The National | ||
| Allmusic Biography : While indie rock stalwarts the National emerged from Brooklyn in the early 2000s amidst a garage rock revival that included bands like the Strokes, the Walkmen, and, in the U.K., the Libertines, they distinguished themselves by drawing from a wider set of influences. Merging elements of alternative country-rock, Americana, and chamber pop as well as post-punk into their moody, crafted indie rock, their earliest albums won a dedicated fan base and critical praise before they made an impact on the charts with their fourth LP, 2007s Boxer. It marked a gradual shift away from some of their more rustic influences, as they embraced a more expansive, orchestral sound behind the literate lyrics and brooding vocals of frontman Matt Berninger. An album-oriented band that had yet to land on the Hot 100, the National catapulted into the Top Three of the album charts in multiple countries with 2010s High Violet. They remained a Top Three act throughout the decade, which included the still more expansive, Grammy-winning Sleep Well Beast from 2017. Founded by lead vocalist Matt Berninger, Aaron Dessner (guitar, bass), and brothers Scott Devendorf (bass, guitar) and Bryan Devendorf (drums) in 1999, the National emerged from Cincinnati, Ohio garage punk band Nancy. Consisting of Berninger, Scott Devendorf, Mike Brewer, Casey Reas, and Jeff Salem, Nancy released the album Ruther 3429 before disbanding when members including Berninger and Devendorf relocated to Brooklyn, New York. Once there, the two former graphic design students joined forces with Cincinnati native and Columbia University graduate Aaron Dessner and Scotts brother Bryan Devendorf. The quartet secured a weekly residency at Manhattans Luna Lounge and went to work on their debut album. The National saw release in 2001 on Brassland Records, an independent label founded by Aaron Dessner and his twin brother Bryce, a Yale graduate with a Masters degree in music. Bryce soon joined the group on guitar, solidifying a lineup that would remain intact through their rise to mainstream success. Also released on Brassland, the bands sophomore LP, 2003s Sad Songs for Dirty Lovers, reunited the National with producer Nick Lloyd. It stuck with their debuts sophisticated mix of country-influenced rock and plaintive chamber pop. The album also introduced longtime collaborator Padma Newsome, who contributed violin, viola, and string arrangements. The quintet returned two years later with Alligator, which also featured strings by Newsome as well as piano and organ by Newsome and Lloyd. It marked their debut on the Beggars Banquet label. Their fourth full-length, Boxer, proved a commercial breakthrough in 2007. Featuring expanded instrumentation, including woodwinds and brass, keyboards by Thomas Bartlett (Doveman), and production by the band and Peter Katis, it reached number 68 on the Billboard 200. Boxer charted higher in countries including but not limited to the U.K., New Zealand, and Finland. A year later, they issued The Virginia EP, a collection of unreleased songs, B-sides, demos, and live recordings. The National signed with 4AD for their fifth studio LP, High Violet. Released in 2010, it embraced the more cinematic sound of Boxer with guests that included not only returning collaborators Newsome and Bartlett, but such names as Sufjan Stevens, Nico Muhly, Nadia Sirota, Bon Ivers Justin Vernon, and Arcade Fires Richard Reed Parry. High Violet landed in the Top Three in the U.S., Canada, and a handful of European countries, and reached number five in the U.K. They had similar chart placements with 2013s Trouble Will Find Me, which also featured Bartlett, Muhly, Parry, and Stevens alongside over a dozen other instrumentalists. Sharon Van Etten, Nona Marie Invie, and St. Vincents Annie Clark sang on the record. It was recognized with a Grammy nomination in the alternative album category. Capturing a six-hour live performance of the same song, "Sorrow," at MoMA PS1 in May of 2013, the nine-LP box set Lot of Sorrow followed in 2015. Around that time, members of the National pursued side projects -- together and separately -- including Pfarmers, a collaboration between Bryan Devendorf, Menomenas Danny Seim, and trombonist Dave Nelson (David Byrne and St. Vincent). The avant indie rock trio released Gunnera in mid-2015. Later that year, Berninger issued Return to the Moon as half of the indie rock duo EL VY with multi-instrumentalist Brent Knopf (Menomena, Ramona Falls). In early 2016, Bryan and Scott Devendorf joined Beiruts Ben Lanz in the experimental rock outfit LNZNDRF. They released their self-titled album via 4AD, following it with the EP Green Roses in August, the same month Pfarmers released their follow-up, Our Puram. The National then reconvened in the studio. Produced again by the band with help from Katis, the Nationals third studio album for 4AD and seventh overall, 2017s Sleep Well Beast, continued a trend toward vaster soundscapes. It went to number two in the U.S. and topped the charts in Canada, Ireland, and the U.K. Sleep Well Beast also won the National a Grammy Award for Best Alternative Music Album in early 2018. Boxer: Live in Brussels saw release later in 2018. The National returned in May 2019 with their eighth studio album, I Am Easy to Find. Inspired by a collaboration with filmmaker Mike Mills, the album also showcased cameos by a number of female vocalists, including Gail Ann Dorsey, Eve Owen, and Sharon Van Etten. | ||
 | Album: 1 of 14 Title: The National Released: 2001-07-03 Tracks: 12 Duration: 43:55 Scroll: Up Down Top Bottom 25% 50% 75% Spotify Allmusic Wikipedia AlbumCover | 1 Beautiful Head (03:08) 2 Cold Girl Fever (04:06) 3 The Perfect Song (03:15) 4 American Mary (04:02) 5 Son (05:19) 6 Pay for Me (03:22) 7 Bitters & Absolut (04:00) 8 Johns Star (03:04) 9 Watching You Well (03:02) 10 Theory of the Crows (04:36) 11 29 Years (02:50) 12 Anna Freud (03:06) |
| The National : Allmusic album Review : This Ohio-based band strikes a lush, adorable balance between the country-pop of bands such as Jayhawks and Golden Smog and the gloomy, depressing crooning of Tom Waits. Lead singer Matt Berninger manages to transcend leveling the fine background with some reflection and introspection on "Cold Girl Fever" and "Watching You Well." The country hues touched on in "American Mary" are only surpassed by the albums perfect song "Theory of the Crows," a morbid waltz through loneliness and loss. Throughout it all, the band manages not only to exceed their pigeonholed genres but gives a fresh perspective with brilliantly crafted numbers. Starting up where Wilco left off with their Summerteeth album, the group delivers a generous heaping of Americana and alt-country. Brilliant. | ||
 | Album: 2 of 14 Title: Sad Songs for Dirty Lovers Released: 2003-05 Tracks: 12 Duration: 44:58 Scroll: Up Down Top Bottom 25% 50% 75% Spotify Allmusic Wikipedia AlbumCover | 1 Cardinal Song (06:18) 2 Slipping Husband (03:22) 3 90-Mile Water Wall (03:44) 4 It Never Happened (04:37) 5 Murder Me Rachael (03:45) 6 Thirsty (03:48) 7 Available (03:20) 8 Sugar Wife (02:21) 9 Trophy Wife (03:32) 10 Fashion Coat (02:02) 11 Patterns of Fairytales (03:43) 12 Lucky You (04:22) |
| Sad Songs for Dirty Lovers : Allmusic album Review : For a band thats been compared to Joy Division, Leonard Cohen, Wilco, and Nick Cave & the Bad Seeds, the National sure sounds a lot more like the Czars or Uncle Tupelo on this sophomore album Sad Songs for Dirty Lovers. Where the band might lack Joy Divisions angular fury, Cohens existentialism, and Caves vampiric attack, vocalist Matt Berninger and company whip up a murky alt country meets chamber pop vibe thats quite potent. The five-piece mostly keeps things on the country side of the fence during the albums first half, as slide guitars and fiddles overpower just about any hint of rock styling except the drumbeat, occasional feedback, and some screeching guitar freak-outs. Toward the albums close, the songs textures finally shift from country to indie rock. Berninger is more than content to roam pastures featuring small patches of emo, sadcore, and artsy strings, clearly wearing his influences on his sleeve. Indeed, album-opener "Cardinal Song" could very easily be mistaken for the Tindersticks or Cousteau, with a passage that is a virtual note for note reconstruction of a Red House Painters song. Though the band focuses on slow atmospheric songs, its when it kicks out the jams that the music is the most compelling. Case in point is "Slipping Husband," with its fine melodic waves and a perfectly placed bout of screaming. "Trophy Wife" presents yet another influence; the song seems a dead ringer for the Shins. Its hard to shake the feeling that the National is highly influenced by and studied in the bands it emulates, but the album is still worth a listen for fans of moody country-tinged lounge music. With so many influences rearing their heads and ample musical chops in the bag, the National might not be masters of any one genre, but it creates a fine amalgam nonetheless. | ||
 | Album: 3 of 14 Title: Cherry Tree Released: 2004-05-31 Tracks: 7 Duration: 28:24 Scroll: Up Down Top Bottom 25% 50% 75% Spotify Wikipedia AlbumCover | 1 Wasp Nest (03:21) 2 All the Wine (03:15) 3 All Dolled-Up in Straps (04:11) 4 Cherry Tree (04:27) 5 About Today (04:10) 6 Murder Me Rachael (live) (03:36) 7 I Dont Mind (05:21) |
 | Album: 4 of 14 Title: Alligator Released: 2005-04-11 Tracks: 13 Duration: 48:00 Scroll: Up Down Top Bottom 25% 50% 75% Spotify Allmusic Wikipedia AlbumCover | 1 Secret Meeting (03:44) 2 Karen (03:59) 3 Lit Up (02:55) 4 Looking for Astronauts (03:23) 5 Daughters of the Soho Riots (03:58) 6 Baby, Well Be Fine (03:21) 7 Friend of Mine (03:25) 8 Val Jester (03:00) 9 All the Wine (03:15) 10 Abel (03:37) 11 The Geese of Beverly Road (04:56) 12 City Middle (04:27) 13 Mr. November (04:00) |
| Alligator : Allmusic album Review : The National may sound like a garage band turned down, but theres as much primal energy lurking behind Alligator as in any mop-topped group of city kids with bloodstained Danelectros in a dusty warehouse. While Matt Berningers lyrics and conversational delivery rely heavily on the kind of literate self-absorption that fuels so much of the indie rock scene today, he never comes off as preachy or unaware that the world would manage just fine without him; rather, he uses metaphor and humor as bullet points for a profound sense of displacement and anger. Out-of-the-blue statements like "f*ck me and make me a drink," from the brooding but lovely "Karen," are effective because the listener is brought into the story slowly, almost amiably, before being led to the plank. Berningers wry, filthy, and often eloquently sad tales of materialism, sex, and loneliness are augmented by the stellar duel-sibling attack of Aaron Dessner (guitar) and Bryce Dessner (guitar) and Scott Devendorf (guitar/bass) and Bryan Devendorf (drums), who flesh out each track with so many little creative flourishes that it takes a few listens to break them down into palatable portions. There are upbeat moments found within -- "Lit Up" and "Looking for Astronauts" -- but for the most part the National are content with playing the genial fatalists, and while "All the Wine" seems designed to serve as the records desolate backbone, "Baby, Well Be Fine," with its quick changes, lush orchestration, and winsome refrain of "Im so sorry for everything" is, despite an elegiac delivery, Alligators loneliest track, and like each part of this fine collection of city-weary poetry, its as brief as it is affecting. | ||
 | Album: 5 of 14 Title: Boxer Released: 2007-05-21 Tracks: 12 Duration: 43:05 Scroll: Up Down Top Bottom 25% 50% 75% Spotify TrackSamples Allmusic AlbumCover | 1 Fake Empire (03:25) 2 Mistaken for Strangers (03:31) 3 Brainy (03:18) 4 Squalor Victoria (02:59) 5 Green Gloves (03:39) 6 Slow Show (04:08) 7 Apartment Story (03:32) 8 Start a War (03:16) 9 Guest Room (03:18) 10 Racing Like a Pro (03:24) 11 Ada (04:03) 12 Gospel (04:29) |
| Boxer : Allmusic album Review : The National dont do anything radically different on Boxer, but then again, they dont really need to: their literate, quietly anthemic take on indie rock seemed to have arrived fully formed on their 2001 self-titled debut. Boxer just hones in even more precisely and intimately on the heartfelt territory the band covers, with punchy-yet-polished production and orchestration by the Clogs Padma Newsome giving these songs an intimacy and widescreen expansiveness that rivals the Arcade Fire. The albums first four songs are among the Nationals finest work yet: "Fake Empire" begins as a dead-of-night ballad that echoes Leonard Cohen, then peppy brass and guitars turn it into something joyous. The brooding "Mistaken for Strangers" touches on the side of the band that could be mistaken for a more hopeful Joy Division, if lyrics like "You wouldnt want an angel watching over you?/Surprise surprise, they wouldnt want to watch" can be counted as hopeful. "Brainy," a borderline obsessive love song, shows off the remarkable, dark chocolate richness of Matt Berningers vocals and how well they complement the bands occasionally bookish lyrics, while "Squalor Victoria" makes the most of Newsomes lavish string arrangements. The rest of Boxer is subtler, but no less accomplished, with each song supporting the other as a classic album should. "Apartment Story"s hypnotic chug and "Slow Show"s witty, knowing affection make them standouts, while the graceful, regretful "Ada" plays more like a short story than a song. As focused as it is ambitious, Boxer is riveting. | ||
 | Album: 6 of 14 Title: The Virginia EP Released: 2008-05-19 Tracks: 12 Duration: 48:42 Scroll: Up Down Top Bottom 25% 50% 75% Spotify Wikipedia AlbumCover | 1 Youve Done It Again, Virginia (03:09) 2 Santa Clara (04:06) 3 Blank Slate (03:16) 4 Tall Saint (demo) (03:45) 5 Without Permission (03:37) 6 Forever After Days (demo) (03:01) 7 Rest of Years (demo) (03:40) 8 Slow Show (demo) (03:29) 9 Lucky You (Daytrotter session) (03:55) 10 Mansion on the Hill (04:38) 11 Fake Empire (live) (03:41) 12 About Today (live) (08:25) |
 | Album: 7 of 14 Title: High Violet Released: 2010-05-10 Tracks: 11 Duration: 47:39 Scroll: Up Down Top Bottom 25% 50% 75% Spotify TrackSamples Allmusic AlbumCover | 1 Terrible Love (04:39) 2 Sorrow (03:25) 3 Anyone’s Ghost (02:54) 4 Little Faith (04:36) 5 Afraid of Everyone (04:19) 6 Bloodbuzz Ohio (04:35) 7 Lemonworld (03:23) 8 Runaway (05:33) 9 Conversation 16 (04:18) 10 England (05:40) 11 Vanderlyle Crybaby Geeks (04:12) |
| High Violet : Allmusic album Review : The National have worn a lot of hats since their 2001 debut, but they’ve never been able to shake the rural, book-smart, quiet malevolence of the Midwest. The Brooklyn-groomed, Ohio-bred indie rock quintet’s fifth full-length album navigates that lonely dirt road where swagger meets desperation like a seasoned tour guide, and while it may take a few songs to get going, there are treasures to be found for patient passengers. The Nationals profile rose considerably after 2007’s critically acclaimed The Boxer, and they have used that capital to craft a flawed gem of a record that highlights their strengths and weaknesses with copious amounts of red ink. High Violet oozes atmosphere, but moves at a snail’s pace. The Cousteau-esque “Terrible Love” hardly bursts out of the gate, and the subsequent “Sorrow” and “Anyone’s Ghost” (despite Bryan Devendorf’s locomotive drumming) lack the hooks to reel anybody in on first listen. The album begins to take shape on “Afraid of Everyone,” a slow-build midtempo rocker that expertly utilizes the Clogs’ (guitarist Bryce Dessners other chamber pop band) prickly orchestrations, but it’s the punishing “Bloodbuzz Ohio” that serves as High Violets centerpiece. Built on a foundation that fuses together TV on the Radios “Halfway Home” and Arcade Fires “No Cars Go,” its refrain of “I still owe money to the money, to the money I owe” seems both relevant and nostalgic, resulting in a highway anthem that feels like the anti-“Born to Run.” Other standout cuts like “Conversation 16,” “England," and the darkly funny/oddly beautiful closer, “Vanderlyle Crybaby Geeks,” trumpet Violet’s second-half supremacy, but even they tremble beneath the "Bloodbuzz" intoxication. Muscular, miserable, mighty, and meandering, High Violet aims for the seats, but only hits about half of them. | ||
 | Album: 8 of 14 Title: iTunes Festival: London 2010 Released: 2010-07-20 Tracks: 8 Duration: 33:38 Scroll: Up Down Top Bottom 25% 50% 75% AlbumCover | 1 Anyones Ghost (02:54) 2 Mistaken for Strangers (03:38) 3 Bloodbuzz Ohio (04:33) 4 Brainy (03:50) 5 Afraid of Everyone (04:13) 6 Conversation 16 (04:22) 7 England (05:27) 8 Available (04:41) |
 | Album: 9 of 14 Title: Trouble Will Find Me Released: 2013-05-17 Tracks: 13 Duration: 55:06 Scroll: Up Down Top Bottom 25% 50% 75% Spotify TrackSamples Allmusic Wikipedia AlbumCover | 1 I Should Live in Salt (04:08) 2 Demons (03:32) 3 Dont Swallow the Cap (04:46) 4 Fireproof (02:58) 5 Sea of Love (03:41) 6 Heavenfaced (04:23) 7 This Is the Last Time (04:43) 1 Graceless (04:35) 2 Slipped (04:25) 3 I Need My Girl (04:05) 4 Humiliation (05:01) 5 Pink Rabbits (04:36) 6 Hard to Find (04:13) |
| Trouble Will Find Me : Allmusic album Review : Upon first spin, Trouble Will Find Me, the warm, wistful, and weary sixth long-player from the National, sounds a lot like 2010s warm, wistful, and weary High Violet, but where the former was built on a foundation of suburban despondency and casual, middle class self-destruction (and skillfully juggled melodrama and dark comedy), the latter feels mired in regret, seeking refuge in the arms of old friends and lost lovers, sounding for all the world like a single cube of ice lazily swirling about a recently drained tumbler of single malt scotch, a notion best intoned on early album standout "Demons," which casually announces "I am secretly in love with everyone I grew up with." Like nausea, nostalgia can arrive in waves, and Trouble Will Find Mes best moments -- the propulsive "Dont Swallow the Cap" and the one-two sucker punch of pre-set closers "Humiliation" and "Pink Rabbits" -- find Matt Berninger and his laconic baritone nervously pacing the deck of a sinking ship while simultaneously trying to find his sea legs as his bandmates constantly pull the rug out from under him with familiar rhythms and melodies that hide countless trap doors. However, its that very familiarity that fuels the ire of many of the bands detractors, especially those who consider them to be a slightly creepier, American Coldplay, and while there is definitely an intangible, Mad Men-esque sense of unease that permeates Trouble Will Find Me, one could hardly use the words dangerous or forward-thinking when dissecting its myriad parts. That said, this is the band that performed a chilling rendition of the George R.R. Martin-penned "Rains of Castamere" over the closing credits of the season two finale of Game of Thrones. For better or for worse, they perfected their sound the last time around, so it’s hard to fault them for sticking so close to the fire, especially on such a snowy night. | ||
 | Album: 10 of 14 Title: A Lot of Sorrow Released: 2015-06-30 Tracks: 99 Duration: 6:05:38 Scroll: Up Down Top Bottom 25% 50% 75% Allmusic AlbumCover | 1 Sorrow (04:46) 2 Sorrow (03:24) 3 Sorrow (03:24) 4 Sorrow (03:23) 5 Sorrow (03:23) 6 Sorrow (03:33) 7 Sorrow (03:22) 8 Sorrow (03:24) 9 Sorrow (03:15) 10 Sorrow (03:18) 11 Sorrow (03:20) 1 Sorrow (03:24) 2 Sorrow (03:23) 3 Sorrow (03:20) 4 Sorrow (03:23) 5 Sorrow (03:14) 6 Sorrow (03:30) 7 Sorrow (03:19) 8 Sorrow (03:30) 9 Sorrow (03:32) 10 Sorrow (03:24) 11 Sorrow (03:36) 12 Sorrow (03:21) 1 Sorrow (03:15) 2 Sorrow (03:28) 3 Sorrow (03:26) 4 Sorrow (03:29) 5 Sorrow (03:59) 6 Sorrow (03:25) 7 Sorrow (03:35) 8 Sorrow (03:25) 9 Sorrow (03:25) 10 Sorrow (03:23) 11 Sorrow (03:36) 12 Sorrow (03:24) 1 Sorrow (03:33) 2 Sorrow (03:26) 3 Sorrow (03:32) 4 Sorrow (03:35) 5 Sorrow (03:34) 6 Sorrow (03:32) 7 Sorrow (03:27) 8 Sorrow (03:31) 9 Sorrow (04:55) 10 Sorrow (03:35) 11 Sorrow (03:27) 1 Sorrow (03:32) 2 Sorrow (03:28) 3 Sorrow (03:28) 4 Sorrow (03:36) 5 Sorrow (03:28) 6 Sorrow (03:44) 7 Sorrow (03:55) 8 Sorrow (03:36) 9 Sorrow (03:26) 10 Sorrow (03:35) 11 Sorrow (03:31) 12 Sorrow (03:44) 1 Sorrow (03:27) 2 Sorrow (03:29) 3 Sorrow (03:43) 4 Sorrow (03:37) 5 Sorrow (03:50) 6 Sorrow (04:04) 7 Sorrow (03:45) 8 Sorrow (03:43) 9 Sorrow (04:36) 10 Sorrow (03:28) 1 Sorrow (04:11) 2 Sorrow (03:45) 3 Sorrow (03:41) 4 Sorrow (03:19) 5 Sorrow (03:39) 6 Sorrow (03:55) 7 Sorrow (03:34) 8 Sorrow (03:56) 9 Sorrow (03:44) 10 Sorrow (03:24) 11 Sorrow (03:43) 1 Sorrow (03:36) 2 Sorrow (03:42) 3 Sorrow (05:12) 4 Sorrow (03:48) 5 Sorrow (04:03) 6 Sorrow (05:03) 7 Sorrow (03:42) 8 Sorrow (03:33) 9 Sorrow (03:54) 10 Sorrow (03:45) 1 Sorrow (03:35) 2 Sorrow (03:50) 3 Sorrow (04:09) 4 Sorrow (04:23) 5 Sorrow (04:10) 6 Sorrow (03:49) 7 Sorrow (04:19) 8 Sorrow (03:52) 9 Sorrow (06:00) 10 Sorrow (04:12) |
 | Album: 11 of 14 Title: Sleep Well Beast Released: 2017-09-08 Tracks: 12 Duration: 57:43 Scroll: Up Down Top Bottom 25% 50% 75% Spotify TrackSamples Allmusic AlbumCover | 1 Nobody Else Will Be There (04:39) 2 Day I Die (04:31) 3 Walk It Back (05:59) 4 The System Only Dreams in Total Darkness (03:56) 5 Born to Beg (04:22) 6 Turtleneck (03:00) 7 Empire Line (05:23) 8 Ill Still Destroy You (05:15) 9 Guilty Party (05:38) 10 Carin at the Liquor Store (03:33) 11 Dark Side of the Gym (04:50) 12 Sleep Well Beast (06:31) |
| Sleep Well Beast : Allmusic album Review : The National never seem in a hurry to reach their destination, but theres a sense of quiet urgency on Sleep Well Beast, their seventh album. Much of that momentum arrives in arrangements that generally tend to eschew the grayscale of its 2013 predecessor, Trouble Will Find Me, a record that felt sculpted so that each element was elegantly interlocked. Comparatively, Sleep Well Beast draws attention to itself through the occasional squall of noise ("The System Only Dreams in Total Darkness") and rushed tempo ("Turtleneck"), but also through an expanded sonic palette. Electronics are used for texture and shade, vocal harmonies glide through the mix, pianos anchor a couple of tunes -- all subtle gradients within the Nationals recognizable formula, but theyre enough to give Sleep Well Beast a distinct character. Such a shift may not be startling, particularly since it takes a while for album opener "Nobody Else Will Be There" to fade into view, but by the time the murmuring title track evaporates, its evident that Sleep Well Beast offers a journey with satisfying detours. This is a welcome departure (and perhaps necessary complement) to Trouble Will Find Me, which celebrated its finely manicured stillness. While Sleep Well Beast offers more than its fair share of hushed moments -- the National design their music to be lean-in listening, requiring an investment from their audience not only so that the lyrics can be deciphered, but so the subdued shifts in emphasis seem dynamic -- this familiar signature seems enhanced by the fact that these soft, slow songs are surrounded by cuts where the darkness opens up slightly but significantly. Its enough to make Sleep Well Beast feel like a dramatic departure in the close quarters of the Nationals discography. | ||
 | Album: 12 of 14 Title: Boxer: Live in Brussels Released: 2018-04-21 Tracks: 12 Duration: 48:45 Scroll: Up Down Top Bottom 25% 50% 75% Spotify Allmusic AlbumCover | 1 Fake Empire (03:21) 2 Mistaken for Strangers (03:28) 3 Brainy (03:49) 4 Squalor Victoria (05:10) 5 Green Gloves (03:55) 6 Slow Show (04:48) 7 Apartment Story (03:36) 8 Start a War (03:41) 9 Guest Room (03:47) 10 Racing Like a Pro (04:09) 11 Ada (04:35) 12 Gospel (04:26) |
 | Album: 13 of 14 Title: Cherry Tree Vol. 1 Released: 2018-12 Tracks: 9 Duration: 00:00 Scroll: Up Down Top Bottom 25% 50% 75% AlbumCover | 1 All the Wine (?) 2 Wasp Nest (?) 3 90-Mile Water Wall (?) 4 Lucky You (?) 5 Son (?) 6 All Dolled-Up in Straps (?) 7 Available/Cardinal Song (?) 8 Murder Me Rachael (?) 9 About Today (?) |
 | Album: 14 of 14 Title: I Am Easy to Find Released: 2019-05-17 Tracks: 16 Duration: 1:03:35 Scroll: Up Down Top Bottom 25% 50% 75% Spotify TrackSamples Allmusic AlbumCover | 1 You Had Your Soul With You (03:26) 2 Quiet Light (04:15) 3 Roman Holiday (03:34) 4 Oblivions (04:13) 5 The Pull of You (03:58) 6 Hey Rosey (04:14) 7 I Am Easy to Find (04:30) 8 Her Father in the Pool (01:02) 1 Where Is Her Head (04:41) 2 Not in Kansas (06:44) 3 So Far So Fast (06:36) 4 Dust Swirls in Strange Light (03:18) 5 Hairpin Turns (04:27) 6 Rylan (03:43) 7 Underwater (01:21) 8 Light Years (03:33) |