before he sold substantial numbers of records, Bruce Springsteen began to earn a reputation as the best live act in rock & roll. Fans had been clamoring for a live album for a long time, and with Live 1975-85 they got what they wanted, at least in terms of bulk. His concerts were marathons, and this box set, including 40 tracks and running over three and a half hours, was about the average length of a show. In his brief liner notes, Springsteen spoke of the emergence of the albums "story" as he reviewed live tapes, and that story seems nothing less than a history of his life, his concerns, and his career. The first cuts present the Springsteen of the early to mid-70s; these performances, most of them drawn from a July 1978 show at the Roxy in Los Angeles, give us the romantic, hopeful, earnest Springsteen of "4th of July, Asbury Park (Sandy)" and "Thunder Road." The second section begins with his first Top Ten hit, "Hungry Heart" -- this is the Springsteen of the late 70s and early 80s, an arena rock star with working-class concerns. After an acoustic mini-set given largely to material from Nebraska -- songs of economic desperation and crime -- comes a reshuffling of Born in the U.S.A., songs in which Springsteen and his characters start to fight back and rock out. Finally, he brings it all back home to New Jersey, starting with the unofficial state anthem, "Born to Run," and including "Tenth Avenue Freeze-Out" and "Jersey Girl." Fans could rejoice that it found room for seven previously unreleased songs, including "Because the Night," but it wasnt as funny, as moving, or as exhilarating as a Springsteen show could be. Maybe no single album, however long, could have been, but where Springsteen impressed in concert because he tried so hard, here he seemed to have tried a little too hard to make a live album carry the freight of everything he had to say. | ||
 | Album: 2 of 2 Title: Greatest Hits Released: 2009-01-13 Tracks: 11 Duration: 50:16 Scroll: Up Down Top Bottom 25% 50% 75% Spotify Wikipedia AlbumCover | 1 Rosalita (Come Out Tonight) (07:03) 2 Born to Run (04:30) 3 Thunder Road (04:50) 4 Darkness on the Edge of Town (04:30) 5 Badlands (04:03) 6 Hungry Heart (03:19) 7 Glory Days (04:18) 8 Dancing in the Dark (04:03) 9 Born in the U.S.A. (04:39) 10 The Rising (04:49) 11 Lonesome Day (04:07) |