Nick Cave | ||
| Allmusic Biography : Since the late 1970s, Australian singer and songwriter Nick Cave has proved to be one of the most enduring talents to emerge from the post-punk era. In addition to being a remarkably consistent recording artist, his songs have been covered by everyone from Josh Groban, PJ Harvey, and Johnny Cash to Arctic Monkeys, Metallica, and Chelsea Wolfe, to name a few. However, his often dramatic, romantic, and/or harrowing tomes sound best on his own recordings. Accompanied by his ubiquitous Bad Seeds backing band, Caves style is inimitable (though plenty have been influenced by him to the point of imitation) as it ranges across a spectrum that includes noisy, clattering, but extremely musical rock -- equal parts mutant rockabilly, garage, indie, post-punk, and cabaret, as well as striking romantic balladry and broken blues, sometimes on the same recording (Your Funeral, My Trial). Other early albums, in particular The Firstborn Is Dead, melded John Lee Hooker-esque stomp blues to unhinged, menacing post-punk. Latter dates including The Good Son, Murder Ballads, and Push the Sky Away tempered the ferocity in favor of moody soundscapes for his bent yet resonant storytelling. Still others, including The Boatmans Call, focused his considerable talent on love songs -- the man even delivered a lecture at a London university on "The Art of the Love Song." His mercurial persona -- with a physical appearance that has been compared to "Elvis from Hell" on-stage, imbues each song with his near-cinematic presence. Cave is a songwriters songwriter, celebrated by talents as diverse as Scott Walker and Leonard Cohen. He and his longtime colleague Warren Ellis (musical director of Nick Cave and the Bad Seeds) are also award-winning film composers with more than a dozen scores to their credit. After goth pioneers the Birthday Party called it quits in 1983, singer/songwriter Nick Cave assembled the Bad Seeds, a post-punk supergroup featuring former Birthday Party guitarist Mick Harvey on drums, ex-Magazine bassist Barry Adamson, and Einstürzende Neubauten guitarist Blixa Bargeld. With the Bad Seeds, Cave continued to explore his obsessions with religion, death, love, America, and violence with a bizarre, sometimes self-consciously eclectic hybrid of blues, gospel, rock, and arty post-punk, although in a more subdued fashion than his work with the Birthday Party. Cave also allowed his literary aspirations to come to the forefront; the lyrics are narrative prose, heavy on literary allusions and myth-making, and take some inspiration from Leonard Cohen. Caves gloomy lyrics, dark musical arrangements, and deep baritone voice recall the albums of Scott Walker, which also obsess over death and love with a frightening passion. However, Cave brings a hefty amount of post-punk experimentalism to Walkers epic dark pop. Cave released his first album with the Bad Seeds, From Her to Eternity, in 1984, which contained a noteworthy cover of Elvis Presleys "In the Ghetto," foreshadowing much of Caves style and subject matter on the follow-up The Firstborn Is Dead. Kicking Against the Pricks, an all-covers album, broke the band in England with the help of "The Singer," which hit number one on the U.K. independent charts. The album also strengthened Caves reputation as an original interpreter and a vocal stylist of note. Following 1986s Your Funeral...My Trial, Cave took a two-year hiatus from recording -- partially to appear in Wim Wenders 1987 film Wings of Desire -- and then returned with Tender Prey, which featured Cramps guitarist Kid Congo Powers and Caves strongest vocal performance up to that point. Caves productivity picked up immensely over the next two years after he kicked a heroin habit. He had two books (1988s King Ink, a collection of lyrics, plays, and prose, and 1989s And the Ass Saw the Angel, a novel) published; appeared in the 1989 Australian film Ghosts...Of the Civil Dead as a prisoner; recorded a soundtrack to the film with Harvey and Bargeld; and released 1990s The Good Son, his most relaxed, quiet album. Cave received his due as one of the leading figures in alternative rock when he was invited to perform on 1994s Lollapalooza tour to promote his Let Love In album. Early in 1996, he released Murder Ballads, a collection of songs about murder. Murder Ballads became Caves most commercially successful album to date, and, with typical perversity, he followed it with the introspective and personal The Boatmans Call in early 1997. A spoken word release, Secret Life of the Love Song followed in 1999. Two years later, a rejuvenated Cave teamed up with the Bad Seeds once again for the piano-laden No More Shall We Part. Nocturama was released in 2003, and the double-album Abattoir Blues/The Lyre of Orpheus followed at the end of 2004. After touring in support of the album throughout 2005, Cave embarked on a new project called Grinderman with Bad Seeds members Warren Ellis, Martyn Casey, and Jim Sclavunos. The groups self-titled debut was released in 2007, the same year Cave was inducted into Australias ARIA Hall of Fame. In 2008, Nick Cave & the Bad Seeds released Dig!!! Lazarus Dig!!! It was followed by a second Grinderman recording -- entitled Grinderman II -- followed by a world tour and the bands breakup, announced by Cave on-stage in December of 2011. Cave penned the screenplay for director John Hillcoats 2012 bootlegging film Lawless, which also featured a score composed by Cave and Warren Ellis. The duo had previously collaborated on scores for The Proposition, The Road, The Assassination of Jesse James by the Coward Robert Ford, and Days of Grace. In February of 2013, Cave and a streamlined Bad Seeds broke their five-year silence with the release of Push the Sky Away. Cave and Ellis scored French director David Oelhoffens 2014 feature Loin des Hommes (Far from Men). The soundtrack was issued a year later when the film achieved a wider release. In mid-2016, it was announced that Cave and the Bad Seeds would release a new album in September 2016, Skeleton Tree. A documentary about Cave and the making of Skeleton Tree, One More Time with Feeling, was scheduled for theatrical release the same week as the album. In May 2017, Mute Records issued Lovely Creatures: The Best of Nick Cave and the Bad Seeds, a three-CD/one-DVD set that collected Caves career highlights from 1984 to 2014. | ||
 | Album: 1 of 20 Title: Burnin’ the Ice Released: 1983 Tracks: 7 Duration: 29:59 Scroll: Up Down Top Bottom 25% 50% 75% Allmusic AlbumCover | 1 Stow-A-Way (07:21) 2 Tokyo Express (02:57) 3 Truck Love (03:54) 4 The Victory (03:46) 5 Pleasure Is the Boss (03:54) 6 Dumb Europe (06:33) 7 This Flame Will Never Die (01:30) |
| Burnin’ the Ice : Allmusic album Review : Besides being the groups first full album, Burnin the Ice gets even more due -- increasingly so in retrospect -- thanks to the guest lead singer appearing on four of its seven tracks, Nick Cave. Recorded six months before the Birthday Party collapsed, Caves tracks show him seething with his trademark intensity and power, most frenetically on the stop-start rampage of "Truck Love." Though the vocals are mixed somewhat murkily at many points, the combination is a sharp and understandable one, with Die Hauts music, though less completely fractured and chaotic, working through similar stylistic obsessions and approaches to Caves band. Christoph Drehers low bass isnt Tracy Pews kind of explosion, say, but its a similar core underpinning the songs, while Thomas Wydlers drumming already shows the skill that would lead Cave to recruit him for the Bad Seeds, bringing a crisp, focused swing to songs like "Pleasure Is the Boss." For all the connections, though, Die Haut was still its own particular band and approach, shown perhaps more thoroughly on the three instrumentals. "Tokyo Express" readily calls up the feeling of a chugging train rumbling down the tracks, with the intense, focused riffs of Remo Park and Martin Peter twisting Ennio Morricone into new forms. "The Victory" is focused post-punk that suggests Joy Division (especially Drehers bass work at points), while the brief instrumental "This Flame Will Never Die" which closes the album takes a route towards calmer tension than anything else. The 2004 reissue includes not only a full essay on the bands early days and a slew of great photos (including one of Cave on-stage with hair that outdoes Robert Smiths) but a bonus DVD that covers the quartet, performing without singers, from its first German tour. | ||
 | Album: 2 of 20 Title: Ghosts... of the Civil Dead Released: 1989-05-08 Tracks: 14 Duration: 34:23 Scroll: Up Down Top Bottom 25% 50% 75% AlbumCover | 1 The News (00:32) 2 Introduction: A Prison in the Desert (02:52) 3 Ive Been a Prison Guard Since I Was 18 Years Old (02:42) 4 I Was 16 When They Put Me in Prison (04:03) 5 Youre Danglin Us Like a Bunch of Meat on a Hook (03:01) 6 Pop Mix (00:23) 7 Pop Mix (03:00) 8 We Were United Once (03:01) 9 The Day of the Murders (02:35) 10 Lillys Theme ("A Touch of Warmth") (02:10) 11 Maynard Mix (02:13) 12 What Im Tellin Is the Truth (00:48) 13 Outro: The Free World (04:46) 14 One Man Released So They Can Imprison the Rest of the World (02:13) |
 | Album: 3 of 20 Title: Mah Sanctun Released: 1995 Tracks: 4 Duration: 14:30 Scroll: Up Down Top Bottom 25% 50% 75% AlbumCover | 1 Mah Sanctun (03:58) 2 Lamentation (03:47) 3 One Autumn (02:34) 4 Animal Static (04:11) |
 | Album: 4 of 20 Title: To Have and to Hold Released: 1996-10-21 Tracks: 21 Duration: 39:31 Scroll: Up Down Top Bottom 25% 50% 75% AlbumCover | 1 To Have and to Hold (03:04) 2 The Jungle of Love (02:27) 3 Candlelit Bedroom (00:59) 4 Luther (00:55) 5 A House in the Jungle (01:13) 6 Delirium (00:44) 7 The River at Night (01:56) 8 Mourning Song (02:48) 9 Romantic Theme (03:40) 10 Snow Vision (01:26) 11 Rose (01:37) 12 The Clouds (00:48) 13 Noahs Funeral (00:53) 14 The Flight (01:42) 15 Kate Leaves (01:11) 16 Were Coming - The Riot (01:20) 17 Murder (01:16) 18 The Red Dress (01:26) 19 I Threw It All Away (02:14) 20 To Have and to Hold - End Titles (03:49) 21 Gangster Bone (03:54) |
 | Album: 5 of 20 Title: And the Ass Saw the Angel Released: 1999-01-04 Tracks: 16 Duration: 45:18 Scroll: Up Down Top Bottom 25% 50% 75% Allmusic AlbumCover | 1 Mah Sanctum (03:57) 2 Lamentation (03:42) 3 One Autumn (02:28) 4 Animal Static (04:11) 5 Sleepy River Piano (01:50) 6 Doghead (04:12) 7 Pas Traps (02:37) 8 Coseys Lullaby (02:46) 9 Sanctum (03:38) 10 The Hobo Church (01:48) 11 Sleepy River Swoon (02:21) 12 God (02:33) 13 Euchrid on the Run (01:50) 14 Beths Sleepy River (02:50) 15 Doghead Revisited (03:13) 16 Angels (01:16) |
| And the Ass Saw the Angel : Allmusic album Review : This record consists of two distinct parts: the first features Nick Cave reading four excerpts from his William Faulkner-inspired, Southern-gothic novel, AND THE ASS SAW THE ANGEL, while the second is 35 minutes of music commissioned for a stage adaptation of the novel. The excerpts originally appeared on a bonus disc given away with Caves 1988 album, TENDER PREY. Caves reading is very careful and deliberate, his voice reverberating and very occasionally verging on singing. Each of the read excerpts features minimal backing: the first with a stately, morose piano and harmonica; the second sports a sick, barreling barroom piano; and the third and fourth are less music and more the creepy chattering of rasping metal. The theater music is mostly instrumental, the only vocals are provided by Katy Beale on "Coseys Lullaby" and "Beths Sleepy River." It varies from the fairly straight-forward, if monumentally grim, intonation of tracks like "Sleepy River Piano" and "Sanctum" to the ambient industrial rattle of "Pas Traps" and the genuinely distressing "Euchrid on the Run," with a stop along the way at sinister gospel (see "Angels"). A must for Cave fanatics, AND THE ASS SAW THE ANGEL makes perfect accompaniment to reading the novel. | ||
 | Album: 6 of 20 Title: Nick Cave i przyjaciele: W moich ramionach Released: 2003-04-07 Tracks: 10 Duration: 1:03:12 Scroll: Up Down Top Bottom 25% 50% 75% Spotify AlbumCover | 1 W moich ramionach (05:11) 2 Święty Huck (09:13) 3 Henry Lee (03:42) 4 Deszczowy klaun (07:14) 5 Krwawa prawa dłoń (07:20) 6 Przekleństwo Millhaven (06:38) 7 Bar OMalleys (10:46) 8 Krzesło łaski (04:27) 9 Tam gdzie rosną (03:36) 10 Pieśń o płaczu (05:02) |
 | Album: 7 of 20 Title: The Proposition: Original Soundtrack Released: 2005 Tracks: 16 Duration: 42:21 Scroll: Up Down Top Bottom 25% 50% 75% Spotify Allmusic Wikipedia AlbumCover | 1 Happy Land (01:36) 2 The Proposition #1 (03:24) 3 Road to Banyon (01:40) 4 Down to the Valley (03:48) 5 Moan Thing (02:46) 6 The Rider #1 (01:15) 7 Martha’s Dream (03:07) 8 Gun Thing (04:28) 9 Queenie’s Suite (03:30) 10 The Rider #2 (02:58) 11 The Proposition #2 (02:42) 12 Sad Violin Thing (00:50) 13 The Rider #3 (01:08) 14 The Proposition #3 (02:59) 15 The Rider Song (02:30) 16 Clean Hands, Dirty Hands (03:33) |
| The Proposition: Original Soundtrack : Allmusic album Review : To accompany the film adaptation of his own screenplay for the outback Western THE PROPOSITION, revered Australian singer/songwriter Nick Cave enlisted his occasional Bad Seeds bandmate, Warren Ellis, to create the moody score. Given the movies dark, gritty tone, these compositions are appropriately haunting and elegiac, with Elliss plaintive violin lines meshing hypnotically with Caves spare piano work and occasional vocal contributions. A darkly beautiful album that will appeal to Nick Cave fans as well as fans of Elliss other group, the Dirty Three, this evocative soundtrack makes for a fascinating example of musical storytelling. | ||
 | Album: 8 of 20 Title: The Assassination of Jesse James by the Coward Robert Ford: Music From the Motion Picture Released: 2007-10-23 Tracks: 14 Duration: 43:38 Scroll: Up Down Top Bottom 25% 50% 75% Spotify Wikipedia Allmusic AlbumCover | 1 Rather Lovely Thing (03:13) 2 Moving On (02:32) 3 Song for Jesse (02:36) 4 Falling (02:54) 5 Cowgirl (04:06) 6 The Money Train (02:38) 7 What Must Be Done (01:58) 8 Another Rather Lovely Thing (03:28) 9 Carnival (02:52) 10 Last Ride Back to KC (05:24) 11 What Happens Next (02:08) 12 Destined for Great Things (02:26) 13 Counting the Stars (01:20) 14 Song for Bob (06:03) |
| The Assassination of Jesse James by the Coward Robert Ford: Music From the Motion Picture : Allmusic album Review : Nick Cave, heretofore best known for his work with the Australian band Nick Cave and the Bad Seeds, has recently developed a flourishing side career as a composer of film scores. It started with Win Wenders using a couple of his songs in Wings of Desire, which led to his songs being used in a wide variety of movies from, Shriek II to the Scream franchise. But Cave has lately grown from merely providing songs to composing whole soundtracks, first in the bleak Australian western The Proposition (for which he also wrote the screenplay) and here, in the melancholy American western The Assassination of Jesse James by the Coward Robert Ford. Cave has proved a remarkably effective soundtrack composer, mostly because his movie music is not much different from his rock music. Both have their basis in American roots music and Caves doleful pianos, mournful acoustic guitars, and keening fiddles (provided by co-composer Warren Ellis) in both The Proposition and in The Assassination are of a piece with his earlier music, only without words. And his predilection for minor keys, sparse textures, yearning melodies, and funereal tempos is likewise similar to his rock music. But the most important quality of Cave as a film composer, like the most important quality of any film composer, is his ability to use his music to intensify the action onscreen. Here, the sorrow, the tragedy, and, in the end, the pity of The Assassination is amply enhanced by Caves score. No higher use -- and no higher praise -- for a film score is possible. Played mostly by Cave and Ellis, though with occasional assistance from a band and string section, the performances are of a piece with the score, and Warner Brothers richly evocative sound is absolutely appropriate. | ||
 | Album: 9 of 20 Title: White Lunar Released: 2009-09-18 Tracks: 33 Duration: 1:44:49 Scroll: Up Down Top Bottom 25% 50% 75% Spotify Allmusic AlbumCover | 1 Song for Jesse (02:36) 2 Moving On (02:32) 3 What Must Be Done (01:58) 4 Song for Bob (06:03) 5 Happy Land (01:36) 6 The Proposition #1 (03:24) 7 Road to Banyon (01:40) 8 The Rider #2 (02:58) 9 Martha’s Dream (03:07) 10 Gun Thing (04:28) 11 The Rider Song (02:30) 12 The Road (03:46) 13 The Mother (02:37) 14 The Father (02:57) 15 The Beach (02:58) 16 The Journey (03:33) 17 The Boy (03:11) 1 Srey Leak (03:39) 2 Me Nea (02:15) 3 Rom (03:28) 4 Halo (03:01) 5 Zanstra (01:33) 6 Black Silk (Suture) (01:01) 7 Brain Retractor (01:21) 8 Dandy Brain Cannula (02:19) 9 Rat’s Tooth Forceps (02:02) 10 Kerrison’s Punch (02:03) 11 Micro Sucker (00:46) 12 Window (01:51) 13 Daedalus (01:55) 14 Magma (03:15) 15 Cheata (02:41) 16 Sorya Market / [silence] / [unknown] (19:30) |
| White Lunar : Allmusic album Review : Given their output, it’s certainly tempting to write about the shared aesthetic philosophy of Nick Cave and Warren Ellis as film composers, but thats actually beside the point. In fact, what’s most remarkable about White Lunar, the double-disc collaborative retrospective compilation from film scores by the pair, is how utterly “small” and atmospheric the work is, especially considering that three of these films cover very large visual landscapes. Two are Westerns: The Proposition -- which Cave also wrote the screenplay for and set in the Australian Outback -- and The Assassination of Jesse James by the Coward Robert Ford. The third of these large-landscape movies is The Road, based on the post-apocalyptic novel by Cormac McCarthy. Disc one is comprised of the selections from the scores of these films, while disc two contains music from The Girls of Phnom Penh and The English Surgeon, as well as assorted unissued tracks from the duos vaults. Each disc is compiled to stand on its own. Disc one does so in a way that is quietly spooky and powerful despite the minimal approach of the few instruments employed: violin, piano, bass, guitars, some atmospheric keyboards, etc. Whether one has seen the films orchestrated here hardly matters. The aural impressions are of loneliness, solitude, vast stretches of emptiness, and physical as well as emotional desolation. There are a couple of vocal tracks on disc one, mainly the traditional “Happy Land,” which was totally rearranged -- as all good folks songs should be -- by Cave, and “The Rider 2,” which is vastly different from its instrumental counterpart thats here. This disc alone is worth the purchase price; it stands as a testament to a working method that is based on instinct and careful attention paid to interior space as well as microscopic details in composition and mixing. Disc two is bookended with cues from The Girls of Phnom Penh. The approach here is even more minimal and a shade more dissonant. The use of keyboards is a bit more prevalent but not in an intrusive way. It feels both emotionally distraught and physically foreboding despite the quiet nature of the score. Tracks from the vaults and The English Surgeon are alternated in between, a few from each, then repeated before the disc ends. The vault tunes are little more than bits of ideas, articulated enough so that something else might be built upon them. The music from The English Surgeon, if not more lush, is more melodic and emotionally resonant of melancholy, dread, and even tenderness. Ultimately, this is a fascinating, provocative, and thoroughly enjoyable document on its own, though one would be well advised to pick up the individual scores for the films on disc one as well. | ||
 | Album: 10 of 20 Title: The Road: Original Film Score Released: 2010-01-04 Tracks: 17 Duration: 46:52 Scroll: Up Down Top Bottom 25% 50% 75% Spotify Allmusic AlbumCover | 1 Home (02:04) 2 The Road (03:41) 3 Storytime (02:24) 4 The Cannibals (02:08) 5 Water and Ash (01:27) 6 The Mother (02:46) 7 The Real Thing (02:32) 8 Memory (03:42) 9 The House (03:16) 10 The Far Road (02:44) 11 The Church (01:34) 12 The Journey (04:14) 13 The Cellar (01:17) 14 The Bath (02:22) 15 The Family (03:36) 16 The Beach (03:50) 17 The Boy (03:09) |
| The Road: Original Film Score : Allmusic album Review : Previous film scores by Nick Cave and Warren Ellis have been filled with a sense of atmospheric desolation that assumes tension, foreboding, dread, and ultimately violence, and preface the notion of the story on the screen. That said, their score for John Hillcoats The Road -- adapted from Cormac McCarthys post-apocalyptic novel of a father and sons journey across the barren landscape of what is left of America -- is a shift away from that technique. The 17 cues here are filled with very slight, spare, even skeletal pieces for violin and piano, with a few brief blazing moments of dissonant percussion-driven noise that point to the unfolding terror in the narrative. These are courtesy of an orchestral string section and added percussion, such as on the freakish “The Cannibals.” These moments are few and far between, however. On “Memory,” the orchestra leads the way, evoking something nearly pastoral, but burdened by so much sadness that it is actually an elegy. The longest piece here is “The Journey”; it contains traces of the film’s musical theme, adorned with percussion and strings, and conjures some atmospheric dread and inherent disaster -- and recalls some of the pairs other work -- but even here it feels like a minor-key interlude with sonic effects designed to add tension and a mournful tinge. “The Cellar” is the most arrestingly dissonant piece with its aggression and dynamic explosiveness, but its a brief cue of less than a minute and a half. Most of what’s here is simply quiet and dignified, and serves the cinematic narrative as a bridge between father and son, who experience the many things they encounter through different eyes. As music, however, without that visual context, it’s so minimal that it feels like a series of pieces that never quite resolve. Ultimately, when heard apart from its cinematic counterpart, it is the least memorable of the scores Cave and Ellis have recorded together, but is a pleasant, if not riveting, listening experience. | ||
 | Album: 11 of 20 Title: Lawless Released: 2012-08-28 Tracks: 14 Duration: 41:46 Scroll: Up Down Top Bottom 25% 50% 75% Spotify AlbumCover | 1 Fire and Brimstone (04:29) 2 Burnin’ Hell (01:57) 3 Sure ’Nuff ’n Yes I Do (01:27) 4 Fire in the Blood (01:10) 5 White Light/White Heat (04:24) 6 Cosmonaut (03:43) 7 Fire in the Blood / Snake Song (04:27) 8 So You’ll Aim Towards the Sky (05:59) 9 Fire in the Blood (01:07) 10 Fire and Brimstone (02:14) 11 Sure ’Nuff ’n Yes I Do (02:35) 12 White Light/White Heat (01:39) 13 End Crawl (03:59) 14 Midnight Run (02:36) |
 | Album: 12 of 20 Title: West of Memphis Released: 2014 Tracks: 11 Duration: 29:24 Scroll: Up Down Top Bottom 25% 50% 75% Spotify AlbumCover | 1 West of Memphis (01:42) 2 1994 (04:15) 3 Investigation (02:29) 4 Vincent di Maio (01:56) 5 Eyewitness (02:41) 6 Groundswell (02:48) 7 Alford Plea (02:59) 8 Scene of the Crime (04:04) 9 The Interview (02:29) 10 Arkansas Supreme Court Decision (02:20) 11 West Memphis 3 (01:41) |
 | Album: 13 of 20 Title: Live at the Royal Albert Hall Released: 2015 Tracks: 23 Duration: 2:18:00 Scroll: Up Down Top Bottom 25% 50% 75% Allmusic AlbumCover | 1 Waters Edge (05:35) 2 The Weeping Song (03:39) 3 Red Right Hand (06:02) 4 Brompton Oratory (04:21) 5 Higgs Boson Blues (10:58) 6 Mermaids (06:22) 7 The Ship Song (03:53) 8 From Her to Eternity (08:20) 9 Stranger Than Kindness (05:20) 10 Love Letter (04:24) 11 Into My Arms (05:38) 12 West Country Girl (04:19) 13 Tupelo (07:56) 1 Black Hair (06:30) 2 The Mercy Seat (05:40) 3 Jubilee Street (11:16) 4 Avalanche (04:53) 5 No More Shall We Part (04:13) 6 Breathless (03:43) 7 Jack The Ripper (07:06) 8 Up Jumped the Devil (05:04) 9 The Lyre of Orpheus (06:36) 10 Push the Sky Away (06:09) |
 | Album: 14 of 20 Title: Live at Hammersmith Apollo Released: 2015 Tracks: 25 Duration: 2:25:17 Scroll: Up Down Top Bottom 25% 50% 75% AlbumCover | 1 Waters Edge (05:57) 2 The Weeping Song (03:29) 3 Red Right Hand (06:43) 4 Brompton Oratory (03:29) 5 Higgs Boson Blues (11:50) 6 Mermaids (05:24) 7 The Ship Song (04:06) 8 From Her to Eternity (07:46) 9 I Let Love In (04:37) 10 Love Letter (04:27) 11 Into My Arms (05:28) 12 West Country Girl (03:28) 13 Tupelo (08:01) 1 Black Hair (06:55) 2 The Mercy Seat (05:53) 3 Jubilee Street (11:01) 4 We No Who U R (05:02) 5 No More Shall We Part (04:31) 6 Breathless (03:11) 7 Up Jumped the Devil (05:11) 8 Avalanche (05:07) 9 Stranger Than Kindness (05:41) 10 Jack The Ripper (06:32) 11 The Lyre of Orpheus (05:55) 12 Push the Sky Away (05:22) |
 | Album: 15 of 20 Title: Loin des Hommes Released: 2015-05-18 Tracks: 14 Duration: 42:41 Scroll: Up Down Top Bottom 25% 50% 75% AlbumCover | 1 Far From Men (01:33) 2 The Teacher (02:00) 3 Bloody Cheche (03:48) 4 Dead Horse (03:08) 5 Setting Out (02:05) 6 Mountain Scramble (02:33) 7 Dust Storm (05:00) 8 Bandits (02:17) 9 The March (03:25) 10 Berzina (04:42) 11 Farewell at Tinguit (02:31) 12 No Class Today (01:48) 13 Teacher’s Farewell (02:21) 14 Far From Men 2 (05:22) |
 | Album: 16 of 20 Title: Hell or High Water Released: 2016-08-19 Tracks: 15 Duration: 43:32 Scroll: Up Down Top Bottom 25% 50% 75% Spotify AlbumCover | 1 Comancheria (02:05) 2 Dollar Bill Blues (03:01) 3 Mamas Room (02:49) 4 Dust of the Chase (05:05) 5 Texas Midlands (02:02) 6 Robbery (03:26) 7 You Ask Me To (02:29) 8 Mountain Lion Mean (02:07) 9 Sleeping on the Blacktop (03:12) 10 From My Cold Dead Hands (02:30) 11 Lord of the Plains (02:35) 12 Blood Sweat & Murder (02:54) 13 Casino (01:50) 14 Comancheria, Pt. 2 (01:49) 15 Outlaw State of Mind (05:37) |
 | Album: 17 of 20 Title: Mars Released: 2016-11-16 Tracks: 13 Duration: 49:10 Scroll: Up Down Top Bottom 25% 50% 75% Spotify AlbumCover | 1 Mars Theme (01:42) 2 Mars (04:00) 3 Daedalus (03:00) 4 Earth (02:11) 5 Science (02:25) 6 Voyage (04:52) 7 Space X (02:42) 8 Space Station (04:16) 9 Symphony of the Dead (09:38) 10 Planetarium (02:43) 11 Aftermath (04:42) 12 Towards Daedalus (03:00) 13 Life on Mars (03:52) |
 | Album: 18 of 20 Title: War Machine: A Netflix Original Film Released: 2017-05-26 Tracks: 19 Duration: 52:04 Scroll: Up Down Top Bottom 25% 50% 75% AlbumCover | 1 Ah America (01:14) 2 Humble Man (03:23) 3 The Bubble (03:21) 4 The Civilian Executive (01:59) 5 In Liebe dein (03:45) 6 Badi Basim (01:25) 7 Kamee (03:42) 8 The Moon Landing (00:43) 9 Our Noise (00:58) 10 Fabelwein (05:05) 11 Jeanie (01:29) 12 NY Snow Globe (02:28) 13 Thousands of Parades, All over America (05:04) 14 Marjah (03:18) 15 Staunen im Fjord (03:37) 16 The Hand of Helping (01:57) 17 Be Lovely (02:55) 18 A Page in the History Books (02:37) 19 War Machine (03:04) |
 | Album: 19 of 20 Title: Wind River Released: 2017-08-04 Tracks: 23 Duration: 44:32 Scroll: Up Down Top Bottom 25% 50% 75% Spotify AlbumCover | 1 Snow Wolf (02:08) 2 Zed (02:01) 3 Tell Me What That Is (01:25) 4 First Journey (01:28) 5 First Body (02:35) 6 Second Journey (01:28) 7 Breakdown (02:01) 8 Never Gonna Be the Same (02:01) 9 Hunter (01:46) 10 Meth House (02:01) 11 Bad News (01:16) 12 Third Journey (01:05) 13 Second Body (01:00) 14 Lecture (02:04) 15 Corey’s Story (03:08) 16 See You Tomorrow (01:07) 17 Three Seasons in Wyoming (03:37) 18 Cabin (01:15) 19 Shoot Out (01:46) 20 Snow Flight (01:20) 21 Memory Time (02:07) 22 Survive or Surrender (02:05) 23 Wind River (03:48) |
 | Album: 20 of 20 Title: Kings Released: 2018-04-06 Tracks: 16 Duration: 47:02 Scroll: Up Down Top Bottom 25% 50% 75% Spotify AlbumCover | 1 Latasha Harlins (02:28) 2 CCTV Montage (02:44) 3 Bake (02:05) 4 Saying Goodbye (01:03) 5 School Argument (04:17) 6 Waking Up (01:49) 7 Leave The Gun (00:39) 8 Police Cars (03:31) 9 Where Are The Boys? (01:06) 10 Erotic Dream (03:17) 11 Arrested (06:27) 12 Red Ford (02:29) 13 Death of William (03:09) 14 Lamp Post (04:28) 15 Kings (04:21) 16 Earthquake (03:09) |