The Hold Steady | ||
| Allmusic Biography : Resisting the musical trends in New York City, vocalist/guitarist Craig Finn (ex-Lifter Puller) formed the Hold Steady after moving from Minneapolis in 2000. Wanting to capture the sound of bands such as the Replacements and the Grifters, he recruited guitarist Tad Kubler (also ex-Lifter Puller), drummer Judd Counsell, and bassist Galen Polivka. Recording mostly live, the band released its debut, Almost Killed Me, on Frenchkiss Records in March 2004. Dave Gardener (Rocket from the Crypt, Drive Like Jehu) and Dean Botulonis signed on to produce Separation Sunday, which arrived in 2005. The World/Inferno Friendship Societys Franz Nicolay (keyboards) and Bobby Drake (drums), formerly of End Transmission and Arm, were also added to the Hold Steady lineup. The bands third effort, 2006s Boys and Girls in America, marked its first release for Vagrant. After writing the majority of their fourth record on the road, the Hold Steady returned to John Agnellos Water Music studio to record Stay Positive, their most heavily produced effort. In July of 2008, the album was released by both Vagrant and Rough Trade. In 2010 the band announced the departure of Franz Nicolay. Later that same year they released their fifth album, Heaven Is Whenever. In 2012 the band went on a brief hiatus, with frontman Craig Finn releasing his debut solo album, Clear Heart Full Eyes. Regrouping with new guitarist Steve Selvidge in 2013, the revitalized five-piece reentered the studio to record a track for the Game of Thrones soundtrack -- which was also released as a limited-edition single on Record Store Day 2013. Near the beginning of 2014 they announced the release of their sixth album, Teeth Dreams, as well as the covers EP RAGS -- all proceeds from the EP went to help the children of longtime Hold Steady fan Mike "Jersey Mike" Van Jura, who sadly passed away in 2012. After the band finished touring for the album, Finn began work on a solo album. The more intimate and personal Faith in the Future was produced by Josh Kaufman and released by Partisan Records in late 2015. He played solo shows throughout the first half of the year, then turned his attention back to Hold Steady business, namely deluxe reissues of Almost Killed Me and Separation Sunday. They arrived at the end of 2016 and to celebrate, the band (which welcomed back Franz Nicolay) played festivals and a series of sold-out shows in Brooklyn. | ||
 | Album: 1 of 13 Title: The Hold Steady Live at Schubas 03/12/2004 Released: 2004 Tracks: 9 Duration: 43:08 Scroll: Up Down Top Bottom 25% 50% 75% AlbumCover | 1 Positive Jam (03:26) 2 The Swish (04:17) 3 Hostile, Mass. (03:54) 4 Most People Are DJs (05:21) 5 Knuckles (04:18) 6 Certain Songs (04:18) 7 Barfruit Blues (03:37) 8 Milkcrate Mosh (08:37) 9 Killer Parties (05:20) |
 | Album: 2 of 13 Title: Almost Killed Me Released: 2004-04-20 Tracks: 15 Duration: 1:00:19 Scroll: Up Down Top Bottom 25% 50% 75% Spotify TrackSamples Allmusic Wikipedia AlbumCover | 1 Positive Jam (03:17) 2 The Swish (04:08) 3 Barfruit Blues (03:30) 4 Most People Are DJs (05:51) 5 Certain Songs (03:54) 6 Knuckles (03:46) 7 Hostile, Mass. (03:42) 8 Sketchy Metal (04:16) 9 Sweet Payne (04:33) 10 Killer Parties (05:47) 11 Milkcrate Mosh (05:57) 12 Hot Fries (03:44) 13 Curves And Nerves (02:41) 14 You Gotta Dance (With Who You Came To The Dance With) (02:02) 15 Modesto Is Not That Sweet (03:11) |
| Almost Killed Me : Allmusic album Review : After Lifter Puller, the long-running indie rock band he fronted, broke up, Craig Finn took his vocal declarations and lyrical twists and started the Hold Steady. He was joined by old bandmate Tad Kubler on lead guitar plus a crew of hard rocking, bar hopping dudes intent on taking the rambling indie rock of Lifter Puller and replacing it with scuffed-up AOR and swaggering hard rock. Their 2004 debut album, Almost Killed Me, sounds like the E Street Band after they slipped into the gutter, Thin Lizzy if they got fat and American, and a hundred other bands from Southside Johnny to the early-70s Kinks that liked to party, but did it with the occasional tear-filled eyes and desperate hearts. Like the best of these classic rock staples, the Hold Steady can flat out rock. Kubler can rip off a fret-searing solo with bullfighter style, which he does quite frequently, and the rhythm section has enough muscle power to stop a speeding locomotive. On top of this vintage rock chassis, the band drop Finns vocals and vision. Without him, the music is straightforward enough to appeal to the AOR masses and backstreet fanatics; with him they are far too weird and wild. His pop culture name-drops, knowing references to obscure musicians like Andre Cymone, real-sounding tales of the streets, and flights of knuckle-busting anger are far out in left field, and his bracing, eye-bulging delivery of said lyrics pushes it even further over the top. Its a high-wire balancing act of sorts, and it would be easy for the band to topple over into boring mainstream rock cliches or veer into embarrassing drunken poetry territory but it never happens, not even once. The group plays with intense energy at all times, propping Finn up and giving his words the dramatic backdrop they deserve. Finn holds up his end of the bargain by being hilarious and oddly touching as he rambles, coughs, and shouts his way through what sounds like a lifetime of journal entries, inside jokes, and record store soliloquies. Tracks like "The Swish" and "Knuckles" are endlessly quotable, the story songs dont wear out after repeated listens, and at times, the words and music combine in such a thrilling manner that the Hold Steady feel like the best, most alive band in the world. Its a brilliant debut, and the sense that Finn and friends viewed Almost Killed Me as a renewed lease on musical life is tangible throughout. The last-chance desperation and burning desire bleed out through the grooves and its impossible not to get swept up in the flood right along with them. | ||
 | Album: 3 of 13 Title: Separation Sunday Released: 2005-05-03 Tracks: 11 Duration: 42:10 Scroll: Up Down Top Bottom 25% 50% 75% Spotify TrackSamples Allmusic Wikipedia AlbumCover | 1 Hornets! Hornets! (04:46) 2 Cattle and the Creeping Things (03:45) 3 Your Little Hoodrat Friend (03:52) 4 Banging Camp (04:14) 5 Charlemagne in Sweatpants (03:57) 6 Stevie Nix (05:26) 7 Multitude of Casualties (03:04) 8 Don’t Let Me Explode (02:21) 9 Chicago Seemed Tired Last Night (03:18) 10 Crucifixion Cruise (01:49) 11 How a Resurrection Really Feels (05:32) |
| Separation Sunday : Allmusic album Review : The Hold Steadys Almost Killed Me is their hands-down masterpiece, at least this far in the career anyway. A swirling maelstrom of intense, hilarious, and breathtaking rock & roll, it should have been the album that knocked everything else into a cocked hat in 2004. Of course, it was mostly ignored outside the homes of a handful of indie snobs and adventurous punks, but its there, its amazing, and most likely the band will never be able to top it. Separation Sunday comes pretty damn close, though. It is a much darker record, revolving around drug casualties, broken lives, a hoodrat fixation, spiritual and physical dissipation, and general despair, and there arent as many easy laughs this time out -- but instead the listener gets lots of head-shaking wonderment at Craig Finns genius lyrics and voice. His gruff, in-your-ear vocals negotiate the twisting torrent of words like a world-class skater kid. He is insanely literate and insanely insistent: hes like the guy who calls at 2:30 a.m. in a frenzy to holler about his latest disaster of the heart, the bar-stool poet with a religious obsession, or the guy who corners you at a party and just wont shut up about how Boston are the missing link between the Beatles and Derrick May -- only you dont mind because he is strangely brilliant. He is also just about the best rock & roll frontman since Bob Pollard. In fact, the group sounds a bit like Guided By Voices at times, only a Guided By Voices that want to kick your sorry can up and down the length of the bar. Or maybe a GBV that worship Springsteen instead of the Who. Whipping up a classic rock-inspired frenzy of monitor-straddling guitar riffs, dual harmony leads, E Street piano flourishes, and galloping horns, the band behind Finn sounds like nothing less than Jim Steinmans dream group. You could talk about great individual songs (the epic "How a Resurrection Really Feels," the piledriving album opener "Hornets! Hornets!," the weird and almost funky "Charlemagne in Sweatpants"), but the strength of the album is in the flow from song to song and the way the intensity level (which starts off at a near fever pitch) elevates until your head is just about ready to burst from the thrill of it all. Call it a quaint idea in 2005, but Separation Sunday is truly an album, one that sounds almost perfect when played from beginning to end in the proper running order. Block out about 42 minutes sometime, hold steady, and get ready for indie rock -- no, rock & roll -- at its sweatiest, most intense, and most impressive. Long live the album; long live the Hold Steady. | ||
 | Album: 4 of 13 Title: Live at Lollapalooza 2006: The Hold Steady Released: 2006-09-12 Tracks: 12 Duration: 57:33 Scroll: Up Down Top Bottom 25% 50% 75% AlbumCover | 1 Stuck Between Stations (05:06) 2 The Swish (04:00) 3 Cattle and the Creeping Things (03:58) 4 Your Little Hoodrat Friend (04:07) 5 Banging Camp (04:08) 6 Massive Night (03:42) 7 Multitude of Casualties (03:07) 8 Dont Let Me Explode (04:43) 9 Stevie Nix (05:24) 10 Hornets, Hornets (05:12) 11 Chips Ahoy (03:24) 12 Chicago Seemed Tired Last Night (10:42) |
 | Album: 5 of 13 Title: Boys and Girls in America Released: 2006-10-03 Tracks: 11 Duration: 40:10 Scroll: Up Down Top Bottom 25% 50% 75% Spotify Wikipedia Allmusic AlbumCover | 1 Stuck Between Stations (04:10) 2 Chips Ahoy! (03:09) 3 Hot Soft Light (03:53) 4 Same Kooks (02:47) 5 First Night (04:54) 6 Party Pit (03:56) 7 You Can Make Him Like You (02:48) 8 Massive Nights (02:54) 9 Citrus (02:44) 10 Chillout Tent (03:42) 11 Southtown Girls (05:10) |
| Boys and Girls in America : Allmusic album Review : Those looking for Separation Sunday "part two" may be disappointed by the huge sound Boys and Girls in America has (the bands moved to Vagrant); its not much of a concept record, and its not as Catholic, but all those struggles are in here just beneath the surface (and sometimes on top of it). One of the ballads here, "First Night," begins with a piano and an acoustic guitar lilting a rather loose melody that gives Craig Finn the support he needs to get out of his pent-up, novelistic, wordsmithing mouth. All of these characters are young, desperate, and fleeing from their inner fear, except for Holly who is wise enough to tell the protagonist that "words alone never could save us"....and then "cried when she told us about Jesus." The piano fills out that unfillable hole in Holly and the rest, no matter where they run. Finn can do nothing but repeat his lines and find a last verse somewhere to let the song just fade into silence, because it never really ends. Boys and Girls in America is a sophisticated shambles. Theres still a barely-on-the-rail feel, despite the literate compositions. Finns always either behind or ahead of the beat, but its alright, his bandmates can more than handle that because theyre as engaged as he is. There are a few guests, and even a horn section on one track, and the classic girl group chorus call and response from Dana Kletter and her gorgeous voice. Theres real sadness in the Wall of Sound and chanted chorus in "You Can Make Him Like You," which examines everything from addiction to betrayal, to the insecurity in love that can push someone over the edge, never to return. Thin Lizzy makes a return on "Massive Nights," complete with roiling bass as Finn opens the whole escapist mix, swinging and setting up a hedonists dream: "The guys were feeling good about their liquor run..." There are low expectations and drama where only the music counts. The tune turns back on itself when the singer is trying to convince himself and the huge, wailing, responsorial chorus, that something so utterly suburban could be cool, until "She had the gun in her mouth/She was shooting up at her dreams/When the chaperone said that/Wed been crowned/the king and the queen." And it just ends. The chorus doesnt repeat. Elizabeth Elmores and Dave Pirners character triplet vocals on "Chillout Tent" help to create a sprawling narrative. Finns the narrator, the other two are such broken and wasted -- even ODed -- people; they kiss urgently, which is alternately "sexy...but kinda creepy." The song doesnt really work, but its brave as hell as an experiment. The reason this record is worth embracing, and even celebrating, is because its an honest to God rock & roll album. It exposes in the first and third person what it means to grow up right now in the midst of suburban waste. Its angsty, but Finns got a sense of humor, and the band can play their asses off. That they so readily embrace rock history as a means of unfolding Finns stories suggests that "cool" and "indie" are simply terms in the larger dialogue. This is a smoking little record. Its focus is small, but reach is large; its a winner. | ||
 | Album: 6 of 13 Title: Stay Positive Released: 2008-07-14 Tracks: 12 Duration: 55:20 Scroll: Up Down Top Bottom 25% 50% 75% Spotify TrackSamples Wikipedia Allmusic AlbumCover | 1 Constructive Summer (02:55) 2 Sequestered in Memphis (03:32) 3 One for the Cutters (04:41) 4 Navy Sheets (03:22) 5 Lord, I’m Discouraged (05:07) 6 Yeah Sapphire (03:36) 7 Both Crosses (04:34) 8 Stay Positive (02:58) 9 Magazines (03:08) 10 Joke About Jamaica (04:35) 11 Slapped Actress (05:17) 12 Ask Her for Adderall / Cheyenne Sunrise / Two Handed Handshake (11:29) |
| Stay Positive : Allmusic album Review : If the Hold Steady quit after 2006s magnificent Boys and Girls in America, no one could have blamed them. After all, they had recorded three brilliant records. In 2004, THS issued the guttersnipe punk meets classic rock Almost Killed Me -- recorded mostly live since the band had little wherewithal in using a studio. They upped the ante with Separation Sunday, where songwriter Craig Finns post-Catholic guilt and confusion led to lyric lines that were pregnant with self-mythologizing. The melodies were more intricate, the guitars referenced Led Zeppelin and Cheap Trick, and the stories about himself with busted heroines and drunken heroes -- all fallen former Catholic angels -- were as memorable as the Beat Generation icons rock & roll immortalized. Finally, 2007s Boys and Girls in America added new studio savvy -- along with the same crazy energy and chanted refrains that referenced more than just rock & roll clichés (they hinted at the confused self-mirroring universe Finn was trying to figure out) -- and an expanded band sound (with keyboards no less) drawing from Thin Lizzys dual lead guitars, the Replacements, Led Zeppelin, and, of course, Bruce Springsteen of the 70s. Over three records, theyd done almost everything. To boot, they had a smoking live show that captured everything they did on record even better. Released in 2008, Stay Positive is the most sophisticated and erudite THS have ever sounded, and thats a mixed blessing. Where every song on previous sets felt unfinished and open-ended, these tracks are sheen-polished and almost slick. They reveal growth and studio expertise but also a kind of laziness. These 12 songs are full of near-cinematic rock dynamism and expertly rendered sonic effects. The Led Zep insider jokes are abundant in both lyrics and music, and the E Street Bands Darkness on the Edge of Town epic rock is channeled to alternately stunning and irritating degrees. The random reckless energy of the earlier album trilogy has been replaced -- mostly -- by tucked corners and smoothed edges. For instance, the harpsichord on "One for the Cutters" is dreadful; it dulls the impact of Finns searing words that reference characters from his previous songs. One wonders if this is attempted irony, blunted personal pain, or both. Production aside, Finns words and melodies have grown in depth without losing their immediacy. On album opener "Constructive Summer," the huge guitars of Stiff Little Fingers circa Nobodys Heroes meet the young wistful Van Morrison of "Brown Eyed Girl." But theres a twist: the protagonist is an American adult male trapped in adolescence, living in nowheresville; he seeks something worth remembering from all the blackouts and wasted life -- the romance of myth is displaced by false promises dictated by fear and self-deceit. He raises a toast to "...Saint Joe Strummer/I think he might have been the only decent teacher/Getting older makes it harder to remember/We are our only saviors/Were gonna build something this summer." The chorus offers a confusing, jokey chanted chorus (à la the Adolescents) that adds dimensionally to the loss here. "Navy Sheets" references four tracks on Led Zeppelins Houses of the Holy: "Dyer Maker," "The Ocean,""The Crunge," and the song itself from Physical Graffiti. But the piano in the wonderful "Sequestered in Memphis" -- channeling the E Street Band pianist Roy Bittan -- is very effective; it introduces the tune before a B-3 and a tenor saxophone move against the guitars to create an unholy union between story-song and mid-level punk anthem. But Finn and company save two of the best tunes for last in "Joke About Jamaica" and "Slapped Actress." Their drama, raw and incessant energy, and musical sophistication all come together in two songs that are less studied and calculated. There is an uneasy balance between "finished" big-time rock and the wily, playful freedom of "arena rock in my basement"; humor is maintained amid the darkness and Finns self-referential mythology unwinds itself into even greater insight. Irony abounds, finally, in that even if its the Hold Steadys least enjoyable recording, Stay Positive will break this band on the charts nationally. | ||
 | Album: 7 of 13 Title: Heaven Is Whenever Released: 2010-05-03 Tracks: 10 Duration: 40:10 Scroll: Up Down Top Bottom 25% 50% 75% Spotify Allmusic Wikipedia AlbumCover | 1 The Sweet Part of the City (04:23) 2 Soft in the Center (03:45) 3 The Weekenders (03:41) 4 The Smidge (03:09) 5 Rock Problems (03:24) 6 We Can Get Together (04:23) 7 Hurricane J (02:57) 8 Barely Breathing (03:29) 9 Our Whole Lives (03:55) 10 A Slight Discomfort (07:04) |
| Heaven Is Whenever : Allmusic album Review : After the departure of keyboardist Franz Nicolay, it seemed almost inevitable that the Hold Steady would return to the dollar pitcher fueled, bar-rock stomp of Almost Killed Me and Separation Sunday. Instead, the freshly made quartet branched out in a slightly different direction for their fifth album, Heaven Is Whenever. Rather than writing another hard rocking novella, the album feels more like the soundtrack to a lonely Midwestern road trip, making it more of a road-weary version of Boys and Girls in America than a re-creation of their earlier work. The album has a quality about it that’s sweeping without being out and out uplifting, feeling more informed by the rigors of touring than the denizens of the Twin Cities and their lapsed Catholic revelations. While some of the characters are still alive and kicking on the album, the focus seems to be more on mood than continuity. The psychic girl and her boyfriend/accomplice from “Chips Ahoy!” reappear on “The Weekenders,” but now we find them more downtrodden as Finn sings “There was a kid camped out by the coat check/She said the theme of this party is the industrial age/You came in dressed like a train wreck.” Tying the songs together are the choruses, which share the same “woah-oh-oh” backing vocals, making “The Weekenders” feel like a downtempo reprise of the first installment of their story. It’s not all tales of the down and out, though. “We Can Get Together” feels like a more romantic, less drug-fueled take on “Hornets! Hornets!,” where an enamored narrator hangs on the every word of his lady, but the slithering guitar riff is replaced by a shimmering ballad, turning a haggard bar crawl into a sweet slow dance. Make no mistake, the rock is still here, but it’s less Thin Lizzy and more Bruce Springsteen. Without the prominent keys of their last two albums, a lot of the heavy lifting is back on the shoulders of guitarist Tad Kubler (whose twisting riff on “The Smidge” is one of his best in years). The big difference between Heaven Is Whenever and the earlier albums is that Kubler seems ready to take on the challenge of creating that emotional weight that the organ and keys brought to the party, using the guitar to create an emotional landscape using a “less is more” approach rather than piling on snarling riffs. While fans expecting the second coming of Almost Killed Me might be disappointed, Heaven Is Whenever shows a band that just isn’t willing to backslide into their old ways, instead opting to continue forward with a reverence for their past work that reminds us of who the Hold Steady were, all the while giving us a glimpse of who they’re going to be. | ||
 | Album: 8 of 13 Title: The Hold Steady (Live from SoHo) Released: 2011-01-18 Tracks: 8 Duration: 34:08 Scroll: Up Down Top Bottom 25% 50% 75% AlbumCover | 1 The Sweet Part of the City (04:35) 2 Barely Breathing (03:44) 3 We Can Get Together (03:32) 4 The Weekenders (04:45) 5 Separate Vacations (03:55) 6 Chips Ahoy (03:46) 7 Both Crosses (04:44) 8 Cheyenne Sunrise (05:07) |
 | Album: 9 of 13 Title: Teeth Dreams Released: 2014-03-25 Tracks: 10 Duration: 48:38 Scroll: Up Down Top Bottom 25% 50% 75% Spotify Wikipedia Allmusic AlbumCover | 1 I Hope This Whole Thing Didn’t Frighten You (04:01) 2 Spinners (05:24) 3 The Only Thing (04:33) 4 The Ambassador (05:12) 5 On With the Business (04:04) 6 Big Cig (04:17) 7 Wait a While (03:37) 8 Runner’s High (04:12) 9 Almost Everything (04:17) 10 Oaks (09:01) |
| Teeth Dreams : Allmusic album Review : On their last album, 2010s Heaven Is Whenever, the Hold Steady felt like a band in a state of transition as they found their footing after parting ways with Franz Nicolay. On Teeth Dreams, it feels as though the Brooklyn band have spent the intervening time finding their way, returning with a refreshed sound for their sixth album. Added to the ranks is former Lucero guitarist Steve Selvidge, who joined up with the band as a touring guitarist before eventually settling in as a full-fledged member. The interplay between Selvidge and Tad Kubler adds an interesting new dimension to the Hold Steadys, with Memphis-style Southern rock colliding with Midwestern guitar heroics to create a beautiful blend of plaintiveness and drive. Musically, the album feels like the more rockin sibling to singer Craig Finns solo album, Clear Heart Full Eyes -- where the verbose vocalist explored a looser, country-inspired vibe -- than a follow-up to their wintry fifth album. With two guitarists in play, the album has an all-around warmer sound, as there is hardly a moment that isnt expertly filled in by these two expert axe-men. While Kubler is far from a slouch on his own, the differences in playing style between him and Selvidge lend the songs here a lot more depth. This means the band can open things rather than always going for the throat with a searing riff, making Teeth Dreams an album that rocks while still feeling laid-back. This new direction is one that suits the band well, and although it may seem like theyve put their bar rock days in their rear view mirror, its seems pretty clear that the band is heading toward a big, arena rock future. | ||
 | Album: 10 of 13 Title: Live in Chicago 6-15-17 Released: 2018-12-04 Tracks: 26 Duration: 1:52:52 Scroll: Up Down Top Bottom 25% 50% 75% AlbumCover | 1 Stuck Between Stations (04:13) 2 Chicago Seemed Tired Last Night (03:14) 3 Rock Problems (03:10) 4 Magazines (04:26) 5 Chips Ahoy! (03:08) 6 Barfruit Blues (03:59) 7 Cattle & The Creeping Things (03:45) 8 You Can Make Him Like You (03:30) 9 First Night (05:02) 10 Party Pit (03:52) 11 Stevie Nix (05:08) 12 Multitude Of Casualties (03:22) 13 Sequestered In Memphis (03:30) 14 The Weekenders (05:34) 15 The Swish (04:09) 16 Constructive Summer (02:57) 17 You Gotta Dance (With Who You Came To The Dance With) (02:10) 18 Massive Nights (02:56) 19 Your Little Hoodrat Friend (06:13) 20 Southtown Girls (05:38) 21 How A Resurrection Really Feels (06:00) 22 A Proposal (01:32) 23 Certain Songs (04:23) 24 Chillout Tent (07:51) 25 Southern GIrls (04:03) 26 Killer Parties (09:07) |
 | Album: 11 of 13 Title: Live in Philadelphia 7-26-18 Released: 2018-12-04 Tracks: 25 Duration: 1:51:04 Scroll: Up Down Top Bottom 25% 50% 75% AlbumCover | 1 Positive Jam (03:23) 2 Stuck Between Stations (04:02) 3 The Swish (04:54) 4 You Can Make Him Like You (03:29) 5 Chips Ahoy! (03:12) 6 Stevie Nix (05:14) 7 Multitude Of Casualties (03:28) 8 A Snake In The Shower (03:57) 9 Sequestered In Memphis (03:33) 10 Barfruit Blues (05:13) 11 First Night (05:04) 12 Constructive Summer (02:55) 13 Hot Soft Light (03:44) 14 Party Pit (05:31) 15 Star 18 (03:15) 16 The Weekenders (04:33) 17 Yeah Sapphire (03:35) 18 Massive Nights (02:57) 19 Entitlement Crew (03:56) 20 Your Little Hoodrat Friend (06:05) 21 Southtown Girls (05:46) 22 Encore Banter (00:43) 23 Banging Camp (04:11) 24 Most People Are DJs (07:51) 25 Killer Parties (10:33) |
 | Album: 12 of 13 Title: Live in Philadelphia 7-27-18 Released: 2018-12-18 Tracks: 24 Duration: 1:43:05 Scroll: Up Down Top Bottom 25% 50% 75% AlbumCover | 1 Ask Her For Aderall (03:04) 2 Sequestered In Memphis (03:29) 3 Same Kooks (02:52) 4 Magazines (04:14) 5 You Can Make Him Lke You (03:03) 6 Entitlement Crew (04:48) 7 One For The Cutters (04:32) 8 Stuck Between Stations (05:07) 9 The Stove And The Toaster (03:15) 10 Party Pit (03:39) 11 Girls Like Status (03:29) 12 The Sweet Part Of The City (04:04) 13 Yeah Sapphire (04:17) 14 Chips Ahoy! (04:17) 15 Knuckles (04:47) 16 The Weekenders (04:37) 17 Constructive Summer (02:53) 18 Hot Soft Light (03:45) 19 Your Little Hoodrat Friend (04:38) 20 Massive Nights (02:55) 21 Slapped Actress (05:45) 22 Certain Songs (05:17) 23 Stay Positive (03:18) 24 Killer Parties (11:00) |
 | Album: 13 of 13 Title: Live in Chicago 6-16-17 Released: 2018-12-21 Tracks: 24 Duration: 1:49:02 Scroll: Up Down Top Bottom 25% 50% 75% AlbumCover | 1 The Sweet Part Of The City (04:21) 2 Constructive Summer (02:52) 3 Hot Soft Light (03:49) 4 Banging Camp (04:30) 5 I Hope This Whole Thing Didnt Frighten You (04:04) 6 Ask Her For Aderall (03:46) 7 Hornets! Hornets! (04:48) 8 You Can Make Him Like You (03:08) 9 Sequestered In Memphis (03:45) 10 Yeah Sapphire (04:48) 11 Most People Are DJs (08:19) 12 Citrus (03:08) 13 Knuckles (04:47) 14 Same Kooks (03:04) 15 Your Little Hoodrat Friend (05:51) 16 Massive Nights (02:58) 17 Chips Ahoy (03:11) 18 Stuck Between Stations (04:00) 19 Chicago Seemed Tired Last Night (03:17) 20 Slapped Actress (08:04) 21 Oaks (04:13) 22 Im The Man Who Loves You (03:39) 23 Stay Positive (03:15) 24 Killer Parties (11:25) |