The Wailers | ||
| Allmusic Biography : For marketing purposes, Bob Marley, the Wailers, and Bob Marley & the Wailers have become interchangeable names, used indiscriminately to refer to recordings actually made by separate entities. So, it is worth recalling the distinctions that existed at the times these entities performed and recorded. The Wailers, formed in Kingston, Jamaica, in 1963, was a vocal group consisting of Junior Braithwaite, Beverley Kelso, Bunny Livingston, Bob Marley, Peter McIntosh, and Cherry Smith; they were called variously the Teenagers, the Wailing Rudeboys, the Wailing Wailers, and finally the Wailers. Braithwaite, Kelso, and Smith had departed by 1966, leaving the trio of Livingston, Marley, and McIntosh. By the early 70s, they had begun playing musical instruments and added a rhythm section consisting of brothers Aston "Family Man" Barrett (bass) and Carlton "Carlie" Barrett (drums). After recording extensively in Jamaica, this unit was signed to Great Britains Island Records, which issued its label debut, Catch a Fire, in April 1973, followed by Burnin in November. These albums attracted critical attention but did not chart at first. By the time of Natty Dread (1974), the original group had split, with McIntosh (later billed as Peter Tosh) and Livingston (later billed as Bunny Wailer) leaving. The album was credited to Bob Marley & the Wailers, the group consisting of Marley, the Barretts, keyboard player Bernard "Touter" Harvey, and lead guitarist Al Anderson, with backing vocals by the I-Threes (Marcia Griffiths, Rita Marley, and Judy Mowatt). The breakthrough for this group was their appearance at the Lyceum in London on July 18, 1975. The show was recorded and quickly released on LP as Live!, and Marley and his reggae music became an international sensation. The success of Eric Claptons cover of "I Shot the Sheriff," a Marley song from Burnin, in the summer of 1974, had done much to popularize reggae (the original version made the U.S. R&B; charts that fall), but Marley himself now achieved stardom as a performer. "No Woman, No Cry," a song originally heard on Natty Dread, reached the U.K. charts in its live rendition in September 1975, becoming a Top 40 hit. With that, both Natty Dread and Live! reached the British charts. In the U.S., Natty Dread had charted in May; it was followed by Burnin and Catch a Fire in the fall. (Live! was held back from U.S. release for a year; when it appeared, it charted in the Top 100.) Bob Marley & the Wailers reached their commercial apex in the U.S. with the April 1976 release of their next studio album, Rastaman Vibration, which hit the Top Ten as "Roots, Rock, Reggae" became a minor pop chart entry and a Top 40 R&B; hit. At this point, the group consisted of Marley, the Barretts, the I-Threes, keyboard player Tyrone Downie, percussionist Alvin "Seeco" Patterson, rhythm guitarist Earl "Chinna" Smith, and lead guitarist Donald Kinsey. Exodus, released in May 1977, found Marley & the Wailers taking a slightly more uptempo (and disco-influenced) direction; it produced three Top 40 chart hits in the U.K. ("Exodus," "Waiting in Vain," and the Top Ten "Jamming," backed by the non-LP "Punky Reggae Party") and became their first Top Ten album in Great Britain. In the U.S., it sold about as well as Rastaman Vibration, but the band began meeting resistance from category-conscious radio programmers who couldnt figure out whether to slot it as rock or R&B.; "Exodus" became a Top 20 R&B; hit and "Waiting in Vain" made the R&B; Top 40, but neither single charted pop. Once again, Marley had tinkered with the bands personnel, which for Exodus consisted of himself, the Barretts, the I-Threes, Downie, Patterson, and lead guitarist Julian (Junior) Marvin. Kaya, the fourth studio album by Bob Marley & the Wailers, appeared in March 1978. In the U.K., it was the bands biggest success yet, reaching the Top Five, powered by the advance single "Is This Love," which was a Top Ten hit, and by the follow-up single "Satisfy My Soul," which reached the Top 40. But the story was far different in the U.S., where the album struggled. Black radio seemed to have decided that the band did not fit formats dominated by disco, while pop radio was increasingly attracted to new wave sounds and treated reggae as a fad that had passed. The double live album Babylon by Bus, released in November, which marked the return of Al Anderson and the addition of keyboard player Earl "Wire" or "Wya" Lindo, was a modest seller, again doing better in England than in America. The fifth Bob Marley & the Wailers studio album, Survival, was released in October 1979. It reached the Top 20 in the U.K., with the single "So Much Trouble in the World" reaching the charts, but in the U.S. it sold only moderately well, though "Wake Up and Live" became a minor R&B; chart entry. Uprising, released in June 1980 and prefaced by the propulsive single "Could You Be Loved," gave Marley a commercial rebound. The single and album were Top Ten hits in the U.K. The U.S. was more resistant, but "Could You Be Loved" reached the R&B; charts and the album charted higher than any of the bands albums since Exodus. Uprising might have done better domestically if Marley had not become ill shortly after its release and been forced to cancel his tour promoting it after only a few dates. His death in May 1981 of course brought an end to the band known as Bob Marley & the Wailers, but it did not end his and the bands success. Even before his death, the back catalog began to sell, with a British single release of "Three Little Birds" from Exodus reaching the Top 20 in the fall of 1980. Shortly after Marleys death, "No Woman, No Cry" was reissued and reached the U.K. Top Ten, with Live! (retitled Live at the Lyceum) returning to the album chart. The posthumous album Confrontation was issued two years after Marleys death, in May 1983. Both its single, "Buffalo Soldier," and the LP made their way up the U.K. Top Five. In the U.S., the single made the R&B; charts, and the album was another moderate seller. But the album that really established the defunct band as an across-the-board sales success was the hits collection Legend -- The Best of Bob Marley & the Wailers, released in the U.K. three years after Marleys death, in May 1984, and in August in the U.S. The album topped the British charts with "One Love/People Get Ready," originally released on Exodus, becoming a Top Five single, "Waiting in Vain" returning to the Top 40, and "Could You Be Loved" returning to the charts. American chart statistics were not as spectacular, but the album became a perennial seller; before the end of the century, it had been certified for sales of ten million copies. Its success, in turn, stimulated sales of the Marley catalog in the U.S., and in the 90s Burnin, Live!, Rastaman Vibration, Exodus, Kaya, Uprising, and Confrontation all went gold, while Island continued to scale the charts with compilations such as Rebel Music (1986), Talkin Blues (1991), and Natural Mystic (1995). Often, the focus was on Marley alone. For example, the 1992 four-CD box set Songs of Freedom, which included recordings dating back to the early 60s, was billed to Marley, not Marley & the Wailers, as was the 1999 chart album of newly created duets Chant Down Babylon. On the other hand, the many repackagers of 60s Wailers recordings have long tended to credit their wares to Bob Marley & the Wailers even though the material was cut by the Livingston/McIntosh/Marley group, and Island has long credited reissues of Catch a Fire to Bob Marley & the Wailers (indeed, the initial U.S. release carried that credit). Thus, in practice, recordings by Bob Marley & the Wailers can refer to any music featuring Marley and made in the 60s, 70s, and 80s, though careful listeners will insist that the credit should apply only to the recordings and performances of Marley and his regular backup group from the breakup of the original Wailers trio in 1974 to Marleys death in 1981. | ||
 | Album: 1 of 11 Title: The Wailing Wailers Released: 1966 Tracks: 12 Duration: 36:18 Scroll: Up Down Top Bottom 25% 50% 75% Spotify Wikipedia AlbumCover | 1 I Am Gonna Put It Down (03:08) 2 I Need You (03:07) 3 Lonesome Feeling (02:53) 4 Whats New Pussycat (02:59) 5 One Love (03:21) 6 When the Well Runs Dry (02:55) 7 Ten Commandments of Love (04:07) 8 Rude Boy (02:06) 9 It Hurts to Be Alone (02:45) 10 Love & Affection (02:38) 11 I Am Still Waiting (03:33) 12 Simmer Down (02:46) |
 | Album: 2 of 11 Title: Soul Revolution Part II Released: 1971 Tracks: 12 Duration: 34:20 Scroll: Up Down Top Bottom 25% 50% 75% Wikipedia AlbumCover | 1 Keep on Moving (03:09) 2 Dont Rock My Boat (04:34) 3 Put It On (03:34) 4 Fussing and Fighting (02:30) 5 Duppy Conqueror (03:26) 6 Memphis (02:10) 7 Riding High (02:47) 8 Kaya (02:40) 9 African Herbsman (02:25) 10 Stand Alone (02:13) 11 Sun is Shining (02:12) 12 Brain Washing (02:40) |
 | Album: 3 of 11 Title: The Best of the Wailers Released: 1971-08 Tracks: 10 Duration: 25:15 Scroll: Up Down Top Bottom 25% 50% 75% Spotify Allmusic Wikipedia AlbumCover | 1 Soul Shakedown (03:05) 2 Stop The Train (02:17) 3 Caution (02:40) 4 Soul Captive (02:03) 5 Go Tell It On The Mountain (03:13) 6 Cant You See (02:43) 7 Soon Come (02:21) 8 Cheer Up (02:01) 9 Back Out (02:11) 10 Do It Twice (02:41) |
| The Best of the Wailers : Allmusic album Review : An album title that would cause considerable confusion in the future, The Best of the Wailers was not a roundup of the groups current singles nor a career-spanning look back at what the band had accomplished so far. Instead, it was a ten-song set of what was then new recordings all overseen by producer Leslie Kong. In May 1970, when the Wailers entered Dynamic Sound Studios in Kingston, Kong was an all conquering hero, the man who had brought Jimmy Cliff, Desmond Dekker, and the Maytals to international fame. The Wailers were, in contrast, at a low point, their own hopes kindled by Johnny Nash dashed, while a series of sessions with other producers yielded little of consequence. Perhaps Kong could work his magic on them. Kongs studio band, the Beverleys All Stars (aka Gladdys All Stars), led by pianist Gladstone "Gladdy" Anderson, laid down sumptuous reggae backings that rippled with melody. The rhythms, while rock solid, were less emphatic and jumpy than their competitors, with the arrangements interweaving Gladstones glorious piano, Winston Wrights effervescent organ, and Hux Browns Western-flared guitar. The All Stars superb backings powered innumerable hits, and the band served the Wailers equally well, giving a luminescent quality to all the songs here. Of the ten numbers, the harmony-drenched "Soul Shakedown Party" was the standout, although the delicate and equally harmony-laden "Soul Captives" comes close. Peter Toshs powerful "Stop the Train," Bob Marleys equally forceful "Caution," and the romance-laced "Do It Twice" were all just as memorable. Kong was apparently so impressed with the strength of the music, he decided that Best Of best summed it up. The Wailers felt otherwise. It was obvious the producer was spread too thin, and once the sessions were over the Wailers moved on, hooking up with Lee Perry, and the band was peeved when Kong finally decided to release this set, especially with that title. Legend has it that Bunny Livingston warned the producer to change it, noting the album was only the best if Kong wasnt going to be around long enough to hear anything better. And so it proved, for a week after Best Ofs release in August 1971, Kong, only 38, died of a heart attack. | ||
 | Album: 4 of 11 Title: Catch a Fire Released: 1973-04-13 Tracks: 11 Duration: 44:17 Scroll: Up Down Top Bottom 25% 50% 75% Spotify Wikipedia Allmusic AlbumCover | 1 Concrete Jungle (04:14) 2 Slave Driver (02:54) 3 400 Years (02:46) 4 Stop That Train (03:56) 5 Baby We’ve Got a Date (Rock It Baby) (03:58) 6 Stir It Up (05:34) 7 Kinky Reggae (03:39) 8 No More Trouble (03:59) 9 Midnight Ravers (05:08) 10 High Tide or Low Tide (04:40) 11 All Day All Night (03:26) |
| Catch a Fire : Allmusic album Review : Catch a Fire was the major label debut for Bob Marley and the Wailers, and it was an international success upon its release in 1973. Although Bob Marley may have been the main voice, every member of the Wailers made valuable contributions and they were never more united in their vision and sound. All the songs were originals, and the instrumentation was minimalistic in order to bring out the passionate, often politically charged lyrics. Much of the appeal of the album lies in its sincerity and sense of purpose -- these are streetwise yet disarmingly idealistic young men who look around themselves and believe they might help change the world through music. Marley sings about the current state of urban poverty ("Concrete Jungle") and connects the present to past injustices ("Slave Driver"), but he is a not a one-trick pony. He is a versatile songwriter who also excels at singing love songs such as his classic "Stir It Up." Peter Tosh sings the lead vocal on two of his own compositions -- his powerful presence and immense talent hint that he would eventually leave for his own successful solo career. More than anything else, however, this marks the emergence of Bob Marley and the international debut of reggae music. Marley would continue to achieve great critical and commercial success during the 1970s, but Catch a Fire is one of the finest reggae albums ever. This album is essential for any music collection. | ||
 | Album: 5 of 11 Title: Burnin’ Released: 1973-10-19 Tracks: 10 Duration: 38:31 Scroll: Up Down Top Bottom 25% 50% 75% Spotify Wikipedia Allmusic AlbumCover | 1 Get Up, Stand Up (03:17) 2 Hallelujah Time (03:28) 3 I Shot the Sheriff (04:41) 4 Burnin’ and Lootin’ (04:15) 5 Put It On (04:00) 6 Small Axe (04:01) 7 Pass It On (03:33) 8 Duppy Conqueror (03:44) 9 One Foundation (03:42) 10 Rastaman Chant (03:46) |
| Burnin’ : Allmusic album Review : The Wailers fourth album overall, Burnin, was their second for Island Records, released only six months after its predecessor, Catch a Fire. Given that speed, its not surprising that several tracks -- "Put It On," "Small Axe," and "Duppy Conqueror" -- are re-recordings of songs dating back a few years. But they fit in seamlessly with the newer material, matching its religious militancy and anthemic style. The confrontational nature of the groups message is apparent immediately in the opening track, "Get Up, Stand Up," as stirring a song as any that emerged from the American Civil Rights movement a decade before. The Wailers are explicit in their call to violence, a complete reversal from their own 1960s "Simmer Down" philosophy. Here, on "Burnin and Lootin," they take issue with fellow Jamaican Jimmy Cliffs song of the previous year, "Many Rivers to Cross," asking impatiently, "How many rivers do we have to cross/Before we can talk to the boss?" "I Shot the Sheriff," the albums most celebrated song, which became a number one hit in the hands of Eric Clapton in 1974, claims self-defense, admits consequences ("If I am guilty I will pay"), and emphasizes the isolated nature of the killing ("I didnt shoot no deputy"), but its central image is violent. Such songs illuminated the desperation of poor Jamaican life, but they also looked forward to religious salvation, their themes accentuated by the compelling rhythms and the alternating vocals of the three singers. Bob Marley was a first among equals, of course, and after this album his partners, Peter Tosh and Bunny Wailer, quit the group, which thereafter was renamed Bob Marley and the Wailers. The three bonus tracks on the 2001 reissue are all by Tosh and Wailer, though recorded at the albums sessions, suggesting the source of their frustration. | ||
 | Album: 6 of 11 Title: Jérusalem Released: 1986 Tracks: 9 Duration: 46:16 Scroll: Up Down Top Bottom 25% 50% 75% Allmusic AlbumCover | 1 Jérusalem (07:51) 2 Politiqui (06:38) 3 Bloodshed in Africa (04:24) 4 I Love Paris (05:14) 5 Kalachnikov Love (05:24) 6 Travailler c’est trop dur (03:18) 7 Miwa (05:10) 8 Boulevard de la mort (05:31) 9 Dji (02:46) |
| Jérusalem : Allmusic album Review : Despite heated protests from his parents, Alpha Blondy abandoned his studies in education to establish himself as a singer, a move influenced by his discovery of the Rastafarian faith and the music of international reggae star Bob Marley. A longtime dream was fulfilled in 1986 when, five years after Marleys death, the singers backing band, the Wailers, supplied the rhythms for Blondys third album. Recorded in Jamaica, Jerusalem remains one of Blondys most satisfying song collections. Lyrics alternate among English, French, and Blondys own Dioula, a mix the singer attempts to unite through the rhythms of reggae music. Aiding him in his pursuits are some of the islands finest. Under Bob Marley, the seasoned rhythm team of brothers Aston and Carlton Barrett (bass and drums), Junior Murvin (guitar), and Earl Lindo (keyboards) refined reggae music to the slick, near-universal pulse Blondy was seeking. Though their former mentors success distanced the Wailers somewhat from Jamaicas hard roots audience, they lost none of their exceptional musicianship in the process. The sound of Carlton Barretts slick snare beats and Earl "Chinna" Smiths supple bluesy lines may have lacked the rough hues of the 1970s, but they did provide many music fans with a palatable introduction to reggae. Behind Blondy, they helped propel the singer to his own level of crossover success. Though the mix by engineers Anthony Kelly, Gary Sutherland, and Solgie Hamilton applies a certain amount of gloss to the music, sparse, competent rhythms ride below Blondy on tracks like "Boulevard de la Mort," "Travailler CEst Trop Dur," and "Bloodshed in Africa." | ||
 | Album: 7 of 11 Title: Kingston Rock (Earth must be Hell) Released: 1988 Tracks: 12 Duration: 00:00 Scroll: Up Down Top Bottom 25% 50% 75% AlbumCover | 1 True Born African (?) 2 Unity Strength & Love (?) 3 Cant You See Its Time (?) 4 Country Woman (?) 5 Earth Must Be Hell (?) 6 Let The Music Play (?) 7 Wake Up Suzy (?) 8 I Stand Before You (?) 9 How Do You Think I Feel (?) 10 Treasure Call Love (?) 11 Isnt It Wrong (?) 12 Writing On The Wall (?) |
 | Album: 8 of 11 Title: Simmer Down at Studio One Released: 1994-06-01 Tracks: 20 Duration: 54:37 Scroll: Up Down Top Bottom 25% 50% 75% AlbumCover | 1 This Train (02:15) 2 Simmer Down (02:50) 3 I Am Going Home (03:40) 4 Do You Remember (02:52) 5 Mr. Talkative (02:05) 6 Habits (02:11) 7 Amen (02:36) 8 Go Jimmy Go (02:29) 9 Teenager in Love (02:43) 10 I Need You (03:09) 11 It Hurts to Be Alone (02:42) 12 True Confession (02:45) 13 Lonesome Feeling (02:54) 14 There She Goes (02:44) 15 Diamond Baby (02:11) 16 Playboy (02:13) 17 Wheres the Girl for Me (03:16) 18 Hooligan (03:02) 19 One Love (03:21) 20 Love and Affection (02:38) |
 | Album: 9 of 11 Title: The Toughest Released: 1996-03-19 Tracks: 19 Duration: 55:09 Scroll: Up Down Top Bottom 25% 50% 75% AlbumCover | 1 Hoot Nanny Hoot (03:12) 2 Maga Dog (03:01) 3 Amen (02:36) 4 Jumbie Jamboree (03:35) 5 Shame and Scandal (03:01) 6 Sinner Man (03:07) 7 Rasta Shook Them Up (02:17) 8 The Toughest (03:12) 9 Don’t Look Back (01:52) 10 When the Well Runs Dry (02:38) 11 Making Love (03:13) 12 Can’t You See (02:21) 13 Treat Me Good (01:56) 14 Rightful Ruler (02:35) 15 400 Years (02:34) 16 No Sympathy (02:15) 17 Secondhand (AKA Brand New Secondhand) (03:59) 18 Secondhand (AKA Brand New Secondhand) version 2 (04:26) 19 Downpressor (03:13) |
 | Album: 10 of 11 Title: Best of the Wailers Released: 1998 Tracks: 14 Duration: 36:55 Scroll: Up Down Top Bottom 25% 50% 75% Spotify AlbumCover | 1 Sugar, Sugar (02:47) 2 Stop the Train (02:24) 3 Cheer Up (02:04) 4 Soon Come (02:25) 5 Soul Captives (02:05) 6 Go, Tell It on the Mountain (03:17) 7 Cant You See (alternate version) (02:43) 8 Give Me a Ticket (version) (01:58) 9 Hold on to This Feeling (03:01) 10 Mr. Chatterbox (alternate version) (02:38) 11 Soul Shakedown Party (version) (03:12) 12 Soon Come (version) (02:25) 13 Mr. Chatterbox (03:07) 14 Hold on to This Feeling (version) (02:49) |
 | Album: 11 of 11 Title: The Wailers Legacy Released: 2005 Tracks: 146 Duration: 2:52:36 Scroll: Up Down Top Bottom 25% 50% 75% AlbumCover | 1 Introduction (08:47) 2 Trench Town - Kingston 12 Birthplace of the Wailers (06:03) 3 Recruiting the Wailers (02:56) 4 Preparation and Exposure (01:06) 5 Auditioning (02:22) 6 The Wailers First Recording Session (03:16) 7 Inheriting the Name Wailers (01:12) 8 Challenging Times (04:07) 9 Brattys Migration to the USA (05:05) 10 Wailers Frostration (01:00) 11 First Concert Performance (05:41) 12 The Trinity (02:22) 13 Bob Migration to the USA (04:40) 14 The Wedding Bells Tolled (01:06) 15 Dreams Adoption to the Wailers (05:17) 16 Rasta Shook Dem Up (02:53) 17 The Guns Barked (01:58) 1 Bobs Return From the USA (03:13) 2 Coxone Repressive System (01:18) 3 The Wail n Soul M Label (05:44) 4 The Scanner (01:19) 5 The Wailers Progress (06:56) 6 Bunnys False Imprisonment (03:27) 7 Jad the Scanners (04:46) 8 Restoration of Wail n Soul M (08:37) 9 The Wailers/Berertys Combination (06:26) 10 Introduction to Tuff Gong (07:09) 11 Skills Appointment to Tuff Gong (01:47) 12 Wailers/Upsetter Combination (02:34) 13 Duppy Conqueror (09:36) 1 Return of Jad the Scanners (05:08) 2 Wailers Tour With Johnny Nash (08:20) 3 Wailers Clash With Johnny Nash (07:11) 4 Wailers First Aquaintance With Blackwell (06:26) 5 Wailers Return to Jamaica (03:02) 6 Wailers Betrayed (07:11) 7 Wailers Island Combination (02:53) 8 Wailers Catch a Fire Tour (03:54) 9 The Wailers Split... The Legend Continues (05:48) 1 Introduction (?) 2 Adam and Eve (?) 3 Sinner Man (?) 4 Wisdom (?) 5 Stop the Train (?) 6 Going Home (?) 7 Wings of Dove (?) 8 No Body Knows (?) 9 This Train (?) 10 My Mother (?) 11 Thank You Lord (?) 12 Thank You Lord (vers. 2) (?) 13 Amen (?) 14 Simmer Down (?) 15 I Dont Need Your Love (?) 16 Straight and Norrow Way (?) 17 How Many Times (?) 18 Habbits (?) 19 Go Jimmy Go (?) 20 It Was Yours Love (?) 21 Destiny (?) 22 Dont Leave Me (?) 23 Hurts to Be Alone (?) 24 Hurts to Be Alone (vers. 2) (?) 25 Lonesome Feeling (?) 26 Donna (?) 1 Diamond Girl (?) 2 Dance With Me (?) 3 Play Boy (?) 4 Another Dance (?) 5 One Love (?) 6 Love and Affection (?) 7 Rude Boy Ska (?) 8 Jail House (?) 9 Put It On (?) 10 Im Still Waiting (?) 11 Cry to Me (?) 12 Ska Jerk (?) 13 Pussy Cat (?) 14 Who Feels It Knows It (?) 15 Dancing Shoes (?) 16 Jerk in Time (?) 17 What Am I to Do (?) 18 Sunday Morn (?) 19 I Need You (?) 20 Rock Sweet Rock (?) 21 Let Him Go (?) 22 I Stand Perdominate (?) 23 Bend Down Low (?) 24 Freedom Time (?) 25 Nice Time (?) 26 Hypocrites (?) 27 Mellow Mood (?) 28 Stir It Up (?) 1 Bus Dem Shut (?) 2 Hail Selassie Is the Chapel (?) 3 Tread Oh (?) 4 Guava Jelly (?) 5 Feel Alright (?) 6 Trouble on the Road (?) 7 Redder Than Red (?) 8 Black Progress (?) 9 Ticket (?) 10 Sugar Sugar (?) 11 No Bodies Business (?) 12 400 Years (?) 13 Rise Black Man (?) 14 Maga Dog (?) 15 Ha fi Get a Beaten (?) 16 Satisfy Our Souls (?) 17 Hold on to This Feeling (?) 18 Craven Choke Puppy (?) 19 Screw Face (?) 20 Rock My Boat (?) 21 Like It Like That (?) 22 Lively Up Your Self (?) 23 Lick Samba (?) 24 Love Lights (?) 25 Concrete Jungle (?) 26 Sun Is Shinning (?) 27 Trench Town Rock (?) 1 Caution (?) 2 Soul Shakedown Party (?) 3 Soul Captives (?) 4 Cheer Up (?) 5 Soon Come (?) 6 Go Tell It on the Mountain (?) 7 Cant You See (?) 8 Brand New Second Hand (?) 9 Back Out (?) 10 You Know I Love You (?) 11 My Cup (?) 12 Try Me (?) 13 Duppy Conqueror (?) 14 Small Axe (?) 15 Small Axe (vers. 2) (?) 16 Who the Cap Fit (?) 17 Soul Rebel (?) 18 Run for Cover (?) 19 Keep on Moving (?) 20 No Water (?) 21 Long Winter (?) 22 Reaction (?) 23 There Are You (Crying Again) (?) 24 Kaya (?) 25 Dreamland (?) 26 Music Lesson (?) |