The Paul Butterfield Blues Band | ||
| Allmusic Biography : With a style honed in the gritty blues bars of Chicagos south side, the Butterfield Blues Band was instrumental in bringing the sound of authentic Chicago blues to a young white audience in the mid-60s, and although the band wasnt a particularly huge commercial success, its influence has been enduring and pervasive. The band was formed when singer and harmonica player Paul Butterfield met guitarist and fellow University of Chicago student Elvin Bishop in the early 60s. Bonding over a love of the blues, the pair managed to hijack Howlin Wolfs rhythm section (bassist Jerome Arnold and drummer Sam Lay) and began gigging in the citys blues houses, where they were spotted in 1964 by producer Paul Rothchild, who quickly had them signed to Elektra Records. Guitar whiz Mike Bloomfield joined the band just before they entered the studio to record their debut album (and in time to be on-stage with the group when they backed up Bob Dylan at his infamous electric set at the 1965 Newport Folk Festival). Organist and pianist Mark Naftalin also came on board during the sessions for the self-titled The Paul Butterfield Blues Band, which was released by Elektra late in 1965. Lay became ill around this time, and his drum chair was taken by Billy Davenport, whose jazz and improvisational background came in handy during the recording of the bands second album, the Ravi Shankar-influenced East-West, released in 1966. Bloomfield departed to form Electric Flag in 1967, and Bishop handled all the lead guitar on the more R&B-oriented; third album, The Resurrection of Pigboy Crabshaw, which was released later that year and featured an entirely new rhythm section of Bugsy Maugh on bass and Phil Wilson on drums. Bishop and Naftalin left the band following the recording of 1968s In My Own Dream, and Butterfield drafted in 19-year-old guitarist Buzzy Feiten to help with the recording of 1969s Keep On Moving, which also featured the return of drummer Billy Davenport. After a live album in 1970 and the lackluster Sometimes I Just Feel Like Smilin, released in 1971, Butterfield put the band to rest. In retrospect, the Butterfield Blues Band had pretty much put their cards on the table in their first two albums, both of which are classics of the era, featuring a heady mixture of folk, rock, psychedelia, and even Indian classical music played over an embedded base of good old Chicago blues. | ||
 | Album: 1 of 12 Title: The Paul Butterfield Blues Band Released: 1965-10 Tracks: 11 Duration: 38:07 Scroll: Up Down Top Bottom 25% 50% 75% Spotify TrackSamples Wikipedia Allmusic AlbumCover | 1 Born in Chicago (03:08) 2 Shake Your Moneymaker (02:28) 3 Blues With a Feeling (04:24) 4 Thank You Mr. Poobah (04:07) 5 I Got My Mojo Working (03:34) 6 Mellow Down Easy (02:51) 7 Screamin’ (04:36) 8 Our Love Is Drifting (03:34) 9 Mystery Train (02:36) 10 Last Night (04:18) 11 Look Over Yonders Wall (02:26) |
| The Paul Butterfield Blues Band : Allmusic album Review : Even after his death, Paul Butterfields music didnt receive the accolades that were so deserved. Outputting styles adopted from Howlin Wolf and Muddy Waters among other blues greats, Butterfield became one of the first white singers to rekindle blues music through the course of the mid-60s. His debut album, The Paul Butterfield Blues Band, saw him teaming up with guitarists Elvin Bishop and Mike Bloomfield, with Jerome Arnold on bass, Sam Lay on drums, and Mark Naftalin playing organ. The result was a wonderfully messy and boisterous display of American-styled blues, with intensity and pure passion derived from every bent note. In front of all these instruments is Butterfields harmonica, beautifully dictating a mood and a genuine feel that is no longer existent, even in todays blues music. Each song captures the essence of Chicago blues in a different way, from the back-alley feel of "Born in Chicago" to the melting ease of Willie Dixons "Mellow Down Easy" to the authentic devotion that emanates from Bishop and Butterfields "Our Love Is Drifting." "Shake Your Money Maker," "Blues With a Feeling," and "I Got My Mojo Working" (with Lay on vocals) are all equally moving pieces performed with a raw adoration for blues music. Best of all, the music that pours from this album is unfiltered...blared, clamored, and let loose, like blues music is supposed to be released. A year later, 1966s East West carried on with the same type of brash blues sound partnered with a jazzier feel, giving greater to attention to Bishops and Bloomfields instrumental talents. | ||
 | Album: 2 of 12 Title: East-West Released: 1966 Tracks: 9 Duration: 45:05 Scroll: Up Down Top Bottom 25% 50% 75% Spotify Allmusic AlbumCover | 1 Walkin’ Blues (03:21) 2 Get Out of My Life, Woman (03:16) 3 I Got a Mind to Give Up Living (05:01) 4 All These Blues (02:24) 5 Work Song (07:57) 6 Mary, Mary (02:54) 7 Two Trains Running (03:57) 8 Never Say No (03:01) 9 East‐West (13:11) |
| East-West : Allmusic album Review : The raw immediacy and tight instrumental attack of the Paul Butterfield Blues Bands self-titled debut album were startling and impressive in 1965, but the following year, the group significantly upped the ante with its second LP, East-West. The debut showed that Butterfield and his bandmates could cut tough, authentic blues (not a given for an integrated band during the era in which fans were still debating if a white boy could play the blues) with the energy of rock & roll, but East-West was a far more ambitious set, with the band showing an effective command of jazz, Indian raga, and garagey proto-psychedelia as well as razor-sharp electric blues. Butterfield was the frontman, and his harp work was fierce and potent, but the core of the band was the dueling guitar work of Mike Bloomfield and Elvin Bishop, especially Bloomfields ferocious, acrobatic solos, while Mark Naftalins keyboards added welcome washes of melodic color, and the rhythm section of bassist Jerome Arnold and drummer Billy Davenport were capable of both the rock-solid support of veteran blues players and the more flexible and artful pulse of a jazz combo, rising and relaxing with the dynamics of a performance. The Butterfield Blues Band sounded muscular and exciting on classic blues workouts like "Walkin Blues," "Two Trains Running," and "I Got a Mind to Give Up Living," but the highlights came when the band pushed into new territory, such as the taut New Orleans proto-funk of "Get Out of My Life, Woman," the buzzy and mildly trippy "Mary, Mary," and especially two lengthy instrumental workouts, the free-flowing jazz of Nat Adderleys "Work Song" and the title track, a fiery mix of blues, psychedelia, Indian musical patterns, and several other stops in between, with Butterfield, Bloomfield, and Bishop blowing for all their worth. East-West would prove to be a pivotal album in the new blues-rock movement, and it was the Paul Butterfield Blues Bands greatest achievement; Bloomfield would be gone by the time they cut their next LP to form the Electric Flag, and as good as Bishop was, losing the thrust and parry between the two guitarists was a major blow. But East-West captures a great group in high flight as the bandmembers join together in something even more remarkable than their estimable skills as individuals would suggest, and its importance as a nexus point between rock, blues, jazz, and world music cannot be overestimated. | ||
 | Album: 3 of 12 Title: The Resurrection of Pigboy Crabshaw Released: 1967 Tracks: 9 Duration: 45:29 Scroll: Up Down Top Bottom 25% 50% 75% Spotify TrackSamples Allmusic Wikipedia AlbumCover | 1 One More Heartache (03:40) 2 Driftin and Driftin (09:09) 3 Pity the Fool (06:04) 4 Born Under a Bad Sign (04:10) 5 Run Out of Time (03:03) 6 Double Trouble (05:40) 7 Drivin Wheel (05:58) 8 Droppin Out (02:20) 9 Tollin Bells (05:23) |
| The Resurrection of Pigboy Crabshaw : Allmusic album Review : The 1968 edition of the Paul Butterfield Blues Band featured a larger ensemble with a horn section, allowing for a jazzier feeling while retaining its Chicago blues core. They also adopted the psychedelic flower power stance of the era, as evidenced by a few selections, the rather oblique title, and the stunning pastiche art work on the cover. Butterfield himself was really coming into his own playing harmonica and singing, while his band of keyboardist Mark Naftalin, guitarist Elvin Bishop, drummer Phil Wilson, electric bassist Bugsy Maugh, and the horns featuring young alto saxophonist David Sanborn was as cohesive a unit as youd find in this time period. Butterfields most well-known song "One More Heartache" kicks off the album, a definitive blues-rock radio favorite with great harmonica and an infectious beat urged on by the top-notch horns. The band covers "Born Under a Bad Sign" at a time when Cream also did it. "Driftin & Driftin" is another well-known tune, and at over nine minutes stretches out with the horns cryin and sighin, including a definitive solo from Sanborn over the choruses. Theres the Otis Rush tune "Double Trouble," and "Drivin Wheel" penned by Roosevelt Sykes; Butterfield wrote two tunes, including "Run Out of Time" and the somewhat psychedelic "Tollin Bells," where Bishops guitar and Naftalins slow, ringing, resonant keyboard evokes a haunting feeling. This is likely the single best Butterfield album of this time period and youd be well served to pick this one up. | ||
 | Album: 4 of 12 Title: In My Own Dream Released: 1968 Tracks: 7 Duration: 36:28 Scroll: Up Down Top Bottom 25% 50% 75% Allmusic AlbumCover | 1 Last Hopes Gone (04:51) 2 Mine to Love (04:21) 3 Get Yourself Together (04:10) 4 Just to Be With You (06:12) 5 Morning Blues (04:58) 6 Drunk Again (06:08) 7 In My Own Dream (05:48) |
| In My Own Dream : Allmusic album Review : The Paul Butterfield Blues Bands In My Own Dream -- their fourth official release -- marked the point where the band really began to lose its audience, and all for reasons having nothing to do with the quality of their music. Theyd gotten past the loss of Michael Bloomfield in early 1967 (which had lost them some of their audience of guitar idolaters) with the engagingly titled (and guitar-focused) Resurrection of Pigboy Crabshaw. In My Own Dream has its great guitar moments, especially on "Just to Be with You," but throughout the album, Elvin Bishops electric guitar shares the spotlight with the horn section of Gene Dinwiddle, David Sanborn, and Keith Johnson, who had signed on with the prior album and who were more out in front than ever. More to the point, this album represented a new version of the band being born, with shared lead vocals, and the leader himself only taking three of the seven songs, with bassist Bugsy Maugh singing lead on two songs, Bishop on one, and drummer Phillip Wilson taking one. Whats more, there was a widely shared spotlight for the players, and more of a jazz influence on this record than had ever been heard before from the group. This was a band that could jam quietly for five minutes on "Drunk Again," building ever so slowly to a bluesy crescendo where Bishops guitar and Mark Naftalins organ surged; and follow it with the title track, a totally surprising acoustic guitar-driven piece featuring Sanborn, Dinwiddle, and Johnson. The playing is impressive, especially for a record aimed at a collegiate audience, but the record had the bad fortune of appearing at a point when jazz was culturally suspect among the young, an elitist and not easily accessible brand of music that seemed almost as remote as classical. "Get Yourself Together" was almost too good a piece of Chicago-style blues, a faux Chess Records-style track that might even have been too "black" for the remnants of Butterfields old audience. It also anticipated the groups final change of direction, when it blossomed into a multi-genre blues/jazz/R&B;/soul outfit, equally devoted to all four genres and myriad permutations of each. | ||
 | Album: 5 of 12 Title: Keep On Moving Released: 1969 Tracks: 12 Duration: 42:08 Scroll: Up Down Top Bottom 25% 50% 75% Spotify Allmusic AlbumCover | 1 Love March (02:58) 2 No Amount of Loving (03:14) 3 Morning Sunrise (02:41) 4 Losing Hand (03:35) 5 Walking by Myself (04:31) 6 Except You (03:53) 7 Love Disease (03:29) 8 Where Did My Baby Go (04:23) 9 All in a Day (02:28) 10 So Far So Good (02:28) 11 Buddy’s Advice (03:21) 12 Keep On Moving (05:02) |
| Keep On Moving : Allmusic album Review : Released in 1969, Keep on Moving was the fifth Elektra release by the Paul Butterfield Blues Band. During a four-year span the groups namesake and leader was the only original member left from their first album in 1965. Morphing in a similar direction as Michael Bloomfields Electric Flag, this edition of the Butterfield Blues Band prominently fronted the horn section of David Sanborn on alto sax, Gene Dinwiddie on tenor, and Keith Johnson on trumpet. The bands direction was full tilt, horn-dominated soul music, first explored on The Resurrection of Pigboy Crabshaw, which took them farther away from the highly regarded gritty blues experimentation of East-West and the duel guitar attack of Michael Bloomfield and Elvin Bishop. This album also signaled the final appearance of AACM and Art Ensemble of Chicago drummer Phillip Wilson, whose Butterfield swan song was the collaboration with Dinwiddie on the hippie gospel track "Love March," of which an appropriately disjointed live version appeared on the Woodstock soundtrack album. The difference between Butterfields 1965 street survival ode "Born in Chicago" ("My father told me son youd better get a gun") and "Love March" ("Sing a glad song, sing all the time") left fans wondering if the band had become a bit too democratic. However, on cuts like "Losing Hand," some of the bands original fervor remains. Butterfields harp intertwining with the horn section sounds like a lost Junior Parker outtake and the Jimmy Rogers penned "Walking by Myself," is the closest this band comes to the gutsy Windy City blues of its heyday. The remaining tracks arent horrible, but tend to run out of ideas quickly, unfortunately making what may have been decent material (with a little more effort) sound premature. Butterfield would make a few more personnel changes, release one final disc on Elektra, Sometimes I Just Feel Like Smilin, and then dump the band altogether to embark on a solo career. In 2006, Sundazed released a High-Definition Vinyl LP version of Keep on Moving. | ||
 | Album: 6 of 12 Title: Live Released: 1970-12 Tracks: 11 Duration: 1:11:42 Scroll: Up Down Top Bottom 25% 50% 75% Spotify Allmusic AlbumCover | 1 Everything Going to Be Alright (10:02) 2 Love Disease (03:59) 3 The Boxer (06:32) 4 No Amount of Loving (05:42) 5 Driftin and Driftin (08:37) 1 Intro to Musicians (01:44) 2 Number Nine (10:03) 3 I Want to Be With You (03:49) 4 Born Under a Bad Sign (05:44) 5 Get Together Again (06:29) 6 So Far, So Good (09:01) |
| Live : Allmusic album Review : For the Paul Butterfield Blues Band, this two-LP set proved that it all came down to Butterfield himself and his abilities as a leader in the end. For all of the adulation heaped on Mike Bloomfield, Elvin Bishop, et al., the group was ultimately an extension of Butterfields abilities as a leader and player, and this set proved that Butterfield and the bandmembers he had assembled in 1971 had more than two LPs worth of live playing in them that was worth releasing and worth buying. And that wasnt the half of it -- talk about ironies -- at the time the Paul Butterfield Blues Band recorded this live album, they were at their peak as a concert act; they were getting all the bookings they wanted at the best clubs in the biggest cities in the country, and a lot of other places as well, in front of enthusiastic audiences who were devouring their blues-jazz-rock-R&B; hybrid sound as fast as they could pump it out on-stage. They just werent selling many records, which was why few people ever got to hear this album. The four-man horn section and the single guitar are a long way from the band that dazzled audiences six years earlier on East-West, or at Monterey in 1967; this is big-band Chicago blues with a jazz base and a killer sound, ranging all over the musical map without peer. In the midst of all of those seemingly louder instruments blowing away, however, one can still find a great showcase for Butterfields blues harp on numbers like Big Walter Hortons "Everythings Gonne Be Alright." The sound, recorded on then state-of-the-art equipment at the L.A. Troubadour, is excellent and the performances are as tight as anything ever delivered by the band, in many ways fulfilling the promise of the longer numbers represented on their earlier studio albums. The original double LP is still worth finding for vinyl enthusiasts. [In 2004, an expanded edition of the album was released on CD by Rhino Handmade with an additional 70 minutes of music on it.] | ||
 | Album: 7 of 12 Title: Sometimes I Just Feel Like Smilin Released: 1971 Tracks: 9 Duration: 38:45 Scroll: Up Down Top Bottom 25% 50% 75% Spotify Allmusic AlbumCover | 1 Play On (03:34) 2 1000 Ways (04:48) 3 Pretty Woman (03:48) 4 Little Piece of Dying (03:29) 5 Song for Lee (03:42) 6 Trainman (05:47) 7 Night Child (04:26) 8 Drowned in My Own Tears (05:10) 9 Blind Leading the Blind (03:59) |
 | Album: 8 of 12 Title: Golden Butter: The Best of the Paul Butterfield Blues Band Released: 1972 Tracks: 18 Duration: 1:20:29 Scroll: Up Down Top Bottom 25% 50% 75% Allmusic AlbumCover | 1 Born in Chicago (03:07) 2 Shake Your Money-Maker (02:25) 3 Mellow Down Easy (02:49) 4 Our Love Is Drifting (03:33) 5 Mystery Train (02:35) 6 Look Over Yonders Wall (02:26) 7 East-West (13:10) 8 Walkin Blues (03:07) 9 Get Out of My Life, Woman (03:12) 10 Mary, Mary (02:50) 11 Spoonful (02:55) 12 One More Mile (03:29) 13 One More Heartache (03:36) 14 Last Hopes Gone (04:49) 15 In My Own Dream (05:46) 16 Love March (02:56) 17 Driftin and Driftin (13:44) 18 Blind Leading the Blind (04:00) |
| Golden Butter: The Best of the Paul Butterfield Blues Band : Allmusic album Review : Though their luster had faded by 1972, the Paul Butterfield Blues Band had already earned their measure of immortality by first popularizing and then pushing the boundaries of the blues. This influential outfit recorded two acknowledged classics, their eponymous debut and the subsequent East-West, which account for the first two sides of Golden Butter. Here youll find the straight-ahead Chicago blues of their debut ("Born in Chicago," "Mellow Down Easy," "Look Over Yonders Wall") and the prescient psychedelic blues-rock of their second effort ("East-West," "Mary, Mary"). The last two sides of this compilation draw from the Elektra anthology Whats Shakin ("Spoonful," "One More Mile"), a pair of tracks each from their third and fourth albums, and a song from each of their last three albums. Delivered in chronological order, Golden Butter offers an accurate miniature of the bands unraveling from blues ambassadors to innovators to increasingly irrelevant icons. Yet if the bands fire burned briefly, it burned brightly, casting a shadow that remained visible throughout the decade in the music of Cream, Steve Miller Band, and many others. And even toward the end of their career, the band had an authentic understanding of the blues that few could match (a point underscored here with a live version of "Driftin and Driftin"). Golden Butter has yet to be released on CD, Elektra electing instead to release a new double-disc retrospective, An Anthology -- The Elektra Years. Both compilations are good enough to plant the seeds of hero worship in listeners heads and spur them on to dig deeper into Butterfield. | ||
 | Album: 9 of 12 Title: The Original Lost Elektra Sessions Released: 1995-07-18 Tracks: 19 Duration: 58:55 Scroll: Up Down Top Bottom 25% 50% 75% Spotify Allmusic AlbumCover | 1 Good Morning Little Schoolgirl (02:23) 2 Just to Be With You (03:23) 3 Help Me (02:16) 4 Hate to See You Go (04:34) 5 Poor Boy (03:27) 6 Nut Popper #1 (02:25) 7 Everythings Gonna Be All Right (02:58) 8 Lovin Cup (02:44) 9 Rock Me (02:52) 10 It Hurts Me Too (02:46) 11 Our Love Is Driftin (02:29) 12 Take Me Back Baby (02:49) 13 Mellow Down Easy (03:05) 14 Aint No Need to Go No Further (02:45) 15 Love Her With a Feeling (02:59) 16 Piney Brown Blues (02:14) 17 Spoonful (03:20) 18 Thats All Right (03:14) 19 Goin Down Slow (06:02) |
| The Original Lost Elektra Sessions : Allmusic album Review : All but one of these 19 tracks were recorded in December, 1964, as Paul Butterfield Blues Bands projected first LP; the results were scrapped and replaced by their official self-titled debut, cut a few months later. With both Michael Bloomfield and Elvin Bishop already in tow, these sessions rank among the earliest blues-rock ever laid down. Extremely similar in feel to the first album, its perhaps a bit rawer in production and performance, but not appreciably worse or different than what ended up on the actual debut LP. Dedicated primarily to electric Chicago blues standards, Butterfield fans will find this well worth acquiring, as most of the selections were never officially recorded by the first lineup (although different renditions of five tracks showed up on the first album and the Whats Shakin compilation). | ||
 | Album: 10 of 12 Title: An Anthology: The Elektra Years Released: 1997 Tracks: 33 Duration: 2:33:49 Scroll: Up Down Top Bottom 25% 50% 75% Spotify Allmusic AlbumCover | 1 Born in Chicago (03:15) 2 Lovin’ Cup (02:43) 3 One More Mile (03:31) 4 Off the Wall (02:05) 5 Come on In (02:05) 6 Nut Popper #1 (02:25) 7 Aint No Need to Go No Further/Its Too Late Brother (02:44) 8 Born in Chicago (03:07) 9 Shake Your Moneymaker (02:28) 10 Blues With a Feeling (04:22) 11 Thank You Mr. Poobah (04:07) 12 Our Love Is Driftin (03:34) 13 Mystery Train (02:34) 14 Last Night (04:18) 15 Walkin Blues (03:18) 16 I Got a Mind to Give Up Living (04:58) 17 Work Song (07:57) 18 All These Blues (02:22) 19 East West (13:09) 1 One More Heartache (03:40) 2 Double Trouble (05:40) 3 Last Hopes Gone (04:51) 4 Mornin Blues (04:57) 5 Just to Be With You (06:12) 6 Get Yourself Together (04:10) 7 In My Own Dream (05:48) 8 Love March (02:58) 9 Walkin by Myself (04:29) 10 Love Disease (03:29) 11 Everythings Gonna Be Alright (10:07) 12 Driftin & Driftin (13:48) 13 Blind Leading the Blind (04:02) 14 Song for Lee (04:24) |
| An Anthology: The Elektra Years : Allmusic album Review : An Anthology -- The Elektra Years is a double-disc, 33-song set that offers a comprehensive overview of Paul Butterfields eight years with the label. His first two albums, Paul Butterfield Blues Band and East-West, were seminal, groundbreaking records that blurred the boundaries between blues, jazz and rock, suggesting everything from blues-rock to psychedelia. They were stunning achievements which proved difficult to match, but Butterfields remaining albums for the label all had a few good cuts. An Anthology does a nice job of rounding up those highlights, picking the best moments from uneven records; consequently, its quite a valuable package for listeners who simply want a sampling from those later albums instead of purchasing them individually. Butterfields first two albums remain necessary listens in their own right, but this set offers an excellent summary of his entire stint with Elektra. | ||
 | Album: 11 of 12 Title: The Paul Butterfield Blues Band / East-West Released: 2001-10-15 Tracks: 20 Duration: 1:23:20 Scroll: Up Down Top Bottom 25% 50% 75% AlbumCover | 1 Born in Chicago (03:06) 2 Shake Your Moneymaker (02:28) 3 Blues With a Feeling (04:24) 4 Thank You Mr. Poobah (04:07) 5 I Got My Mojo Working (03:34) 6 Mellow Down Easy (02:53) 7 Screamin (04:38) 8 Our Love Is Drifting (03:36) 9 Mystery Train (02:37) 10 Last Night (04:20) 11 Look Over Yonders Wall (02:27) 1 Walkin Blues (03:21) 2 Get Out of My Life, Woman (03:16) 3 I Got a Mind to Give Up Living (05:01) 4 All These Blues (02:24) 5 Work Song (07:57) 6 Mary, Mary (02:54) 7 Two Trains Running (03:57) 8 Never Say No (03:01) 9 East West (13:11) |
 | Album: 12 of 12 Title: Original Album Series Released: 2010-03-01 Tracks: 48 Duration: 3:27:20 Scroll: Up Down Top Bottom 25% 50% 75% Allmusic AlbumCover | 1 Born in Chicago (03:08) 2 Shake Your Moneymaker (02:28) 3 Blues With a Feeling (04:24) 4 Thank You Mr. Poobah (04:07) 5 I Got My Mojo Working (03:34) 6 Mellow Down Easy (02:51) 7 Screamin’ (04:36) 8 Our Love Is Drifting (03:34) 9 Mystery Train (02:36) 10 Last Night (04:18) 11 Look Over Yonders Wall (02:26) 1 Walkin’ Blues (03:21) 2 Get Out of My Life, Woman (03:16) 3 I Got a Mind to Give Up Living (05:01) 4 All These Blues (02:24) 5 Work Song (07:57) 6 Mary, Mary (02:54) 7 Two Trains Running (03:57) 8 Never Say No (03:01) 9 East‐West (13:11) 1 One More Heartache (03:40) 2 Driftin and Driftin (09:09) 3 Pity the Fool (06:04) 4 Born Under a Bad Sign (04:10) 5 Run Out of Time (03:03) 6 Double Trouble (05:40) 7 Drivin Wheel (05:57) 8 Droppin Out (02:20) 9 Tollin Bells (05:23) 1 Last Hopes Gone (04:51) 2 Mine to Love (04:21) 3 Get Yourself Together (04:10) 4 Just to Be With You (06:12) 5 Morning Blues (04:58) 6 Drunk Again (06:08) 7 In My Own Dream (05:48) 1 Love March (02:58) 2 No Amount of Loving (03:14) 3 Morning Sunrise (02:41) 4 Losing Hand (03:35) 5 Walking by Myself (04:31) 6 Except You (03:53) 7 Love Disease (03:29) 8 Where Did My Baby Go (04:23) 9 All in a Day (02:28) 10 So Far So Good (02:28) 11 Buddy’s Advice (03:21) 12 Keep On Moving (05:02) |